7. ‘Change-of-State’ in the History of Cartography

2020 ◽  
pp. 177-183
Author(s):  
Mark Monmonier

Five static graphic strategies support the transition from one spatial pattern to another. Chess maps, as a telling sequence of instantaneous views, use a common geographic framework to narrate a geographic story. By contrast, rate-of-change maps use numerical measurements to describe spatial variation in the rapidity or slowness of change. A third type, the dance map, mimics the step-by-step footwork of rehearsed choreography, analogous to the movements of troops, materiel, and intelligence in a military campaign (A highly focused dance map, the centrographic map, treats a spatial-temporal narrative as a statistical summary.) Additional strategies include flow maps and frontal maps, a military/meteorological analog. Dynamic cartography and the interactive manipulation of history maps afford new insights as well as alternative interpretations.


1968 ◽  
Vol 4 ◽  
pp. A301-A302
Author(s):  
A.A.M.

1956 ◽  
Vol 9 (3) ◽  
pp. 323-334 ◽  
Author(s):  
R. A. Skelton

The history of navigation and hydrography, as of other crafts or ‘mechanick arts’, has to be constructed from very imperfect materials. Instruments and charts, as the tools of practical men, were commonly discarded when they were worn out or superseded. The high mortality among original charts makes generalization in the comparative history of cartography hazardous. That no Portuguese charts before 1500 are now known does not allow us to conclude that none was made but only that none has survived. Many of the early charts that have been preserved are decorative examples drawn for royal or other patrons; those by which pilots conned their ships had a smaller expectation of life and are correspondingly rare.


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