scholarly journals Sonority distance and similarity avoidance effects in Moroccan Judeo-Spanish

Linguistics ◽  
2018 ◽  
Vol 56 (6) ◽  
pp. 1463-1511 ◽  
Author(s):  
Travis G. Bradley ◽  
Jacob J. Adams
Keyword(s):  
Fifteenth Century ◽  
Optimality Theory ◽  
Consonant Clusters ◽  
Full Account ◽  
Obligatory Contour Principle ◽  
Distance Effects ◽  
Identical Manner ◽  
Regional Dialect ◽  
Late Nineteenth ◽  
Late Fifteenth

Abstract This article investigates consonant gemination in late Nineteenth- and early Twentieth-century haketía, a now moribund, regional dialect of Judeo-Spanish spoken in northern Morocco since the late fifteenth century. Some, but not all, consonant clusters arising across a word boundary undergo regressive total assimilation, e.g. [n.n] siudad ninguna ‘no city’ but [z.n] laz niñas ‘the girls’. We present novel descriptive generalizations to show that regressive gemination is sensitive to the degree of sonority distance between the coda and the onset. Evidence of parasitic harmony comes from lateral+consonant clusters, which undergo gemination only if the target and trigger consonants are already similar in some respect. In the framework of Optimality Theory, we formalize syllable contact as a relational hierarchy of *Distance constraints and capture parasitic harmony effects by similarity avoidance, or Obligatory Contour Principle, constraints against adjacent consonants with identical manner and/or place features. These markedness constraints interact with other universal faithfulness and markedness constraints in a language-specific ranking that predicts the attested patterns of regressive gemination. This study lends further support to sonority distance effects and gradient syllable contact in phonological theory and shows that similarity avoidance is also necessary to give a full account of regressive gemination in Moroccan Judeo-Spanish.

Monasticism in Africa South of the Sahara

2020 ◽  
pp. 540-557
Author(s):  
Catherine Higgs
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Fifteenth Century ◽  
First Century ◽  
Late Nineteenth Century ◽  
Early Twenty ◽  
North Eastern ◽  
Late Nineteenth ◽  
Twenty First Century ◽  
Late Fifteenth

This chapter explores the intersections between European missionary outreach, political and commercial concerns, and the African reception and adaptation of Christianity south of the Sahara, beginning in the late fifteenth century ce and extending through the early twenty-first century. For the most part, missionaries, not monastics, spread the faith. The message from the outset was intertwined with political and commercial considerations—initially a trade in slaves, foodstuffs, and other commodities, and eventually, in the late nineteenth century, colonialism. Neither conquest nor evangelization proved formulaic or easy. In 1910, perhaps nine per cent of Africans were Christians, including those in the ancient north-eastern centres of Egypt and Ethiopia. By 2010, an estimated fifty per cent of Africans were Christians, most living south of the Sahara. Christianity has been redefined as an African faith, across a continuum that includes independent and indigenous interpretations, and, re-emerging in the twentieth century, a few Catholic monastics.

Epenthesis, Geminates, and the OCP in Finnish

1999 ◽  
Vol 22 (1) ◽  
pp. 3-26 ◽  
Author(s):  
Heli Harrikari
Keyword(s):  
Optimality Theory ◽  
Consonant Clusters ◽  
Theoretic Analysis ◽  
Obligatory Contour Principle ◽  
Phonological Length

This study re-evaluates the representation of phonological length in Finnish in the light of Optimality Theory. The Obligatory Contour Principle (OCP) prohibits sequences of identical elements. It follows that long segments cannot be represented as sequences of two short segments, but must be interpreted monosegmentally (i.e. non-linearly). In Finnish, long segments have been traditionally represented bisegmentally, consequently violating the OCP. There are, however, phenomena in Finnish, such as dialectal epenthesis, which pattern long consonants with short ones rather than with bisegmental consonant clusters. This study provides an Optimality Theoretic analysis for dialectal epenthesis, and shows that the analysis predicts that monosegmental representation is the optimal way of representing long consonants in Finnish as well.

Contextualizing Josquin’s Ave Maria…virgo serena

2017 ◽  
Vol 34 (2) ◽  
pp. 182-240
Author(s):  
Clare Bokulich
Keyword(s):  
Fifteenth Century ◽  
Musical Style ◽  
Growing Body ◽  
Late Fifteenth ◽  
The Moment

Notwithstanding the reputation of Josquin’s Ave Maria…virgo serena as a touchstone of late–fifteenth-century musical style, little is known about the context in which the piece emerged. Just over a decade ago, Joshua Rifkin placed the motet in Milan ca. 1484; more recently, Theodor Dumitrescu has uncovered stylistic affinities with Johannes Regis’s Ave Maria that reopen the debate about the provenance of Josquin's setting. Stipulating that the issues of provenance and dating are for the moment unsolvable, I argue that the most promising way forward is to contextualize this work to the fullest extent possible. Using the twin lenses of genre and musical style, I investigate the motet’s apparently innovative procedures (e.g., paired duos, periodic entries, and block chords) in order to refine our understanding of how Josquin’s setting relates to that of Regis and to the Milanese motet cycles (motetti missales). I also uncover connections between Josquin’s motet and the music of earlier generations, above all the cantilena and the forme fixe chanson, that offer new insights into the development of musical style in the fifteenth century. The essay concludes by positioning the types of analyses explored here within a growing body of research that enables a revitalized approach to longstanding questions about compositional development and musical style.

Islamic Monuments as Christian Trophies

2017 ◽  
Author(s):  
Antonio Urquízar-Herrera
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Thirteenth Century ◽  
Medieval Chronicles ◽  
Late Fifteenth ◽  
Historical Accounts ◽  
Rodrigo Jimenez De Rada ◽  
The Way

Chapter 3 approaches the notion of trophy through historical accounts of the Christianization of the Córdoba and Seville Islamic temples in the thirteenth-century and the late-fifteenth-century conquest of Granada. The first two examples on Córdoba and Seville are relevant to explore the way in which medieval chronicles (mainly Rodrigo Jiménez de Rada and his entourage) turned the narrative of the Christianization of mosques into one of the central topics of the restoration myth. The sixteenth-century narratives about the taking of the Alhambra in Granada explain the continuity of this triumphal reading within the humanist model of chorography and urban eulogy (Lucius Marineus Siculus, Luis de Mármol Carvajal, and Francisco Bermúdez de Pedraza).

Mamluk Painting in the Late Fifteenth Century

1984 ◽  
Vol 2 ◽  
pp. 159
Author(s):  
Esin Atil
Keyword(s):  
Fifteenth Century ◽  
Late Fifteenth
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