Minds at War, Minds in War: The Wartime Short Fiction of D.H. Lawrence and Wyndham Lewis

2012 ◽  
Vol 60 (4) ◽  
Author(s):  
Ann-Marie Einhaus
Keyword(s):  
Short Fiction ◽  
Wyndham Lewis

The Short Story in Wales (1937–1949): ‘Though we write in English, we are rooted in Wales’

2020 ◽  
pp. 293-310
Author(s):  
Daniel Hughes
Keyword(s):  
United Kingdom ◽  
Short Story ◽  
Short Fiction ◽  
English Language ◽  
Wyndham Lewis ◽  
The United Kingdom ◽  
Language Writing ◽  
Dylan Thomas ◽  
The Voice

This chapter explores the ways in which Wales magazine (1937-49) sought to cultivate a distinctly Welsh modernist aesthetic, one best embodied in the work of contributors such as Dylan Thomas, Glyn Jones, and Lynette Roberts. Wales published English-language writing despite its sometimes Welsh-nationalist agenda, but it also demonstrates an awareness of and connections with the ‘intra-national’ dimensions of modernism across the United Kingdom. The magazine carried advertisements for Hugh MacDiarmid’s The Voice of Scotland, while also publishing fiction by writers such as Celia Buckmaster and Wyndham Lewis. While this modernist impulse is most obviously evident in the first run of the magazine (1937-40), the chapter argues that the short fiction published in its later incarnation as a cultural miscellany (1943-49) demonstrates continued engagement with both international and ‘intra-national’ modernist paradigms.

‘BLAST First (from politeness) ENGLAND’: The Manifesto in Britain and Ireland

2017 ◽  
Vol 12 (2) ◽  
pp. 297-315 ◽  
Author(s):  
Julian Hanna
Keyword(s):  
Detailed Analysis ◽  
Virginia Woolf ◽  
Ezra Pound ◽  
Wyndham Lewis ◽  
Italian Futurism ◽  
Free Zone ◽  
Hugh Macdiarmid ◽  
The Times

Aside from the familiar story of Vorticists and Imagists before the war, no detailed analysis of manifestos in Britain (or Ireland) exists. It is true that, by 1914, there had been such an upsurge in manifesto writing that a review of BLAST in The Times (1 July 1914) began: ‘The art of the present day seems to be exhausting its energies in “manifestoes.”’ But after the brief fire ignited by the arrival of Italian Futurism died out, Britain again became a manifesto-free zone. Or did it? While a mania for the militant genre did not take hold in Britain and Ireland the same way it did in France, Italy, Germany, or Russia, the manifesto did enjoy a small but dedicated following that included Whistler, Wilde, and Yeats; Patrick Geddes and Hugh MacDiarmid; Wyndham Lewis and Ezra Pound; Dora Marsden and Virginia Woolf; and Auden, MacNeice, and Spender. Through these and other figures it is possible to trace the development of a manifesto tradition specific to Britain and Ireland.

‘Machinic Desire’: Wyndham Lewis, Masculinity and the Sublime Horror of Technological War

2020 ◽  
Vol 15 (4) ◽  
pp. 488-514
Author(s):  
Udith Dematagoda
Keyword(s):  
First World War ◽  
Wyndham Lewis ◽  
World War ◽  
Technological Society ◽  
The Sublime ◽  
The First World War ◽  
Post War ◽  
First World

This article explores Wyndham Lewis's experience of the First World War, and its influence on his varied artistic output. It interrogates how Lewis's initial ambivalence towards an emergent technological society shifted through direct encounters with mechanized warfare, and speculates on the effect of these upon his post-war writing and criticism. By contrasting Lewis's thought against that of his Italian Futurist contemporaries, I will demonstrate the centrality of their divergent conceptions of masculinity in accounting for this opposition – and how Lewis's critique of technological society prefigures contemporary opposition towards the post-humanist philosophy of Accelerationism.

Feministic Analysis of Shauna Singh Baldwin’s selected stories in English Lessons and Other Stories

2020 ◽  
Vol 4 (1) ◽  
pp. 1-5
Author(s):  
Ravindra Ranaware
Keyword(s):  
Short Fiction ◽  
Modern Society ◽  
Point Of View ◽  
Religious Tolerance ◽  
Indian Woman ◽  
Specific Technique ◽  
Equal Rights ◽  
Indian Immigrant ◽  
Shauna Singh Baldwin

The present paper aims at exploration of Shauna Singh Baldwin’s specific technique implemented to present women predicament in selected stories from feministic point of view. The feministic point of view has developed out of a movement for equal rights and chances for women society. The present search is based on analytical and interpretative methods. Shauna Singh Baldwin is a writer of short fiction, poetry, novels and essays. Her ‘English Lessons and Other Stories’ explores the predicament of earlier neglected women of Sikh community by putting them in the context of globalization, immigration to West and consumerism at Indian modern society. “Montreal 1962” presents a Sikh wife’s attachment, love, determination, struggles and readiness to do anything for survival in Canada where her husband is threatened to remove his turban and cut his hair short to get the job. “Simran” presents the story of sacrifice of individual desire by a young Sikh girl because of her mother’s fundamentalist attitude. The title of story “English Lessons” presents injustice to an Indian woman who has married to an American, who compels her to become a prostitute and a source of his earnings in the States. The fourth selected story “Jassie” tells us about the timely need of religious tolerance in the file of an Indian immigrant old woman. Being a feminist writer, though Baldwin has never claimed directly to be, she has very skillfully presented the issues of feminism through her own technique of presentation. She has used technique of presenting absence or opposite to highlight it indirectly. Thus, true to her technique, though not explicitly declared, Baldwin is one of the feminist writers who skillfully deals with feminine concerns.

Sign in / Sign up

Export Citation Format

Share Document