Strategies for Combating Erasure and Silencing

2021 ◽  
Vol 3 (2) ◽  
pp. 79-88
Author(s):  
Yelaine Rodriguez

Curated by Yelaine Rodriguez and edited by Tatiana Flores, this Dialogues stages a series of conversations around Afro-Latinx art through interventions by Afro-Latina cultural producers. Black Latinxs often feel excluded both from the framework of latinidad as well as from the designation “African American.” The essays address blackness in a US Latinx context, through discussion of curatorial approaches, biographical reflections, art historical inquiry, artistic projects, and museum-based activism. Recent conversations around Latinxs and Black Lives Matter reveal that in the popular imaginary, Latinx presupposes a Brown identity. In their contributions to “Afro-Latinx Art and Activism,” the authors argue for a more inclusive and nuanced understanding of Latinx that does not reproduce the racial attitudes of the Lusophone and Hispanophone countries of Latin America, nor the black-white binary of the United States. They look forward to a time when the terms Afro or Black might cease to be necessary qualifiers of Latinx.

2021 ◽  
Vol 3 (2) ◽  
pp. 72-78
Author(s):  
Aldeide Delgado

Curated by Yelaine Rodriguez and edited by Tatiana Flores, this Dialogues stages a series of conversations around Afro-Latinx art through interventions by Afro-Latina cultural producers. Black Latinxs often feel excluded both from the framework of latinidad as well as from the designation “African American.” The essays address blackness in a US Latinx context, through discussion of curatorial approaches, biographical reflections, art historical inquiry, artistic projects, and museum-based activism. Recent conversations around Latinxs and Black Lives Matter reveal that in the popular imaginary, Latinx presupposes a Brown identity. In their contributions to “Afro-Latinx Art and Activism,” the authors argue for a more inclusive and nuanced understanding of Latinx that does not reproduce the racial attitudes of the Lusophone and Hispanophone countries of Latin America, nor the black-white binary of the United States. They look forward to a time when the terms Afro or Black might cease to be necessary qualifiers of Latinx.


2021 ◽  
Vol 3 (2) ◽  
pp. 46-49
Author(s):  
Tatiana Flores

Curated by Yelaine Rodriguez and edited by Tatiana Flores, this Dialogues stages a series of conversations around Afro-Latinx art through interventions by Afro-Latina cultural producers. Black Latinxs often feel excluded both from the framework of latinidad as well as from the designation “African American.” The essays address blackness in a US Latinx context, through discussion of curatorial approaches, biographical reflections, art historical inquiry, artistic projects, and museum-based activism. Recent conversations around Latinxs and Black Lives Matter reveal that in the popular imaginary, Latinx presupposes a Brown identity. In their contributions to “Afro-Latinx Art and Activism,” the authors argue for a more inclusive and nuanced understanding of Latinx that does not reproduce the racial attitudes of the Lusophone and Hispanophone countries of Latin America, nor the black-white binary of the United States. They look forward to a time when the terms Afro or Black might cease to be necessary qualifiers of Latinx.


2021 ◽  
Vol 3 (2) ◽  
pp. 50-59
Author(s):  
Yelaine Rodriguez

Curated by Yelaine Rodriguez and edited by Tatiana Flores, this Dialogues stages a series of conversations around Afro-Latinx art through interventions by Afro-Latina cultural producers. Black Latinxs often feel excluded both from the framework of latinidad as well as from the designation “African American.” The essays address blackness in a US Latinx context, through discussion of curatorial approaches, biographical reflections, art historical inquiry, artistic projects, and museum-based activism. Recent conversations around Latinxs and Black Lives Matter reveal that in the popular imaginary, Latinx presupposes a Brown identity. In their contributions to “Afro-Latinx Art and Activism,” the authors argue for a more inclusive and nuanced understanding of Latinx that does not reproduce the racial attitudes of the Lusophone and Hispanophone countries of Latin America, nor the black-white binary of the United States. They look forward to a time when the terms Afro or Black might cease to be necessary qualifiers of Latinx.


2021 ◽  
Vol 3 (2) ◽  
pp. 65-71
Author(s):  
Elia Alba

Curated by Yelaine Rodriguez and edited by Tatiana Flores, this Dialogues stages a series of conversations around Afro-Latinx art through interventions by Afro-Latina cultural producers. Black Latinxs often feel excluded both from the framework of latinidad as well as from the designation “African American.” The essays address blackness in a US Latinx context, through discussion of curatorial approaches, biographical reflections, art historical inquiry, artistic projects, and museum-based activism. Recent conversations around Latinxs and Black Lives Matter reveal that in the popular imaginary, Latinx presupposes a Brown identity. In their contributions to “Afro-Latinx Art and Activism,” the authors argue for a more inclusive and nuanced understanding of Latinx that does not reproduce the racial attitudes of the Lusophone and Hispanophone countries of Latin America, nor the black-white binary of the United States. They look forward to a time when the terms Afro or Black might cease to be necessary qualifiers of Latinx.


2021 ◽  
Vol 3 (2) ◽  
pp. 60-64
Author(s):  
Ayanna Legros

Curated by Yelaine Rodriguez and edited by Tatiana Flores, this Dialogues stages a series of conversations around Afro-Latinx art through interventions by Afro-Latina cultural producers. Black Latinxs often feel excluded both from the framework of latinidad as well as from the designation “African American.” The essays address blackness in a US Latinx context, through discussion of curatorial approaches, biographical reflections, art historical inquiry, artistic projects, and museum-based activism. Recent conversations around Latinxs and Black Lives Matter reveal that in the popular imaginary, Latinx presupposes a Brown identity. In their contributions to “Afro-Latinx Art and Activism,” the authors argue for a more inclusive and nuanced understanding of Latinx that does not reproduce the racial attitudes of the Lusophone and Hispanophone countries of Latin America, nor the black-white binary of the United States. They look forward to a time when the terms Afro or Black might cease to be necessary qualifiers of Latinx.


Author(s):  
Ira Dworkin

The conclusion notes the ways that Malcolm X’s criticism of U.S. policy in the Congo, which he finds consistent with a larger disregard for the lives of Black people, globally conceived, is echoed in the words and actions of Black Lives Matter activists, who organized following the murder of Trayvon Martin in Sanford, Florida, and the failure to prosecute his killer. Sanford is a town founded by Henry Shelton Sanford, who represented the United States at the Berlin Conference and worked as a lobbyist for King Leopold II, which helped to fund his Florida empire. This chapter notes that Sanford was directly at odds with George Washington Williams during their lifetime and up until their deaths, which suggests that the Congo appears as an integral part of the landscape of U.S. racial violence and that African American critics of colonialism have always been willing to use their voices to say so.


2012 ◽  
Vol 35 (1) ◽  
pp. 71-87
Author(s):  
Lakeyta M. Bonnette ◽  
Sarah M. Gershon ◽  
Precious D. Hall

The inauguration of the United States first Black President has prompted mass discussions of race relations in America. It is often articulated that America is now in a post-racial society. However, the question still remains: does the election of a Black president demonstrate that America is now a “color-blind” society? To answer this question, we rely on data collected by PEW (2007). Our results suggest that white and African Americans differ significantly in the extent to which they express post-racial attitudes. Specifically, we find that whites more commonly express post-racial attitudes, claiming that racism and discrimination are rare, in opposition to African American views. On the other hand, blacks are more likely to believe that discrimination still occurs. We further find that whites' post-racial beliefs are significant determinants of their attitudes towards race-related policies, such as affirmative action.


Transfers ◽  
2016 ◽  
Vol 6 (1) ◽  
pp. 122-125 ◽  
Author(s):  
Rod Clare

It has been over forty years since the mostly successful conclusion of the Civil Rights movement in the United States. While some may have thought the election of an African-American president in 2008 heralded a “postracial” America, continued violence and oppression has brought about a rebirth of activism, embodied by the Black Lives Matter (BLM) movement. Now that nascent movement is preparing to be part of the National Museum of African American History and Culture (NMAAHC). Due to open in fall 2016, the NMAAHC will be located at 1400 Constitution Avenue NW, in Washington DC.


Author(s):  
Cheryl Teelucksingh

On August 12, 2017, in Charlottesville, Virginia, alt-right/White supremacy groups and Black Lives Matter (BLM) supporters came face-to-face regarding what to do about public monuments that celebrate key figures from slavery and the Jim Crow era. White supremacists and White nationalists did not hide their racist ideologies as they demanded that their privileged place in history not be erased. The BLM movement, which challenges state-sanctioned anti-Black racism, was ready to confront themes of White discontent and reverse racism, critiques of political correctness, and the assumption that racialized people should know their place and be content to be the subordinate other.It is easy to frame the events in Charlottesville as indicative of US-specific race problems. However, a sense that White spaces should prevail and an ongoing history of anti-Black racism are not unique to the United States. The rise of Canadian activism under the BLM banner also signals a movement to change Canadian forms of institutional racism in policing, education, and the labor market. This article responds to perceptions that the BLM movement has given insufficient attention to environmental concerns (Pellow 2016; Halpern 2017). Drawing on critical race theory as a conceptual tool, this article focuses on the Canadian context as part of the author’s argument in favor of greater collaboration between BLM and the environmental justice (EJ) movement in Canada. This article also engages with the common stereotype that Blacks in Canada have it better than Blacks in the United States.


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