Conclusion

Author(s):  
Ira Dworkin

The conclusion notes the ways that Malcolm X’s criticism of U.S. policy in the Congo, which he finds consistent with a larger disregard for the lives of Black people, globally conceived, is echoed in the words and actions of Black Lives Matter activists, who organized following the murder of Trayvon Martin in Sanford, Florida, and the failure to prosecute his killer. Sanford is a town founded by Henry Shelton Sanford, who represented the United States at the Berlin Conference and worked as a lobbyist for King Leopold II, which helped to fund his Florida empire. This chapter notes that Sanford was directly at odds with George Washington Williams during their lifetime and up until their deaths, which suggests that the Congo appears as an integral part of the landscape of U.S. racial violence and that African American critics of colonialism have always been willing to use their voices to say so.

2021 ◽  
Vol 3 (2) ◽  
pp. 79-88
Author(s):  
Yelaine Rodriguez

Curated by Yelaine Rodriguez and edited by Tatiana Flores, this Dialogues stages a series of conversations around Afro-Latinx art through interventions by Afro-Latina cultural producers. Black Latinxs often feel excluded both from the framework of latinidad as well as from the designation “African American.” The essays address blackness in a US Latinx context, through discussion of curatorial approaches, biographical reflections, art historical inquiry, artistic projects, and museum-based activism. Recent conversations around Latinxs and Black Lives Matter reveal that in the popular imaginary, Latinx presupposes a Brown identity. In their contributions to “Afro-Latinx Art and Activism,” the authors argue for a more inclusive and nuanced understanding of Latinx that does not reproduce the racial attitudes of the Lusophone and Hispanophone countries of Latin America, nor the black-white binary of the United States. They look forward to a time when the terms Afro or Black might cease to be necessary qualifiers of Latinx.


2020 ◽  
pp. 145-167
Author(s):  
Aston Gonzalez

This chapter explores the life and work of Augustus Washington, the free African American photographer, who envisioned more rights and freedoms than those available in the United States. Anticipating a future in the United States bound by racial restraints, he packed up his successful photography studio in Hartford, Connecticut, and emigrated to Monrovia, Liberia. Washington worked closely with the American Colonization Society to convince black Americans to leave their homeland for Liberia and attempted to provoke viewers of his images to envision the potential of black rights in the United States that he enjoyed in Liberia. Washington’s images promulgating black Liberian political leadership and economic promise abroad offered a vision of freedom that belied a hierarchical, and often oppressive, Liberian society. In the wake of the Fugitive Slave Act of 1850, his images brought into focus the debates among African Americans about the uncertain, and perhaps imperiled, future of black people in the United States.


Author(s):  
Lewis R. Gordon

Lewis R. Gordon’s essay focuses on Du Bois’s shift from New England liberalism to international radicalism and his global influence in Africana thought, despite his focus on African American politics. Though Du Bois’s expectation of equality for black people in the United States was a supremely radical idea on its own, it was his association with the black tradition of addressing social contradictions and imagining a future of grappling with them that led to the development of his radical philosophical anthropology. Du Bois, like many other Africana scholars, used his theories to express why black people could no longer wait to challenge the status quo. Therefore, Africana political theorists must assert the humanity of people of African descent, which necessitates an explanation of why they are human and how they have historically been excluded from definitions of humanity.


Author(s):  
Eddie S. Glaude

African Americans are generally more religious than other groups in the United States. But African American religion is much more than a description of how deeply religious African Americans are. The phrase helps to differentiate a particular set of religious practices from others that are invested in whiteness; it invokes a particular cultural inheritance that marks the unique journey of African Americans in the United States. African American religion is rooted in the sociopolitical realities that shape the experiences of black people in America, but this is not static or fixed. The ‘Conclusion’ suggests that African American religious life remains a powerful site for creative imaginings in a world still organized by race.


2021 ◽  
Vol 3 (2) ◽  
pp. 72-78
Author(s):  
Aldeide Delgado

Curated by Yelaine Rodriguez and edited by Tatiana Flores, this Dialogues stages a series of conversations around Afro-Latinx art through interventions by Afro-Latina cultural producers. Black Latinxs often feel excluded both from the framework of latinidad as well as from the designation “African American.” The essays address blackness in a US Latinx context, through discussion of curatorial approaches, biographical reflections, art historical inquiry, artistic projects, and museum-based activism. Recent conversations around Latinxs and Black Lives Matter reveal that in the popular imaginary, Latinx presupposes a Brown identity. In their contributions to “Afro-Latinx Art and Activism,” the authors argue for a more inclusive and nuanced understanding of Latinx that does not reproduce the racial attitudes of the Lusophone and Hispanophone countries of Latin America, nor the black-white binary of the United States. They look forward to a time when the terms Afro or Black might cease to be necessary qualifiers of Latinx.


2021 ◽  
Vol 3 (2) ◽  
pp. 46-49
Author(s):  
Tatiana Flores

Curated by Yelaine Rodriguez and edited by Tatiana Flores, this Dialogues stages a series of conversations around Afro-Latinx art through interventions by Afro-Latina cultural producers. Black Latinxs often feel excluded both from the framework of latinidad as well as from the designation “African American.” The essays address blackness in a US Latinx context, through discussion of curatorial approaches, biographical reflections, art historical inquiry, artistic projects, and museum-based activism. Recent conversations around Latinxs and Black Lives Matter reveal that in the popular imaginary, Latinx presupposes a Brown identity. In their contributions to “Afro-Latinx Art and Activism,” the authors argue for a more inclusive and nuanced understanding of Latinx that does not reproduce the racial attitudes of the Lusophone and Hispanophone countries of Latin America, nor the black-white binary of the United States. They look forward to a time when the terms Afro or Black might cease to be necessary qualifiers of Latinx.


2021 ◽  
Vol 3 (2) ◽  
pp. 50-59
Author(s):  
Yelaine Rodriguez

Curated by Yelaine Rodriguez and edited by Tatiana Flores, this Dialogues stages a series of conversations around Afro-Latinx art through interventions by Afro-Latina cultural producers. Black Latinxs often feel excluded both from the framework of latinidad as well as from the designation “African American.” The essays address blackness in a US Latinx context, through discussion of curatorial approaches, biographical reflections, art historical inquiry, artistic projects, and museum-based activism. Recent conversations around Latinxs and Black Lives Matter reveal that in the popular imaginary, Latinx presupposes a Brown identity. In their contributions to “Afro-Latinx Art and Activism,” the authors argue for a more inclusive and nuanced understanding of Latinx that does not reproduce the racial attitudes of the Lusophone and Hispanophone countries of Latin America, nor the black-white binary of the United States. They look forward to a time when the terms Afro or Black might cease to be necessary qualifiers of Latinx.


Author(s):  
Dennis C. Dickerson

From the formation of the first independent African American Protestant denomination in the 1810s and 1820s to the opening decades of the 21st century, independent African American denominations have stood at the center of black religious life in the United States. Their longevity and influence have made them central to the preservation of black beliefs, practices, and rituals; have provided venues to promote movements for black freedom; and have incubated African American leadership in both the church and civic spheres. They have intertwined with every aspect of American and African American life, whether cultural, political, or economic, and they engaged the international involvement of American society and the diasporic interests of black people. Parallel assemblies composed of black ministers pastoring black congregations that remained within white denominations also emerged within the traditional white denominations, including the white Episcopal, Presbyterian, and Congregational Protestant groups, plus the Catholic Church. Although they eschewed withdrawing from the white denominations, their extramural bodies functioned as a virtual black ecclesia, or institutional bodies, even though they remained smaller than the growing independent black denominations. Together, the black preachers and parishioners in independent black denominations and inside traditional white denominations maintained churches characterized by proud histories and long records of frontline involvements in black freedom pursuits.


2018 ◽  
Author(s):  
Bridgette Baldwin

Published: Bridgette Baldwin, Black, White, and Blue: Bias, Profiling, and Policing in the Age of Black Lives Matter, 40 W. NEW ENG. L. REV. 431 (2018).The United States has experienced a series of murders at the hands of the police in recent years, from Michael Brown to Tamir Rice to Eric Garner. The brutalization of Black people at the hands of the police is not new, but many are being introduced to the concept of police brutality through the channels of social media. Hashtags like #BlackLivesMatter and #TakeAKnee have revolutionized the conversation about racism and policing, bringing these incidents into mainstream media and common conversation. This movement has led to a deeper discussion on the following questions: (1) Why are Black people viewed as violent by the police?; (2) Why are these murders and acts of brutality being seen so regularly?; and (3) What has the criminalization of communities of color done to damage the public's perception of Black communities? This Article attempts to answer all of these questions, coming to the conclusion that while the police brutality of Black people is not new, our understanding of why these incidents occur has developed into a deeper understanding of the institutional racism behind police brutality.


Author(s):  
Caron E. Gentry

The violence against black people in the United States, as witnessed particularly in the shootings of Michael Brown in Ferguson, Missouri, and of John Crawford III in Ohio, indicates the anxiety over the changing social order from white patriarchal to a more diversified locus of power. Therefore, it conducts a discourse analysis of texts, such as the Blue Lives Matter website, that reactively and defensively support the law enforcement community and refute the Black Lives Matter narrative. The discourse analysis reveals a level of anxiety that allows those within the police community to scapegoat the Black Lives Matter movement, further revealing the need of this particular community to maintain hegemonic race relations: thereby failing to recognize the vulnerability of black people in the United States.


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