Eros in Contemporary Russian Poetry

1960 ◽  
Vol 7 (4) ◽  
pp. 339-351 ◽  
Author(s):  
Vera Sandomirsky Dunham
Keyword(s):  
Russian Poetry

RUSSIAN POETRY IN TRANSLATION BY RASUL GAMZATOV

2019 ◽  
Vol 1 (18) ◽  
pp. 45-52
Author(s):  
Nabigulaeva M. N. ◽  
Keyword(s):  
Russian Poetry

SEMANTICAL DOMINANTS OF NEWER RUSSIAN POETRY TEXTS

2017 ◽  
Vol 4 (79) ◽  
Author(s):  
V.D. Chernyak ◽  
E.S. Redkina
Keyword(s):  
Russian Poetry

SOVIET PAINTING OF THE BIG STYLE IN THE UNOFFICIAL RUSSIAN POETRY

2019 ◽  
pp. 123-137
Author(s):  
Alexander V. Markov ◽  
Keyword(s):  
Russian Poetry

Sonnet Thinking Actualization in Russian Poetry of Kazakhstan

2018 ◽  
Vol 12 (1) ◽  
pp. 52-58
Author(s):  
Almira M. Kazieva ◽  
◽  
Aynara K. Kadrbay ◽  
Keyword(s):  
Russian Poetry

The Poetics and Ideology of War in the Russian Poetry of 1904-6

2014 ◽  
Author(s):  
Elena S. Ostrovskaya
Keyword(s):  
Russian Poetry

Poetics and subjectivities between classicism and Romanticism

2018 ◽  
Author(s):  
Andrew Kahn ◽  
Mark Lipovetsky ◽  
Irina Reyfman ◽  
Stephanie Sandler
Keyword(s):  
Eighteenth Century ◽  
Case Studies ◽  
Literary Culture ◽  
Human Subjectivity ◽  
Literary Forms ◽  
Russian Poetry ◽  
Development Of Identity ◽  
Further Development

In the context of Sentimentalism in the 1770s, literary culture opened up to representations of human subjectivity. The chapter considers genres of poetry devoted to the themes of pleasure, death, and posterity. It also considers the spaces of poetry and modes of exchange, whether through the album, the salon, and the verse epistle. Two case studies explore the use of different literary forms in the further development of identity, individual and also authorial. The first looks at Radishchev’s experiment in writing a fictional diary as a psychological exercise. The second examines the tradition of imitation of Horace’s Monument poem in Russian poetry in the eighteenth century as well as by later poets, such as Pushkin and Brodsky. The case study shows how these Russian versions express changing ideas about imitation and originality as well as poets’ concern with posterity.

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