Godwin's Handshake

PMLA ◽  
2007 ◽  
Vol 122 (3) ◽  
pp. 696-710 ◽  
Author(s):  
Andrew Franta

This essay argues that William Godwin's novel Caleb Williams uses a familiar gesture—the handshake—to contest both radical and conservative responses to the French Revolution. Instead of merely fictionalizing the arguments of his Enquiry concerning Political Justice, as critics have argued, Caleb Williams, through Godwin's representation of the repeated failure of this socially and politically significant gesture, traces an episode in the history of manners. The handshake thus points to a historical development, the emergence of commercial society, that complicates the novel's political stance by undermining the conception of politics that underwrites it.

2018 ◽  
Vol 15 (2) ◽  
pp. 207-226
Author(s):  
Maciej Junkiert

This article aims to examine the Polish literary reception of the French Revolution during the period of Romanticism. Its main focus is on how Polish writers displaced their more immediate experiences of revolutionary events onto a backdrop of ‘ancient revolutions’, in which revolution was described indirectly by drawing on classical traditions, particularly the history of ancient Greeks and Romans. As this classical tradition was mediated by key works of German and French thinkers, this European context is crucial for understanding the literary strategies adopted by Polish authors. Three main approaches are visible in the Polish reception, and I will illustrate them using the works of Zygmunt Krasiński (1812–1859), Juliusz Słowacki (1809–1849) and Cyprian Norwid (1821–1883). My comparative study will be restricted to four works: Krasiński's Irydion and Przedświt (Predawn), Słowacki's Agezylausz (Agesilaus) and Norwid's Quidam.


Author(s):  
Ruth Scurr

Thomas Carlyle claimed that his history of the French Revolution was ‘a wild savage book, itself a kind of French Revolution …’. This chapter considers his stylistic approaches to creating the illusion of immediacy: his presentation of seemingly unmediated fact through the transformation of memoir and other kinds of historical record into a compelling dramatic narrative. Closely examining the ways in which he worked biographical anecdote into the fabric of his text raises questions about Carlyle’s wider historical purposes. Pressing the question of what it means to think through style, or to distinguish expressive emotive writing from abstract understanding, is an opportunity to reconsider Carlyle’s relation to his predecessors and contemporaries writing on the Revolution in English.


1977 ◽  
Vol 19 (3) ◽  
pp. 287-304 ◽  
Author(s):  
George D. Sussman

The history of the professions in the West since the French Revolution is a success story, a triumph, but not always an easy one. From the beginning of the nineteenth century in continental Europe the professions had a great attraction as careers presumably open to talent, but the demand for professional services developed more slowly than interest in professional careers and more slowly than the schools that supplied the market. Lenore O'Boyle has drawn attention to this discrepancy and the revolutionary potential of the frustrated careerists produced by it.


1990 ◽  
Vol 20 (4) ◽  
pp. 669
Author(s):  
Eugen Weber ◽  
Emmet Kennedy

1993 ◽  
Vol 27 (2) ◽  
pp. 291
Author(s):  
Jeffrey Merrick ◽  
Emmet Kennedy ◽  
James Leith

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