Alpha IQ Brain - A Safe Drug to Boost Brainpower (REAL-PEOPLE-REVIEWS) v1

Author(s):  
Alpha IQ Brain
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1963 ◽  
Vol 8 (7) ◽  
pp. 261-262
Author(s):  
MARSHALL H. SEGALL
Keyword(s):  

2012 ◽  
Author(s):  
Jane Nestel-Patt ◽  
Terri Pease ◽  
Bill Marszaleck ◽  
Kimberly Cummins

2020 ◽  
pp. 42-60
Author(s):  
S. N. Liutova ◽  
I. I. Dronova

The article reveals the names of the prototypes of certain characters in Nagibin’s long story My Golden Mother-in-Law [Moya zolotaya tyoshcha] (the mother-in-law being A. Likhachyova, the wife of the director of the Moscow Car Manufacturing Plant ZIL). For the first time we read the names and learn about the destiny of M. and L. Kostromin, the real people behind the characters of Matvey Matveevich, the neighbour, and Nina Petrovna, the female protagonist’s best friend. The life story of these personalities, residents of the legendary Niernsee House in Bolshoy Gnezdnikovsky Lane, enables the authors, who are related to L. Kostromina, to explain the underpinnings of the relationships between the prototypes of Nagibin’s characters, often a mystery for the writer himself, and share first-hand accounts that confirm his amazing flair for imagination. The article uses materials of family lore, the authors’ private archive (letters and photographs), as well as hitherto unsearched materials from state archives.


Author(s):  
David Quarfoot ◽  
Douglas von Kohorn ◽  
Kevin Slavin ◽  
Rory Sutherland ◽  
Ellen Konar
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Author(s):  
Pablo Beramendi ◽  
Raymond M. Duch ◽  
Akitaka Matsuo
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Author(s):  
Derek Hand

This chapter argues that the novel form is best suited to giving expression to the multifaceted Irish reality. Ireland, in the modern moment, is a place of incongruity and contradiction: it is at once a site of colonization and post-colonization, as well as simultaneously positioning itself as an integral part of a modern, globalized, economic union. The novel’s being bound to the immediate moment, while also aspiring toward the transcendence of immutable art, perfectly reflects an Irish mood caught between the violent actuality of war and a desire for mundane ordinariness. Indeed, it can be argued that the novel form offers a very human, and humane, lens through which to expose the hidden histories and anxieties of real people. Certainly the Irish novel has consistently done this from the seventeenth century onward, as it has charted the story of Ireland’s complex emergence into modernity.


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