scholarly journals Establishment of the Institution of Auction Sale of Debtor's Assets in the XIX and XX Centuries

2020 ◽  
Vol 2 ◽  
pp. 76-80
Author(s):  
Dinara N. Rafikova ◽  
Keyword(s):  
1969 ◽  
Vol 55 (1) ◽  
pp. 191-210
Author(s):  
John F. Oates
Keyword(s):  

1949 ◽  
Vol 10 (2) ◽  
pp. 266-267
Author(s):  
A. A. L. A.

1989 ◽  
Vol 3 (3) ◽  
pp. 23-36 ◽  
Author(s):  
Orley Ashenfelter

At the first wine auction I ever attended, I saw the repeal of the law of one price. This empirical surprise led me to begin collecting data on wine auctions, to interview auctioneers, and even to buy a little wine. In the meantime I have also had the opportunity (with John Abowd) to observe and collect data on the auction sale of impressionist and contemporary paintings. This paper reports on some of the empirical regularities that I and others have observed in the actual operation of the auction markets for these items. In view of the rich and diverse array of theoretical literature on auctions, it seems high time economists began to spell out precisely what facts it is meant to explain.


1912 ◽  
Vol 2 ◽  
pp. 215-232 ◽  
Author(s):  
W. Hornsby ◽  
R. Stanton
Keyword(s):  

Some fifty years ago, three labourers in the employment of the late Mr. Rigg of Brough House were digging soil near the summit of Huntcliff, and stumbled upon some ancient walling and other remains. The find was reported to and inspected by Canon Greenwell and the late Canon Atkinson, and was duly chronicled by the latter as Roman, but nothing was done to pursue the enquiry. Quite lately, however, the present writers secured at an auction sale, for the sum of threepence, the remains then unearthed; they also came upon Mr. James Bell, who had superintended the digging and was able to point out its exact spot, and they determined to dig further.


1969 ◽  
Vol 55 ◽  
pp. 191
Author(s):  
John F. Oates
Keyword(s):  

2007 ◽  
Vol 35 (2) ◽  
pp. 663-678 ◽  
Author(s):  
Michelle Henning

MR. POTTER'S MUSEUM OF CURIOSITIESwas a small Victorian museum that contained unique anthropomorphic tableaux made by the taxidermist Walter Potter (1835–1918). Its glass cases were crammed with small “stuffed” or “mounted” animals, such as birds, squirrels, rats, weasels, and rabbits, wearing miniature clothes and placed in models of the human settings of Potter's time. They play sports, get married, fill schoolrooms and clubs, but they also illustrate well known sayings, rhymes, and rural myths. From the 1860s the tableaux were displayed in Bramber, Sussex, in the southeast of England. In 1972 the Museum was sold and relocated to Brighton and two years later to Arundel, in Sussex. In 1985 it was sold again and moved to the Jamaica Inn – a Daphne du Maurier inspired tourist attraction on the edge of the bleak Bodmin Moor in Cornwall. The collection was finally dispersed in an auction sale in 2003. This sale attracted some media attention and several campaigns attempted to preserve the museum intact. The artist Damien Hirst claimed he had offered to buy the entire collection, but the auction went ahead (Hirst). Hirst was perhaps only the most high profile of those campaigning to keep Potter's collection together. Nevertheless, at the time it seemed hardly surprising that this unusual museum stood more chance of being rescued by an artist whose work often uses animal corpses to speak of mortality and the processes of preservation and decay, than it did of being bought by any public museum.


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