scholarly journals Uncertain Local-to-Global Networks for Document-Level Event Factuality Identification

2021 ◽  
Author(s):  
Pengfei Cao ◽  
Yubo Chen ◽  
Yuqing Yang ◽  
Kang Liu ◽  
Jun Zhao
Keyword(s):  
Global Networks ◽  
Document Level ◽  
Event Factuality

Document-Level Event Factuality Identification Using Negation and Speculation Scope

2021 ◽  
pp. 414-425
Author(s):  
Heng Zhang ◽  
Zhong Qian ◽  
Xiaoxu Zhu ◽  
Peifeng Li
Keyword(s):  
Document Level ◽  
Event Factuality

Document-Level Event Factuality Identification via Adversarial Neural Network

2019 ◽  
Author(s):  
Zhong Qian ◽  
Peifeng Li ◽  
Qiaoming Zhu ◽  
Guodong Zhou
Keyword(s):  
Neural Network ◽  
Document Level ◽  
Event Factuality

Labels, Histories, Politics: Indian/South Asian Dance on the Global Stage

2008 ◽  
Vol 26 (2) ◽  
pp. 223-243 ◽  
Author(s):  
AVANTHI MEDURI
Keyword(s):  
South Asian ◽  
First Century ◽  
Nation State ◽  
The South ◽  
Global Networks ◽  
Indian Nation ◽  
The 1950S ◽  
Twenty First Century ◽  
The Uk

In this paper, I discuss issues revolving around history, historiography, alterity, difference and otherness concealed in the doubled Indian/South Asian label used to describe Indian/South Asian dance genres in the UK. The paper traces the historical genealogy of the South Asian label to US, Indian and British contexts and describes how the South Asian enunciation fed into Indian nation-state historiography and politics in the 1950s. I conclude by describing how Akademi: South Asian Dance, a leading London based arts organisation, explored the ambivalence in the doubled Indian/South Asian label by renaming itself in 1997, and forging new local/global networks of communication and artistic exchange between Indian and British based dancers and choreographers at the turn of the twenty-first century.

Global networks, local cities

Flux ◽  
1994 ◽  
Vol 10 (15) ◽  
pp. 17-23 ◽  
Author(s):  
Giuseppe Dematteis
Keyword(s):  
Global Networks

Governance through Global Networks and Corporate Signaling

2018 ◽  
Author(s):  
Oren Perez ◽  
Reuven Cohen ◽  
Nir Schreiber
Keyword(s):  
Global Networks

Developing a K-CDA Implementation Guide for Applying Health Information Exchange Service in South Korea (Preprint)

2020 ◽  
Author(s):  
Sung Won Jung ◽  
Sungchul Bae ◽  
Donghyeong Seong ◽  
Byoung-Kee Yi
Keyword(s):  
Information Exchange ◽  
Health Information Exchange ◽  
Expert Committee ◽  
Healthcare Information ◽  
Entry Level ◽  
Template Library ◽  
Value Sets ◽  
Definition Of ◽  
Document Level ◽  
Section Level

BACKGROUND Through several years of the healthcare information exchange based on the HIE project, some problems were found in the CDA documents generated. OBJECTIVE To fix some problems, we developed the K-CDA Implementation Guide (K means S. Korea) that conforms to the HL7 CDA, and suits the domestic conditions regarding the healthcare information. METHODS We achieved by analyzing HIE guideline and the U.S. C-CDA, and comparing each item. The items that required further discussion were reviewed by the expert committee. Based on the reviews, the previously developed templates were revised. RESULTS A total of 35 CDA templates were developed: five document-level templates, fourteen section-level templates, and sixteen entry-level templates. The 28 value sets used in the templates have been improved and the OIDs for HIE have been redefined CONCLUSIONS The K-CDA IG allows management in the form of a template library based on the definition of the General K-Header and the structured templates. This enables the K-CDA IG to respond to the expansion of national HIE templates with flexibility. For the K-CDA IG, the CDA template in current use was incorporated to the greatest extent possible, to minimize the scope of modifications. It enables the national HIE and the HIE with countries abroad.

Contemporary Shamanisms in Norway

2018 ◽  
Author(s):  
Trude Fonneland
Keyword(s):  
Case Studies ◽  
Indigenous Peoples ◽  
Cultural Context ◽  
Ethnographic Research ◽  
Global Networks ◽  
Local Manifestation

This book examines Sámi shamanism in Norway as a uniquely distinctive local manifestation of a global new religious phenomenon. It takes the diversity and hybridity within shamanic practices seriously through case studies from a Norwegian setting and highlights the ethnic dimension of these currents, through a particular focus on Sámi versions of shamanism. The book’s thesis is that the construction of a Sámi shamanistic movement makes sense from the perspective of the broader ethno-political search for a Sámi identity, with respect to connections to indigenous peoples worldwide and trans-historically. It also makes sense in economic and marketing terms. Based on more than ten years of ethnographic research, the book paints a picture of contemporary shamanism in Norway in its cultural context, relating it both to the local mainstream cultures in which it is situated and to global networks. By this, the book provides the basis for a study revealing the development of inventiveness, nuances, and polyphony that occur when a global religion of shamanism is merged in a Norwegian setting, colored by its own political and cultural circumstances.

Surface and Substance: Baroque Dress in Spain and France, 1600–1720

2019 ◽  
pp. 237-263
Author(s):  
Lesley Ellis Miller
Keyword(s):  
Seventeenth Century ◽  
The State ◽  
Global Networks ◽  
Continuity And Change ◽  
Economic Significance ◽  
System A ◽  
Production And Consumption ◽  
State Textile

This article explores the surface and substance of elite dress in the baroque period by unpacking printed texts and images that reveal their political and economic significance in the courts of Europe. It does so by considering the nature and sources of garments and fabrics, continuity and change in their production and consumption in Spain and France, and the shaping of the modern fashion system—a system in which changes in textiles and trimmings were promoted seasonally by the state, textile manufacturers, and the nascent fashion press (Le Mercure galant) from the late seventeenth century onward. It thus underlines the local and global networks involved in the production and consumption of dress.

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