scholarly journals THE ORIENTALISM OF ARABS IN LARRY CHARLES FILM’S THE DICTATOR

2019 ◽  
Vol 3 (1) ◽  
pp. 62
Author(s):  
Iyank Zona Brammastian

<p><em>This article aims to portray the Orientalism of Arabs in Larry Charles’s film The Dictator (2012). The research applies Edward Said’s Orientalism to define the Western perspective in representing the awful images of Arabs in the film. It also deploys post-colonial discourse and comedy film theory in defining the distorted images of Arabs which often represented not as its natural form in this comedy genre film. </em><em>The material object in this paper is The Dictator (2012) by Larry Charles. The formal object is the Arab representing by colonial bias. </em><em>As the result – throughout many Western and Orientalist creations – Arabs are depicted as bomber, barbaric and lustful.</em></p>

2019 ◽  
Vol 25 (2) ◽  
Author(s):  
Iyank Zona Brammastian

This article aims to portray the Orientalism of Arabs in Larry Charles’s film The Dictator (2012). The research applies Edward Said’s Orientalism to define the Western perspective in representing the awful images of Arabs in the film. It also deploys post-colonial discourse and comedy film theory in defining the distorted images of Arabs which often represented not as its natural form in this comedy genre film. As the result – throughout many Western and Orientalist creations – Arabs are depicted as bomber, barbaric and lustful.


1995 ◽  
Vol 60 (4) ◽  
pp. 168
Author(s):  
David Chioni Moore ◽  
Patrick Williams ◽  
Laura Chrisman ◽  
Bill Ashcroft ◽  
Gareth Griffiths ◽  
...  

2017 ◽  
Vol 47 (2) ◽  
pp. 174-189
Author(s):  
Jagoda Wierzejska

This article is devoted to the analysis of literary representations of Galicia in two discourses of the region: Ukrainian and Polish. They are discussed on the basis of essays by Yurii Andrukhovych and Andrzej Stasiuk. For both writers, the narrative of Galicia, understood concurrently as a bordering and post-bordering space, is the starting point for reflection on the epistemology and ontology of Polish–Ukrainian borderlands and Central Europe. A disparity emerges from the perspectives of the two writers which can be described by way of the opposition city/province. Andrukhovych explores the palimpsestic and heterotopic character of the Galician urban sphere, while Stasiuk focuses on the most peripheral regions. The meaning generated by that difference evokes disparate ideological concepts regarding both former Galicia and Central Europe.


2012 ◽  
Vol 43 (5) ◽  
pp. 383-401 ◽  
Author(s):  
Jana Hönke ◽  
Markus-Michael Müller

While analysis of transnationalized forms of security governance in the contemporary postcolonial world features prominently in current debates within the field of security studies, most efforts to analyse and understand the relevant processes proceed from an unquestioned ‘Western’ perspective, thereby failing to consider the methodological and theoretical implications of governing (in)security under postcolonial conditions. This article seeks to address that lacuna by highlighting the entangled histories of (in)security governance in the (post)colonial world and by providing fresh theoretical and methodological perspective for a security studies research agenda sensitive to the implications of the postcolonial condition.


Antiquity ◽  
2010 ◽  
Vol 84 (326) ◽  
pp. 1043-1054 ◽  
Author(s):  
Peter Magee

Indian Rouletted Ware pottery is the iconic marker of the overseas reach of the subcontinent at the turn of the first millennium AD. In the mid twentieth century this was naturally seen as prompted by the contemporary Roman Empire, while the later post-colonial discourse has emphasised the independence and long life of Indian initiatives. In this new analysis the author demonstrates a more complex socio-economic situation. While Greyware is distributed long term over south India, Rouletted ware is made in at least two regional centres for coastal communities using a new ceramic language, one appropriate to an emerging international merchant class.


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