MITOS LORELEI DARI WAKTU KE WAKTU: KAJIAN FEMINISME EKSISTENSIALISME PADA TIGA LIRIK LORELEI TAHUN 1823, 1981, DAN 2013

<p><em>This study analised the theme of the myth contained in three lyrics of Lorelei from three different times. Lorelei is a mythical woman whose name is taken from a cliff on the Rhine. This research will refer to the relationship between women (Lorelei) and male figures and the relation will be analyzed through the perspective of existentialist feminism using two main concepts, Men as Subjects and Women as Other Figures. The author chose the Lorelei-lyrics from three different time, Heinrich Heine's Lorelei (1823), Dschinghis Khan's Loreley (1981), and Faun's Lore Lay (2013) to show the Lorelei myth displayed in different era. Through the study of existentialism feminism, it can be seen that Lorelei is still described as the object which is marginalized by the strong myth of the fame fatale. Although the depictions of Lorelei's subjectivity can be found in some parts of the lyrics by Dchingis Khan (1981) and Faun (2013), but those depictions are still very vague.</em></p><p><em> </em></p><p><strong><em>Keywords</em></strong><em>: Myth, Lorelei, Existentialism Feminism, Men, Women</em></p>

IDENTITAS GAY KULIT HITAM DI AMERIKA SERIKAT DALAM FILM MOONLIGHT

<p><em>This article aims to examine the identity of a gay African American in the United States portrayed in the Moonlight movie. It uses </em><em>representation about </em><em>identity theory </em><em>which reading </em><em>Judith Butler's queer approach. The results show the transformation of main character's identity reflected througout his life and his reflectivity to face and overcome any circumtances. He slowly fights back again discrimination and becomes a strong man as well as free from discrimination.</em></p>

GAGASAN KEMATIAN DAN KETUHANAN DALAM SAJAK-SAJAK ABDUL HADI WM

<p><em>This research identifies deportement and concept of death from Abdul Hadi WM's poetry. Descriptive method and semiotic-structural approach were used in this research. Descriptive method used to identifies and analyze the research object to present systematic, factual, and accurate facts and concept from its population (Dirjen Dikti, 1981: 14.) Semiotic-structural approach is used to reveal the labelling system based on elements from the poetry--that is related to each other and forms one unity of organism. By analyzing Abdul Hadi WM's poem (139 poem titles), can be concluded that</em><em> (</em><em>1) Abdul Hadi WM poems were built from its choose of dictions, ryhimes, arrays, and typhography so that it creates death-theme sign</em><em> and (</em><em>2) Abdul Hadi WM is a religious poet that can describe and write his deportment about death with subtle but strong words.</em></p>

THE REPRESENTATION OF POWER AND DOMINATION IN ASSASSIN’S CREED: A MULTIMODAL CRITICAL DISCOURSE ANALYSIS

<p>This study aims to reveal the power of dominant group which is from different social class and status. The data source is a movie entitled Assassin’s Creed which is downloaded from internet. The theory of Generic Structure is used to identify the elements of the movie and to collect the data. The data are analysed in the form of shots and clauses which is visual and linguistics element. The linguistics data are analysed by using Systemic Functional Linguistics (SFL) by Halliday (2004) the other hand, the visual data are analysed by using Systemic Functional Visual Element by Kress and Van Leeuwen (2006). Therefore, this research is Critical Discourse analysis (CDA) study. The research’s finding is the power that represents by the dominant people which is constructed in <em>Assassin’s Creed</em>.</p>

LEXICAL ITEMS IN BATAK TOBA LANGUAGE REPRESENTING FAUNA, FLORA, AND SOCIAL ENVIRONMENT: ECOLINGUISTICS STUDY

<p>In the ecolinguistic view, the relationship between human and nature (ecology) produces a variety of languages (linguistics). Language and environment are two things that influence each other. Change in language, both in the lexicon or grammar, cannot be released from changes in the natural and social environment. On the one hand, environmental changes have an impact on change in language, and on the other hand, the community behavior towards their environment influenced by the language they use. Thus, the dynamics of the existence of the lexicon are affected by changes in the environment of a place the language used. The results of this study prove that there is relationship between language and nature. There are 6 lexicons which be explained in this article.<strong> <em>Horbou</em></strong> <strong>or buffallo</strong> and <strong><em>Dekke</em> or fish: goldfish </strong>are lexical items representing fauna. <strong><em>Boras Sipir ni Tondi </em>or Rice and <em>Demban or Sirih or</em></strong> <strong>betel leaf<em> </em></strong>are lexical items representing flora. And to the lexical items which representing social environment are <strong><em>Ulos</em> or Woven Cloth and <em>Tortor</em></strong> <strong>or Traditional Dance</strong>. The six lexical items which are representing natural (two for fauna and flora respectively) and social environment (two lexical items) contain cultural terms in Batak Toba language. Because it is a cultural term, then it cannot be separated from the history of Batak people. The cutural terms then will be analyzed and compared to the present life in Indonesian culture in general. It could have similarities or even differences to the present life in Indonesia.</p><p> </p>

PENGARUH GAYA ARSITEKTUR BANGUNAN INDIS TERHADAP ASPEK SOSIAL DAN BUDAYA MASYARAKAT KABUPATEN BOYOLALI

<p><em>This research aims to find out the problems of the </em><em>a</em><em>rchitectural Style of the Indis in Boyolali 1910 – 1915 who stay in city center and affected by the existence of the Boyolali village from socio-cultural. The problems related to this study are</em><em> k</em><em>nowing the background of the history of Boyolali City, development of the architectural style of the building Indis,</em><em> and</em><em> </em><em>s</em><em>ocial and cultural impact of the architectural style of the building Indis in boyolali.</em><em> </em><em>Based on the problem above, this research uses methods of historical research in the form of </em><em>h</em><em>euristics, </em><em>s</em><em>ource </em><em>c</em><em>riticism, </em><em>i</em><em>nterpretation, </em><em>and </em><em>historiography. </em><em>The r</em><em>esults </em><em>are </em><em>th</em><em>at</em><em> architecture of Indis have a major influence on the dynamics of Boyolali</em><em> which t</em><em>meeting of two different cultures between European and indigenous cultures</em><em>.</em><em> Indis architectural style buildings in Boyolali can be seen in the city center in Pandanaran street Boyolali, and around Merapi and Merbabu street</em><em>.</em><em> Appearence architectural style Indis resulting cultural and social impact in the community. The impact of culture reflected in language, sciene and architecture. Social impact on the emergency of class and social status based on architectural style residence, Indis style and education.</em></p>

THE ORIENTALISM OF ARABS IN LARRY CHARLES FILM’S THE DICTATOR

<p><em>This article aims to portray the Orientalism of Arabs in Larry Charles’s film The Dictator (2012). The research applies Edward Said’s Orientalism to define the Western perspective in representing the awful images of Arabs in the film. It also deploys post-colonial discourse and comedy film theory in defining the distorted images of Arabs which often represented not as its natural form in this comedy genre film. </em><em>The material object in this paper is The Dictator (2012) by Larry Charles. The formal object is the Arab representing by colonial bias. </em><em>As the result – throughout many Western and Orientalist creations – Arabs are depicted as bomber, barbaric and lustful.</em></p>

TIMUR YANG MISTIS DAN BARAT YANG LOGIS: REPRESENTASI PASCAKOLONIAL DALAM CERPEN "SUSUK KEKEBALAN" (2010) KARYA HAN GAGAS

Penelitian ini membahas mengenai cerpen <em>Susuk Kekebalan</em> karya Han Gagas dengan teori Orientalisme Edward W. Said. Cerpen tersebut bercerita mengenai kondisi representasi konflik politik 1965. Dalam konfilk itu, relasi superioritas dan inferioritas tersebut merupakan representasi antara dikotomi oposisi biner antara Barat dan Timur. Selain itu, dalam kacamata Barat, Timur sering kali dianalogikan sebagai pihak yang lemah, mistis, antah berantah, dan tidak logis, sedangkan Barat adalah oposisi biner yang sebaliknya. Penelitian ini melihat aspek superioritas dan inferioritas, yang mistis dan logis, dan melihat korelasinya dengan kondisi historis khususnya dengan aspek kesejarahan di era kolonial. Timur direpresentasikan dalam diri Warok Wulunggeni dan Warok Wirodigdo, yang mistis dan mudah di adu domba. Representasi Barat dalam diri Bapak bersenapan yang cerdas, superior, dan representasi dari kekuasaan. Hasil penelitian ini adalah bahwa meskipun Timur dalam kacamata Barat berada dalam posisi lemah dalam hierarki kekuasaan, di sisi lain nilai-nilai Timur seperti setia kawan, jiwa ksatria, dan kemistisan dengan memasang susuk, membuat Timur memiliki nilai dekonstruktif terhadap sudut pandang Barat

VARIASI LEGENDA KAMANDAKA BERDASARKAN TRANSMISI MASYARAKAT PENDUKUNG

<p>Penelitian ini merupakan penelitian sastra lisan yang bertujuan mengangkat potensi lokal (kearifan lokal). Dengan metode deskriptif analitik dan teori fungsi Finnegan, penelitian menyelidiki tiga variasi cerita legenda Kamandaka yang didasarkan pada transmisi dan fungsi cerita tersebut. Tiga variasi tersebut adalah pertama versi dari Sri Yulianingsih, juru kunci petilasan Carangandul, versi Budi Sasongko (keturunan kerajaan Pasirluhur), dan Carlan (pengurus situs purbakala Dinas Pariwisata dan Kebudayaan Banyumas). Tiga variasi tersebut menghasilkan fokus penceritaan yang berbeda-beda, terutama pada cara mengungkapkan ide-ide kepada pendengar. Versi Sri Yulianingsih menceritakan kehidupan Kamandaka sampai Patih Carangandul untuk tujuan mengumpulkan modal sosial bagi Sri Yulianingsih. Versi Budi Sasongko lebih banyak menceritakan kehidupan Kamandaka sampai pada keturunannya untuk tujuan modal simbolis bagi dirinya sendiri. Versi Carlan lebih banyak menceritakan situs-situs purbakala untuk potensi wisata sejarah yang berkaitan dengan tempat-tempat di dalam cerita Kamandaka dan berfungsi sebagai sarana meningkatkan karirnya.</p>

SASTRA HIJAU DAN PEMBELAJARAN SASTRA ANAK: ALTERNATIF GERAKAN EKOLOGIS DALAM PUISI

<p>Penelitian ini bertujuan untuk mengembangkan model sastra hijau dalam pembelajaran puisi kontemporer. Penelitian ini termasuk dalam penelitian pengembangan pembelajaran. Subjek yang digunakan adalah siswa kelas XII SMA Kristen Cita Hati Surabaya tahun ajaran 2016/2017. Analisis data yang dilakukan adalah (1) inventarisasi data, (2) klasifikasi data, (3) identifikasi data, (4) refleksi, dan (5) persepsi hasil analisis data. Prosedur pengembangan yang dilakukan adalah (1) menyusun rencana pelaksanaan pembelajaran (RPP), (2) uji coba di dalam kelas, (3) mengevaluasi keefektifan model <em>environmental learning</em>, dan (4) merevisi materi pembelajaran yang dikembangkan melalui model <em>environmental learning</em>. Hasil dari penelitian ini adalah sebuah model dan strategi sastra hijau pada pembelajaran puisi kontemporer melalui berbagai tahap penulisan dan interpretasi puisi.</p>