David and Goliath Revisited: Joint Modelling of the Tagus and Sado Estuaries

2016 ◽  
Vol 75 (sp1) ◽  
pp. 123-127 ◽  
Author(s):  
Américo S. Ribeiro ◽  
Magda C. Sousa ◽  
João D. Lencart e Silva ◽  
João M. Dias
Keyword(s):  
Joint Modelling ◽  
David And Goliath

Nucleolar Dominance: A David and Goliath Chromatin Imprinting Process

2002 ◽  
Vol 3 (6) ◽  
pp. 563-576 ◽  
Author(s):  
W. Viegas ◽  
N. Neves ◽  
M. Silva ◽  
A. Caperta ◽  
L. Morais-Cecilio
Keyword(s):  
Nucleolar Dominance ◽  
David And Goliath

David and Goliath: Tales of Independent Bookstores in Singapore

2015 ◽  
Vol 31 (2) ◽  
pp. 122-131 ◽  
Author(s):  
Brendan Luyt ◽  
Adrian Heok
Keyword(s):  
David And Goliath

scholarly journals Bayesian joint modelling of the health profile and demand of home care patients

2016 ◽  
pp. dpw001 ◽  
Author(s):  
Raffaele Argiento ◽  
Alessandra Guglielmi ◽  
Ettore Lanzarone ◽  
Inad Nawajah
Keyword(s):  
Home Care ◽  
Health Profile ◽  
Joint Modelling

Advanced Workflows For Joint Modelling Of Sedimentological Facies And Diagenetic Properties. Impact On Reservoir Quality

2011 ◽  
Author(s):  
Brigitte Doligez ◽  
Youri Hamon ◽  
Mickael Barbier ◽  
Fadi Nader ◽  
Olivier Lerat ◽  
...  
Keyword(s):  
Reservoir Quality ◽  
Joint Modelling

scholarly journals Joint Modelling of Gas and Electricity Spot Prices

2013 ◽  
Vol 20 (1) ◽  
pp. 69-93 ◽  
Author(s):  
Noufel Frikha ◽  
Vincent Lemaire
Keyword(s):  
Joint Modelling ◽  
Spot Prices

Onstage Violence in Sixteenth-Century French Tragedy

2021 ◽  
Author(s):  
Michael Meere
Keyword(s):  
Civil War ◽  
Sixteenth Century ◽  
Gender Politics ◽  
Cain And Abel ◽  
Integral Role ◽  
Complex Relationships ◽  
David And Goliath ◽  
Shed Light

The performance of violence on the stage has played an integral role in French tragedy since its inception. Onstage Violence in Sixteenth-Century French Tragedy is the first book to tell this story. It traces and examines the ethical and poetic stakes of violence, as playwrights were experimenting with the newly discovered genre during decades of religious and civil war (c.1550–1598). The study begins with an overview of the origins of French vernacular tragedy and the complex relationships between violence, performance, ethics, and poetics. The remainder of the book homes in on specific plays and analyzes biblical, mythological, historical, and politically topical tragedies—including the stories of Cain and Abel, David and Goliath, Medea, Sultan Süleyman the Magnificent, the Roman general Regulus, and the assassination of the Duke of Guise in 1588—to show how the multifarious uses of violence on stage shed light on a range of pressing issues during that turbulent time such as religion, gender, politics, and militantism.

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