The Importance of Arrangement focusing on Tony Awards Winners for Best Orchestration : with , , and

2020 ◽  
Vol 14 (4) ◽  
pp. 121-131
Author(s):  
Chan-Kyeong Seong
Keyword(s):  
Spring Awakening

Anxious Masculinity in Frank Wedekind's Spring Awakening

2010 ◽  
Vol 2 (2) ◽  
pp. 165-180
Author(s):  
Stephanie E. Libbon
Keyword(s):  
Spring Awakening

FIRST PERFORMANCES

Tempo ◽  
2007 ◽  
Vol 61 (241) ◽  
pp. 54-64
Keyword(s):  
List Type ◽  
Spring Awakening

Reports from California: Holloway, Rouse, Adams Jeff DunnBrussels: ‘Spring Awakening’ Roderic DunnettLondon, Barbican: Gubaidulina Robert SteinLondon, Barbican: Bainbridge John WheatleyLondon, Barbican: Adès's ‘Tevot’ Robert SteinLondon: Nyman's ‘Handshake in the Dark’ Malcolm MillerLondon, Queen Elizabeth Hall: Sheriff and McCabe Martin AndersonBasle: Richard Barrett's ‘Opening of the Mouth’ John Fallas

Spring Awakening

1982 ◽  
Vol 34 (3) ◽  
pp. 405
Author(s):  
Margaret Millen Swanson ◽  
Frank Wedekind
Keyword(s):  
Spring Awakening

Spring Awakening (review)

2008 ◽  
Vol 60 (3) ◽  
pp. 460-462
Author(s):  
Mary Jo Lodge
Keyword(s):  
Spring Awakening

The production of Spring awakening

2013 ◽  
Author(s):  
Nathan Ron Halvorson
Keyword(s):  
Spring Awakening

‘To really trust [...] we had to be open with ourselves and each other’: Community building through Spring Awakening

2020 ◽  
Vol 14 (1) ◽  
pp. 95-111
Author(s):  
Julie K. Hagen ◽  
Jennifer Thomas
Keyword(s):  
United States ◽  
New York ◽  
Focus Group ◽  
Community Building ◽  
The United States ◽  
Musical Theatre ◽  
Ethnographic Study ◽  
Spring Awakening ◽  
Narrative Ethnography ◽  
The Subject

The purpose of this ethnographic study was to better understand how participation in St. Lawrence University’s (New York, the United States) production of Spring Awakening served as a means of intimate and broader community building. This narrative ethnography investigated the director and a focus group of actors involved in the production of Spring Awakening. Analyses of the data revealed four themes: content, interconnectedness, emotion and vulnerability and magic. St. Lawrence University students welcomed and embraced the language, the music and the subject matter presented to them in the content of Spring Awakening. The willingness with which the students opened up to conversation and community continued to resonate with them in an interconnectedness that seemingly had more depth and more meaning than other productions they have worked on, including other musical theatre productions.

Spring Awakening

1975 ◽  
Vol 27 (2) ◽  
pp. 275
Author(s):  
Peter Hans Gopfert ◽  
Jutta Van Selm ◽  
Franz Wedekind
Keyword(s):  
Spring Awakening
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