A study of the body expressed in graphic design : Focusing on the phenomenology of the body

2020 ◽  
Vol 37 ◽  
pp. 35-53
Author(s):  
Dongbin Kim ◽  
Author(s):  
Agate Ignatovica ◽  
Diana Apele

The aim of the article is to explore the psychological effects that clothing fabric patterns leave on personal image, as well as to understand graphical forms with whom we can help to create the body optical illusions. Research methods: Theoretical – the appropriate literature, scientific database and internet source research. Lecture visits of professional image designers and stylists, interviews and personal experience in this sphere.Conclusion: Any type of textile print will leave an effect and create associations. Form and colours create the textile print. By choosing the right type of print, the wearer can create a certain psychological mood, as well as optically correct the parts of the body. When choosing a textile print, several factors must be taken in notice – body type, silhouette type, colours of the season, age, social status, individual style etc. If faced with contradictory information about the style, priority should be given to own personal reference, because that will create a harmonious essence as well as create a psychological comfort to the wearer. 


Philosophies ◽  
2021 ◽  
Vol 6 (4) ◽  
pp. 100
Author(s):  
Brentyn J. Ramm

Douglas Harding developed a unique first-person experimental approach for investigating consciousness that is still relatively unknown in academia. In this paper, I present a critical dialogue between Harding, Sartre and Merleau-Ponty on the phenomenology of the body and intersubjectivity. Like Sartre and Merleau-Ponty, Harding observes that from the first-person perspective, I cannot see my own head. He points out that visually speaking nothing gets in the way of others. I am radically open to others and the world. Neither does my somatic experience establish a boundary between me and the world. Rather to experience these sensations as part of a bounded, shaped thing (a body), already involves bringing in the perspectives of others. The reader is guided through a series of Harding’s first-person experiments to test these phenomenological claims for themselves. For Sartre, the other’s subjectivity is known through The Look, which makes me into a mere object for them. Merleau-Ponty criticised Sartre for making intersubjective relations primarily ones of conflict. Rather he held that the intentionality of my body is primordially interconnected with that of others’ bodies. We are already situated in a shared social world. For Harding, like Sartre, my consciousness is a form of nothingness; however, in contrast to Sartre, it does not negate the world, but is absolutely united with it. Confrontation is a delusion that comes from imagining that I am behind a face. Rather in lived personal relationships, I become the other. I conclude by arguing that for Harding all self-awareness is a form of other-awareness, and vice versa.


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