Show Me the Money: Status, Cultural Capital, and Conspicuous Consumption

2008 ◽  
Author(s):  
Moshik Lavie
Author(s):  
Nigel Lezama

At the most fundamental level, bling—the display of prestige through luxury goods—is the latest iteration of “conspicuous consumption,” coming from hip hop culture. However, hip hop artists have not consistently focused on luxury consumption for the sole purpose of celebrating—and thereby reinforcing—elite signs of the wider (and whiter) dominant culture that has historically sought (and currently seeks) to circumscribe the influence of black American culture. This chapter focuses on three tracks, from the 1980s, 1990s and 2000s, that highlight ways that hip hop has questioned, satirized, and hollowed out the meanings ascribed to dominant cultural capital. Luxury hip hop and hip hop luxury also subversively reconfigure the meanings of elite symbols and highlight hip hop’s power to redefine dominant cultural signs of power.


2013 ◽  
Author(s):  
Champika K. Soysa ◽  
Samuel O. Lapoint ◽  
Keith Lahikainen ◽  
Paula Fitzpatrick ◽  
Colleen McKenna
Keyword(s):  

2012 ◽  
pp. 74-82 ◽  
Author(s):  
A. Stavinskaya ◽  
E. Nikishina

The opportunities of the competitive advantages use of the social and cultural capital for pro-modernization institutional reforms in Kazakhstan are considered in the article. Based on a number of sociological surveys national-specific features of the cultural capital are marked, which can encourage the country's social and economic development: bonding social capital, propensity for taking executive positions (not ordinary), mobility and adaptability (characteristic for nomad cultures), high value of education. The analysis shows the resources of the productive use of these socio-cultural features.


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