Fake News about North Korea and Inter-Korean Relations: Diagnosis and Countermeasures

2021 ◽  
Vol 26 (2) ◽  
pp. 95-112
Author(s):  
Jong-Su Kim ◽  
Soohwan Hwang
Keyword(s):  
physiopraxis ◽  
2018 ◽  
Vol 16 (07/08) ◽  
pp. 58-58
Author(s):  
Ulrike Maier
Keyword(s):  

Eine Hausärztin, die, statt ein Physio-Rezept auszustellen, auf Übungen aus der Apotheken Umschau verweist? Unmöglich, sollte man meinen. Doch Physiotherapeutin Ulrike Maier belehrt eines Besseren. Ihre unwissende Hausärztin von nebenan liefert ihren Patienten gerne mal „alternative Fakten“ und hat bei ihren physiotherapeutischen Kenntnissen noch dringend Nachholbedarf.


2020 ◽  
pp. 101-114
Author(s):  
Jesús Miguel Flores Vivar
Keyword(s):  

Éste trabajo parte de una información compartida por muchos investigadores. La comprensión de la desinformación como un fenómeno que va mucho más allá del término “noticias falsas”. Estos términos han sido apropiados y usados engañosamente por poderosos actores para desestimar y poner en entredicho la cobertura informativa que ya atraviesa momentos críticos sobre la credibilidad.


2019 ◽  
pp. 131-146
Author(s):  
Luigi Alberto Pini ◽  
Antonietta Vilella
Keyword(s):  

2020 ◽  
Vol 7 ◽  
pp. 177-207
Author(s):  
Jae-wan Park ◽  
Ki-woong Choi
Keyword(s):  

2020 ◽  
pp. 83-108
Author(s):  
Moon Hwy-Chang ◽  
Wenyang Yin

Although North Korea is one of the most closed countries in the world, it has long been pursuing international cooperation with other countries in order to upgrade the quality of its film industry to international standards. Preceding studies on this topic have mainly focused on the political influences behind filmmaking in general and very few studies have exclusively dealt with North Korea’s international co-productions. In this respect, in order to develop a comprehensive understanding of the internalization strategy of North Korea’s film productions, this paper uses the global value chain as a framework for analysis. This approach helps understand the internationalization pattern of each value chain activity of film co-productions in terms of the film location and the methods for collaborating with foreign partners. By dividing the evolution of North Korea’s international co-productions into three periods since the 1980s, this paper finds that although North Korea has shown mixed results with different aspects of the film value chain, it has generally improved its internationalization over the three periods. This paper further provides strategic directions for North Korea by learning some of the successful Chinese experiences in the film sector regarding collaboration with foreign partners—to foster a win-win situation for all involved parties.


2020 ◽  
pp. 225-251
Author(s):  
Ernest Ming-Tak Leung

This article explores a commonly ignored aspect of Japan–North Korean relations: the Japanese factor in the making of Korean socialism. Korea was indirectly influenced by the Japanese Jiyuminken Movement, in the 1910s–1920s serving as a stepping-stone for the creation of a Japanese Communist Party. Wartime mobilization policies under Japanese rule were continued and expanded beyond the colonial era. The Juche ideology built on tendencies first exhibited in the 1942 Overcoming Modernity Conference in Japan, and in the 1970s some Japanese leftists viewed Juche as a humanist Marxism. Trade between Japan and North Korea expanded from 1961 onwards, culminating in North Korea’s default in 1976, from which point on relations soured between the two countries. Yet leaders with direct experience of colonial rule governed North Korea through to the late 1990s.


2019 ◽  
pp. 229-10.33526/EJKS.20191901.229
Author(s):  
Xiaoxuan Lu

Focusing on the interplay between memory and place, this article examines the rationale behind the use of axonometric drawings (axons) in a geographical research study of the Tumen/Tuman River region encompassing the borders shared by China, Russia and North Korea. The concepts of “memory of place” and “place of memory” guide the structure of this project and the flow of this article. “Memory of place” emphasises the lived experience of our physical senses, and helps determine the great potential of visual methodologies in the fields of geographical and landscape research and study. Drawn up using the graphic production techniques of abstracting, foregrounding, highlighting and juxtaposing, axons avail themselves of and inform both realist and idealist states of mind. In contrast, “place of memory” references a particular type of materiality and helps us understand Tumen Shan-shui as a library of memories that reveals a profusion of contested aesthetic, cultural and political meanings. Axons serve to tell narratives revealing desires, actions and undertakings that have shaped and continue to shape the substance of the memory sites in question including infrastructure, architecture and signage. Initially adopted by the author as a medium for recording and communicating due to security restrictions imposed in the border areas in question, the creation of axons generated new insights on methods of documentation in landscape research, and the places and landscapes themselves.


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