Set Me as a Seal Upon Thy Heart: Constructions of Female Sanctity in Late Antiquity, the Middle Ages, and the Early Modern Period

2018 ◽  
Author(s):  
Jacek Soszyński

The article deals with the development of graphical systems of presenting history in universal chronicles on the instances of Eusebius of Caesarea and Jerome in late antiquity, Martinus Polonus in the thirteenth century, and Werner Rolevinck at the break of the Middle Ages and the Renaissance. With the translation of the Eusebius’ Chronikoi Canones performed by Jerome, the synchronistic table was introduced into the Western historiographical tradition. This form of presenting history became firmly rooted in Latin chronicles, in particular within the genre of universal chronicles, which endeavoured to recount the history of mankind from Adam to the Final Judgement, and were very popular well into the early modern period. The author argues that the chronicles of Eusebius/Jerome and Martinus Polonus simply utilized synchronicity, in their pursuit to produce encyclopaedic works, aimed at the scholarly reader. In their intention, the synchronistic table was a technical means for a more effective presentation of past events. With Werner Rolevinck the case was different. The layout introduced by him was no longer asynchronistic table, but an attempt at visualizing history, with very little attention paid to precise dating of various events and persons. He constructed his complicated graphical system for religious purposes, to contemplate the magnificence of God’s creation, in accordance with the ideas of the devotio moderna, and destined his work for a much wider audience than scholars.


The Oxford Handbook of Latin Palaeography provides a comprehensive overview of the development of Latin scripts from Antiquity to the Early Modern period, of codicology, and of the cultural setting of the mediaeval manuscript. The opening section, on Latin Palaeography, treats a full range of Latin book hands, beginning with Square and Rustic Capitals and finishing with Humanistic minuscule. The Handbook is groundbreaking in giving extensive treatment to such scripts as Old Roman Cursive, New Roman Cursive, and Visigothic. Each article is written by a leading expert in the field and is copiously illustrated with figures and plates. Examples of each script with full transcription of selected plates are frequently provided for the benefit of newcomers to the field. The second section, on Codicology, contains essays on the design and physical make-up of the manuscript book, and it includes as well articles in newly-created disciplines, such as comparative codicology. The third and final section, Manuscript Setting, places the mediaeval manuscript within its cultural and intellectual setting, with extended essays on the mediaeval library, particular genres and types of manuscript production, the book trade in antiquity and the Middle Ages, and manuscript cataloguing. All articles are in English. The Handbook will be an indispensable guide to all those working in the various fields concerned with the literary and cultural dynamics of book production in the Middle Ages and Early Modern period.


2021 ◽  
pp. 371-397
Author(s):  
Sanja Zubčić

The Glagolitic space refers to the area where in the Middle Ages or the Early Modern Period the Glagolitic script was used in texts of different genres and on different surfaces, and/or where the liturgy was held in Croatian Church Slavonic, adopting a positive and affirmative attitude towards Glagolitism. In line with known historical and social circumstances, Glagolitism developed on Croatian soil, more intensely on its southern, especially south-western part (Istria, Northern Croatian Littoral, Lika, northern Dalmatia and adjacent islands). Glagolitism was also thriving in the western periphery of that space, in today’s Slovenia and Italy, leading to the discovery and description of different Glagolitic works. It is the latter, their structure and language, that will be the subject of this paper. Starting from the thesis that innovations in language develop radially, i.e. starting from the center and spreading towards the periphery, it is possible to assume that in the western Glagolitic periphery some more archaic dialectal features will be confirmed among the elements of the vernacular. It is important that these monuments were created and used in an area where the majority language is not Croatian, so the influence of foreign language elements or other ways of expressing multilingualism can be expected. The paper will outline the Glagolitic activity in the abovementioned space and the works preserved therein. In order to determine the differences between Glagolitic works originating from the peripheral and central Glagolitic space, the type and structure of Glagolitic inscriptions and manuscripts from Slovenia and Italy will also be analysed, especially with respect to potential periphery-specific linguistic features. Special attention is paid to the analysis of selected isoglosses in the Notebook or Register of the Brotherhood of St. Anthony the Abbot from San Dorligo della Valle.


Author(s):  
John Marenbon

This introductory chapter explains how medieval philosophy has hardly made an appearance before in this series of philosophy lectures, and why the author decided on a theme that brings together thinkers from the Middle Ages and the early modern period. It then briefly summarizes the arguments of the three main chapters and of the responses to them.


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