Roots of Black Music in America: Some Correspondences between the Music of the Slave Areas of West Africa and the Music of the United States and the Caribbean

1973 ◽  
Vol 1 (1) ◽  
pp. 90
Author(s):  
Eileen Southern ◽  
Samuel Charters
2019 ◽  
pp. 205-225
Author(s):  
Adam Ewing

The success of Garveyism in Africa, the Caribbean, the United States, and elsewhere in the African diaspora calls attention to the manner in which pan-Africanism has spread not merely through the flow of ideas, associations, and cultural traditions generated and sustained by intellectual elites, but through modes of popular knowledge production. Following the spread of Garveyism beyond the organizational limits of the Universal Negro Improvement Association and in the guise of rumor and millenial prophecy offers scholars a method of tracking the breadth and depth of the movement’s wide-ranging influence. It helps us understand precisely why white authorities across the colonial world viewed Garveyism (and its publication Negro World) with such alarm. It invites a larger rethinking of the trajectories of pan-Africanism as a political device and about the parameters of the black global imagination more broadly. This chapter pays specific attention to the dynamics of Garveyism’s spread in South West Africa (Namibia).


1987 ◽  
Vol 67 (4) ◽  
pp. 734
Author(s):  
Richard Hart ◽  
Kai P. Schoenhals ◽  
Richard A. Melanson

1996 ◽  
Vol 76 (2) ◽  
pp. 411-412
Author(s):  
Franklin W. Knight

Author(s):  
Núria Casado Gual

Abstract: Emerging from the author’s own diasporic experience in the Caribbean, the UK and the United States, Edgar Nkosi White’s drama reflects the reality of the raciallyoppressed from multiple perspectives. Focusing on the theatre’s spatial expressivity, this essay analyses the metaphorical value of his theatrical spaces. Through these deterritorialized geographies, the readers and spectators of Edgar Nkosi White’s theatre are able to recognize loci of racial confrontation from a cross-cultural viewpoint, thus enlightening their perception of the global, conflictive space they share.Resumen: A partir de la experiencia diaspórica del propio autor en el Caribe, el Reino Unido y Estados Unidos, el teatro de Edgar Nkosi White refleja la realidad de las víctimas del racismo desde una perspectiva múltiple. Tomando la expresividad espacial del teatro como eje principal, este artículo analiza el valor metafórico de los espacios escénicos de su obra. A través de sus geografías desterritorializadas, los lectores y espectadores de Edgar Nkosi White pueden reconocer lugares de confrontación racial desde una perspectiva transcultural, iluminando así su visión del espacio global y conflictivo que comparten.


Author(s):  
Daniel Alexis Tovar-Montalvo ◽  
Monserrat Medina-Acevedo ◽  
Miguel Angel García-Bielma ◽  
Jesús Jaime Guerra-Santos

Resumen: Antecedentes y Objetivos: La avena de mar, Uniola paniculata, se distribuye en el Caribe, los Estados Unidos de América y México. El objetivo de este trabajo es reportar su presencia y registro en el estado de Campeche, México. Métodos: Se colectaron ejemplares de la familia Poaceae creciendo en una duna frontal al suroeste del estado de Campeche, específicamente en la Isla del Carmen. Las colectas fueron procesadas y herborizadas, para su conservación e identificación.Resultado clave: Con la identificación de ejemplares, y después de hacer una revisión de su distribución, se registra por primera vez la presencia de Uniola paniculata (Poaceae) en la Península de Yucatán, representando una contribución al conocimiento florístico de la región y a la flora de México.Conclusiones: Esta especie solo había sido reportada para la costa del Golfo de México, en los estados de Tamaulipas, Veracruz y Tabasco. Este registro adquiere relevancia por el papel ecológico de este pasto en las dunas costeras.Palabras clave: avena de mar, conocimiento florístico, dunas costeras, flora de Campeche.Abstract: Background and Aims: The oat sea grass, Uniola paniculata, is distributed in the Caribbean, the United States of America and Mexico. The aim of this work is to report its occurrence and record in the state of Campeche, Mexico.Methods: Individuals of the family Poaceae were collected growing in a coastal dune in the southwest of the state of Campeche, particularly on the Isla del Carmen. The collections were processed and herborized for their conservation and classification.Key results: With the individuals’ identification and after reviewing its distribution, this is the first report of the presence of Uniola paniculata (Poaceae) on the Yucatan Peninsula, representing a contribution to the floristic knowledge of the region and the flora of Mexico.Conclusions: This species had only been reported from the coast of the Gulf of Mexico in the states of Tamaulipas, Veracruz and Tabasco. This record is relevant because of the ecological role of this oat sea grass in the coastal dunes.Key words: Campeche flora, coast dunes, floristic knowledge, sea oat.


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