The problem we are proposing to discuss is the result of a peculiar carelessness of Montaigne in his chapter on Friendship in his Essais, Book I, 28. He begins by noting that a painter,1 commissioned by him to decorate some of the large panels of his study with pictures, daubs fanciful designs, “crotesques”, around the central pieces. So, remarks Montaigne, his thoughts here are mere figures without any other purpose than to enshrine a great piece composed by his friend, Etienne de la Boétie. This gem is a little essay called by its author Discours de la servitude volontaire, but soon renamed Le contr'un by those who read it. Montaigne then relates that it was written by La Boétie in his early youth (later specified as eighteen) and circulated among appreciative readers who relished its spirited defence of liberty against tyrants. Hence the name of Contr'un. Montaigne insists that it is beautifully composed and if its author had lived and undertaken a long work of reflection, he would have created something memorable that would have made him comparable to authors of antiquity. But this Discours and a Commentary on the Edict of January2 are all he has available now, since he has already published all the other MSS left him by his friend's bequest.3 Montaigne admits that he has a special fondness for the Contr'un because it furnished the means of their first awareness of each other even before they met, thus opening the door to the perfect friendship between them. This relationship was so extraordinary that its like will not be seen more than once in three centuries.
Radical humanism and management: the implications of humanism for business administration and studies