A Guide to the Archives and Records of Protestant Christian Missions from the British Isle to China 1796-1914.

Man ◽  
1967 ◽  
Vol 2 (1) ◽  
pp. 155
Author(s):  
Maurice Freedman ◽  
Leslie R. Marchant
Author(s):  
Anh Q. Tran

Though a minority religion in Vietnam, Christianity has constituted a significant presence in the country since its arrival in the sixteenth century. This translation and analytical study of a 1752 document entitled Tam Giáo Chư Vọng [Errors of the Three Religions] adds to the knowledge of its early history within its cultural and religious contexts. This anonymous manuscript paints a rich picture of the three traditional Vietnamese religions (Tam Giáo), i.e., Confucianism, Buddhism, and Daoism. Aiming at the new converts, the writer describes the “errors” (Chư Vọng) of these traditional beliefs and religious practices and provides an apologetics for the Christian doctrines. Structured as a dialogue between a Christian priest and a Confucian scholar, the work explains and evaluates many religious customs and rituals of eighteenth-century Vietnam—many of which are still in practice today. In addition, it contains a trove of information on the challenges and struggles that Vietnamese Christian converts had to face in following the new faith. Beside its enormous historical value for studies on Vietnamese religions, language, and culture, this manuscript raises contemporary and highly complex issues concerning the encounter between Christianity and other religions, Christian missions, religious pluralism, interreligious dialogue, and the dialogue between Christianity and cultures.


2021 ◽  
Vol 184 ◽  
pp. 359-374
Author(s):  
Maxim Ananyev ◽  
Michael Poyker
Keyword(s):  

2018 ◽  
Vol 52 (2) ◽  
pp. 390-417
Author(s):  
ELISABETH ENGEL

This article traces and analyzes the missionary photography of the African Methodist Episcopal Church (AME), the most important independent black American institution that began to operate in colonial South Africa at the onset of the politics of racial segregation in the 1890s. It argues that AME missionary photography presents a neglected archive, from which a history of black photographic encounters and a subaltern perspective on the dominant visual cultures of European imperialism and Christian missions in Africa can be retrieved. Focussing in particular on how AME missionaries deployed tropes of the culturally refined “New Negro” and the US South in their visual description of South Africa, this article demonstrates that photography was an important tool for black subjects to define their image beyond the representations of black inferiority that established visual traditions constructed.


1937 ◽  
Vol 26 (2) ◽  
pp. 253-262
Author(s):  
G. E. PHILLIPS
Keyword(s):  

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