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2021 ◽  
Vol 12 (1) ◽  
pp. 4
Author(s):  
Leonie Hallo ◽  
Tiep Nguyen

Making decisions is a key task for leaders and managers. Senior leaders are currently exposed to increasing amounts of data which they must process quickly in our current dynamic world. Complex factors in the business world are not always best approached through an analytical framework. Using tacit knowledge gained through intuition can enable a more holistic understanding of the deep nature of today’s problems. This paper takes an expansive view of decision-making with intuition right at the centre and canvasses understandings of intuition arising from philosophy, psychology, Western and Eastern beliefs; and proposes a model that relates intuition to other problem-solving approaches. The paper presents the results of interviews with senior leaders who must make difficult decisions in complex turbulent environments. The interview schedule is based on questions raised in a prior literature search concerning the relationship between intuition and analysis in complexity decision-making and problem-solving, the usefulness to this group of respondents, the possibilities of combining both approaches and any conflict arising from that combination, and understandings of the concept of intuition by these respondents. The resultant model presents a visual description of a process that moves from exterior assessment achieved via sensing and analysis, through to deeper understandings and a more holistic discernment gained through intuition. The model has the potential to assist leaders faced with difficult-to-solve problems in providing a better understanding of the steps involved in tackling problems of increasing levels of complexity.


2021 ◽  
Vol 31 ◽  
pp. 49-73
Author(s):  
Simon Ditchfield

ABSTRACTRight from its foundation in 1540, the Society of Jesus recognised the value and role of visual description (ekphrasis) in the persuasive rhetoric of Jesuit missionary accounts. Over a century later, when Jesuit missions were to be found on all the inhabited continents of the world then known to Europeans, descriptions of the new-found lands were being read for the entertainment as well as the edification of their Old World audiences. The first official history of the Society's missions in the vernacular, the volumes authored by Daniello Bartoli (1608–1685), played an important role in communicating a sense of the distinctiveness of the order's global mission. Referred to by Giacomo Leopardi (1798–1837) as the ‘Dante of baroque prose’, Bartoli developed a particularly variegated and intensely visual idiom to meet the challenge of describing parts of the world which the majority of his readers, including himself, would never visit.


2021 ◽  
Vol 27 (2-3) ◽  
pp. 102-128
Author(s):  
Lisa Diedrich

In this essay, I explore examples of what I call graphic trauma and the processof drawing as a form of working through the experience and event of sexual violence. I contend that comics and graphic narratives are a medium well-suited for rendering trauma, and the trauma of sexual violence in particular, as I show in an analysis of Una’s graphic narrative Becoming Unbecoming and Chanel Miller’s animated short film I Am With You. I argue that for both artists, drawing becomes a form of consciousness-raising, a collaborative feminist practice of memory work that attempts to create conditions – formal, therapeutic, and political – for women to say #MeToo and “we.” In my readings of Una’s and Miller’s draw-ing as working through sexual violence, I also demonstrate close verbal/visual description as a practice of care that keeps the testimony moving, drawing out the feminist practice of memory work in time and space and across modalities. A brief coda at the end of the essay offers an image of a hybrid figure from Miller’s graphic iconography and a concept and practice she calls “the third element.” I argue that this third element functions as a formal provocation for counter- modalities that change the story of sexual assault, creating a portal to resistance and healing.


Author(s):  
Octavia Tungary

Describing a race through the verbal and visual description of physical appearance is often used to create binary opposition between ‘Us’ and ‘Other’, so it does in The Adventures of Tintin comic books by Hergé. In The Adventures of Tintin TV series adaptation (1991-2) by Stéphane Bernasconi, ‘Other’s verbal and visual physical depictions that are portrayed in the comic books undergo transformations that occur on non-White characters. These transformations-changes, additions, and omissions- can be clearly seen in the Tintin TV series entitled The Blue Lotus, Cigars of the Pharaoh, and The Broken Ear that are adapted from the comic books of the same titles. The theory of adaptation by Linda Hutcheon and Orientalism by Edward Said are used to reveal and explain the adapter’s strategies to make the skin colours, costume, and deformity moderation and negotiation in order that the TV series can be accepted by the audience around the world today.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Roma Madan-Soni

PurposeThe purpose of this article is to collectively work towards understanding and resolving the COVID-19 pandemic issues based on Messersmith's (2018) song, We All Do Better When We All Do Better. Furthermore, Our Identity should not Remain Marked to understand and overcome the workings of a virus whose Identity [DOES NOT] Remain Marked!Design/methodology/approachPractice-based creation coalesced with analytical writing.FindingsWe All Do Better When We All Do Better! The COVID-19 pandemic corresponds to crucial fundamental assumptions which have appeared from adversity anthropology over the past epochs. First, that environmental catastrophes infrequently surface, because calamities are communal and reliant on trans-species relationships. Furthermore, they appear from a blend of threat and susceptibility, with susceptibility as the causal issue. Second, the disaster occurs at manifold ranks concurrently, with responses to a threat; it endangers all the weak issues along with the original threat (Kelman, 2020).Research limitations/implicationsThroughout COVID-19 much of the media left cavernous time gaps, masks turned into tools of rebellion, and power and violence were exercised indirectly on the vulnerable. The virtual campuses of WhatsApp, Facebook and conventional broadcasting are disseminating specialist knowledge in pandemic science; now everyone is certified. They voice a nouveau-vindictive biopolitical language, so we rise towards COVID-19 denialism. And, we turn into unthinking puppets who speed up the transfer of misinformation that moves like an “asymptomatic” cough through an overcrowded bar or beach as all inhale-consume it.Practical implicationsPart of pandemic planning and dealing with the consequential calamity is to integrate instantly the disastrous aspects caused by lockdowns. In this surge of terror and apprehension, we cannot afford to isolate people, even more through shame and prejudice. Each one of us is accountable to support each other and advocate for an all-inclusive healthy community.Social implicationsUnescapably, as an immigrant, I had never dreaded this “home away from home” and stay anyhow, and I always had something to write home about. But recently I have had “Nothing to Write Home About,” (Madan-Soni, 2019). Migrant employees in most countries including international students were not much more than uninvited guests positioned in a conventional neighbourhood. It is as if your every expatriate-neighbour was plague-ridden and waiting to infect you. But the virus required no genomic or national identity or visa rank, it could cut all lines to get to you. The virus's Identity Is [Not] Marked.Originality/valueOur Identity Remains Marked (2020) is my probing visual description of how Our Identity Remains Marked, layered, and stratified in stone under authoritarian structures of patriarchy. I read and researched about how Our Identity Remains Marked when humans are othered through the colours of race, gender, national and immigrant status, including all Earth others. Crafting things, creating something engages with a developing field of ecofeminist research on visual and embodied approaches and creativity (VEM Network, n.d; Reynolds, 2021). Painting offered me a therapeutic way of thinking and of using my senses.


2021 ◽  
pp. 127-149
Author(s):  
Tony Pipolo

The two films discussed in this chapter on Robert Beavers speak to two kinds of loss. The Ground is an elegiac work made in the wake of the death of Gregory Markopoulos, friend and partner of Beavers from the early 1980s until Markopoulos’ death. Sotiros is compoed of three earlier films, later combined into one film in two sections. The first section is a visual description of the Beavers/Markopoulos relationship, while the second focuses on the impact on that relationship of injuries suffered by Beavers as a result of an accident. The author argues that the melancholic tenor of these circumstances is given special weight through the filmmaker’s use of synecdoche, contrasting the head, lens, and tripod of the camera with various parts of his damaged body. In both sections of the film the significant role of Apollo as the god of light and healing is stressed.


2021 ◽  
Vol 7 ◽  
Author(s):  
Jennifer Høy-Petersen ◽  
Joe S. Smith ◽  
Paul T. Merkatoris ◽  
Kelley E. Black ◽  
Cosette M. Faivre ◽  
...  

The objective of this case report was to describe successful surgical and post-operative management of a medial patellar luxation in a Vietnamese Potbellied Pig. A two-year old, castrated, Vietnamese Potbellied Pig presented to a veterinary teaching hospital for right pelvic limb lameness of 2 weeks duration. Upon physical examination a grade 3 patellar luxation was diagnosed on the right pelvic limb. Surgical repair included a trochlear wedge sulcoplasty, tibial tuberosity transposition, and lateral imbrication as described for canine patellar luxation. The pig was managed post-operatively with meloxicam and a physical therapy regimen of seven weeks duration. At recheck examination the pig was sound, no complications were observed, and the owners were satisfied with the outcome. As miniature companion pigs, such as Vietnamese Potbellied Pigs are currently increasing in popularity as pets, this case demonstrated that comparative techniques from other veterinary species should be considered when considering a treatment plan for a pig with a medial patellar luxation.


Author(s):  
N. M. Gudkova ◽  

The article is devoted to the analysis of the peculiarities of the translation of English financial terminology. It is emphasized that professional terminology as the main source of replenishment of vocabulary of general literary language arouses non-accidental interest of foreign language teachers in the methods of teaching translation of special texts and, accordingly, terms within the course „Foreign language for specific purposes”. The necessity of searching for new methods of teaching students professional vocabulary, the purpose of which would not be memorizing a certain lexical minimum, but the formation of skills of understanding the mechanisms underlying the formation of terms, is substantiated. It is proved that within the framework of the problem-activity approach to teaching a foreign language for specific purposes, an effective method of translating economic terms is to study their etymology through the prism of metaphorization, which is one of the most effective methods of term formation in the financial sphere of English. Analysis of financial terms of metaphorical origin, which describes human activity in the stock market within the framework of the metaphor „a man is an animal”, led to the conclusion that the most used names of animals that act as term-forming components in the process of metaphorizing the financial terminology of the English language are the words such as bull, bear, rabbit / hare, turtle, pig, ostrich, sheep, dog, stag, wolf, lame duck, whale, shark. It is proved that the formation of foreign language terminological literacy of students provides for the presentation of the studied material in the form of a conceptual model and a visual description of economic concepts based on prototypical ideas about animals. The study of the main features of the functioning of zoomorphic terms in specific English-language texts was carried out using terminological and explanatory dictionaries, as well as analytical reviews of financial markets.


Author(s):  
Jidong Jia ◽  
Xingzhi Wu ◽  
Xueru Zhang ◽  
Yuxiao Wang ◽  
Junyi Yang ◽  
...  

Intramolecular charge transfer (ICT) is an important factor in the nonlinear optical (NLO) properties of organic molecules. In order to study the effect of ICT on two-photon absorption (TPA) and...


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