The Mechanization of Design in the 16th Century: The Structural Formulae of Rodrigo Gil de Hontañón

1982 ◽  
Vol 41 (4) ◽  
pp. 281-293 ◽  
Author(s):  
Sergio Luis Sanabria

The existing fragments of an architectural booklet by the 16th-century Spanish architect Rodrigo Gil de Hontañón reveal an ingenious attempt to systematize the design process by creating a sequence of formulaic procedures to be followed in ecclesiastical projects. The formulae are addressed to two more or less separate issues. The first is to synthesize Gothic and Classic proportioning methods, and demonstrate their fundamental identity. The second is to establish an independent "science" of structural design. Aside from the more theoretical writings of Leonardo da Vinci, the work of Rodrigo Gil is the principal evidence extant for the development of structural thinking among 16th-century master masons. Seven formulae discussed here are concerned with the correct depth of a buttress to support an arch or a rib vault. The formulae do not seem to have been derived through theoretical analysis, using the medieval Scientia de Ponderibus. Rather they are the result of new experimentation and traditional Gothic geometric thinking applied to classical arches, and of new arithmetic procedures applied to Gothic rib vaults.

1993 ◽  
Vol 52 (1) ◽  
pp. 5-25 ◽  
Author(s):  
Richard J. Betts

The characteristic structural forms of large Renaissance churches-domes, drums, pendentives, and barrel vaults-were the products of innovation in theory and practice during the later fifteenth century in Italy that culminated in Bramante's projects for the new Saint Peter's. Significant ideas were contributed by Leon Battista Alberti, Francesco di Giorgio, and Leonardo da Vinci. Francesco di Giorgio's geometrical methods of design for churches as described in his second treatise incorporate a procedure for calculating the thickness of walls bearing vaults. Francesco di Giorgio tested the procedure in his own churches, and it was later used by Bramante.


1958 ◽  
Vol 62 (569) ◽  
pp. 363-376 ◽  
Author(s):  
N. F. Harpur

Around the end of the fifteenth century were written what must have been about the first set of airworthiness requirements ever compiled. These were notebooks of Leonardo da Vinci in which he discussed the physics of flight and the design of flying machines. In one of these notebooks he wrote:—“ In constructing wings one should make one cord to bear the strain and a looser one in the same position so that if the one breaks under the strain the other is in position to serve the same function.”


Author(s):  
Karina Ambrock ◽  
Bernd Grohe ◽  
Silvia Mittler

Collagen is the most abundant protein in the human body and serves many functions, from mechanical stability and elasticity in tendons and bone, to optical properties, such as transparency and a fine tuned refractive index in the cornea of the eye. Collagen has interested humankind for centuries: Leonardo Da Vinci studied and drew the tendons in the human body precisely in the 15th and 16th century. A look at the literature reveals easily > 200,000 papers. This article reviews oriented type I collagen artificial alignment strategies.


Author(s):  
J. A. Nowell ◽  
J. Pangborn ◽  
W. S. Tyler

Leonardo da Vinci in the 16th century, used injection replica techniques to study internal surfaces of the cerebral ventricles. Developments in replicating media have made it possible for modern morphologists to examine injection replicas of lung and kidney with the scanning electron microscope (SEM). Deeply concave surfaces and interrelationships to tubular structures are difficult to examine with the SEM. Injection replicas convert concavities to convexities and tubes to rods, overcoming these difficulties.Batson's plastic was injected into the renal artery of a horse kidney. Latex was injected into the pulmonary artery and cementex in the trachea of a cat. Following polymerization the tissues were removed by digestion in concentrated HCl. Slices of dog kidney were aldehyde fixed by immersion. Rat lung was aldehyde fixed by perfusion via the trachea at 30 cm H2O. Pieces of tissue 10 x 10 x 2 mm were critical point dried using CO2. Selected areas of replicas and tissues were coated with silver and gold and examined with the SEM.


1910 ◽  
Vol 69 (1782supp) ◽  
pp. 138-140
Author(s):  
Edward P. Buffet
Keyword(s):  
Da Vinci ◽  

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