IMPLEMENTING ADVANCED DIGITAL IMAGING RESEARCH IN CULTURAL HERITAGE:

2020 ◽  
pp. 217-232
Author(s):  
MELISSA TERRAS
2017 ◽  
Author(s):  
Filippo Stanco ◽  
Sebastiano Battiato ◽  
Giovanni Gallo

2020 ◽  
Vol 2020 (1) ◽  
pp. 60-67
Author(s):  
Roy S. Berns

The still imaging portion of FADGI [1] continues to be a living document that has evolved from its theoretical digital imaging principles of a decade ago into adaptations for the realities of day-to-day cultural heritage workflows. While the initial document was a bit disjointed, the 2016 version is a solid major improvement and has proven very useful in gauging digital imaging goodness. [2] With coaching, encouragement and focused attention to detail many users, even the unschooled, have achieved 3-star compliance, sometimes with high-speed sheet-fed document scanners. 4-star levels are not far behind. This is a testimony to an improved digital image literacy for the cultural heritage sector that the authors articulated at the beginning of the last decade. This objective and science based literacy has certainly evolved and continues to do so. It is fair to say that no other imaging sector has such comprehensive objective imaging guidelines as those of FADGI, especially in the context of high volume imaging workflows. While initial efforts focused on single instance device benchmarking, future work will concentrate on performance consistency over the long term. Image digitization for cultural heritage will take on a decidedly industrial tone. With practice, we continue to learn and refine the practical application of FADGI guidelines in the preservation of meaningful information. Like rocks in a farm field, every year new issues and errors with current practices surface that were previously hidden from view. Some are incidental, others need short term resolution. The goal of this paper is to highlight these and make proposals for easier, less costly, and less frustrating ways to improve imaging goodness through the FADGI guidelines.


2001 ◽  
Vol 30 (1) ◽  
Author(s):  
Lars Meyer

This online web site of digital conversion fundamentals serves a number of purposes. According to the Preface page, it “offers base-level information on the use of digital imaging to convert and make accessible cultural heritage materials. It also introduces some concepts advocated by Cornell University Library, in particular the value of benchmarking requirements before undertaking a digital initiative.” Although the tutorial can stand alone, it complements Anne R. Kenney and Oya Rieger's


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