Bikini and the Atom Bomb

2020 ◽  
pp. 13-21
Keyword(s):  
The Lancet ◽  
1997 ◽  
Vol 349 (9064) ◽  
pp. 1560
Author(s):  
Gabrielle Murphy
Keyword(s):  

Radiocarbon ◽  
2021 ◽  
pp. 1-9
Author(s):  
Jocelyn C Turnbull ◽  
Dave C Lowe ◽  
Martin R Manning ◽  
Rodger Sparks

ABSTRACT Direct atmospheric 14CO2 measurements began in New Zealand in 1954, initially to improve 14C as a dating tool, but quickly evolving into a method for understanding the carbon cycle. These early 14CO2 measurements immediately demonstrated the existence of an “Atom Bomb Effect,” as well as an “Industrial Effect.” These two gigantic tracer experiments have been utilized via 14CO2 measurements over the years to produce a wealth of knowledge in multiple research fields including atmospheric carbon cycle research, oceanography, soil science, and aging of post-bomb materials.


Otto Hahn ◽  
2001 ◽  
pp. 155-178
Author(s):  
Klaus Hoffmann
Keyword(s):  

Otto Hahn ◽  
2001 ◽  
pp. 1-13
Author(s):  
Klaus Hoffmann
Keyword(s):  

2006 ◽  
Vol 44 (5) ◽  
pp. 61-70
Author(s):  
S. N. Sarukhanian
Keyword(s):  

2021 ◽  
pp. 030582982110313
Author(s):  
Christine Sylvester

Much material heritage is marked by national memorials to war and its heroes. This article considers two examples that commemorate aspects of defeat, loss, and military disaster in war – the Australian War Memorial and attached museum and the museum and Peace Park at Hiroshima Japan. For Australians, the nation became a recognisable entity in the wake of disastrous defeat at Gallipoli in World War I. The physical manifestation of that heritage combines a solemn mausoleum with a massive and expanding museum that celebrates all Australia’s war contributions since then. For Japan, the peace park in Hiroshima focuses on the civilian heritage of the atom bomb Americans dropped in August 1945. Unlike the Australian Memorial, there is no celebration of war, soldiers, or militarism at the Peace Park. This article explores the differences, similarities, ironies, and contradictions of war heritages built out of crushing instances of loss rather than national moments of victory.


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