Subtitling Ethnographic Films

2021 ◽  
pp. 165-177
Keyword(s):  
2012 ◽  
Vol 9 (2) ◽  
pp. 344-360
Author(s):  
Clarice E. Peixoto

This article discusses the inclusion of photographs in ethnographic films, particularly in the genre video portrait. In the reconstitution of an individual's history, photographic images play an important role in the evocation of past facts that often remain only as fragments of memory. When examining personal collections and public archives, we prospect for photographic and iconographic images that allow usto construct possible relationships between collective and individual memories.


1987 ◽  
Vol 14 ◽  
pp. 189-227 ◽  
Author(s):  
Andrew D. Roberts

In the course of bibliographical work on volume 7 of the Cambridge History of Africa, I realized that there was no guide to film as a historical source for this or any other period in African history. Lists had been made of films on Africa available for loan or hire in the U.S.A., but no one had tried to list at all comprehensively what had actually been made or what had survived. I therefore decided to compile such a guide myself, tracing the making of non–fiction film in Africa from early days up to 1940: this seemed a suitable cutoff date, since it was clear that from the Second World War the scale of filmmaking in Africa, as elsewhere, increased very considerably, and in any case was beginning to attract the attention of historians.I was emboldened in this project by the publication in 1980 of the non–fiction catalog of the British National Film Archive. This immediately showed that a wide variety of relevant films had been not only made, but preserved, and for several there are viewing as well as archive copies. Unfortunately, there is no equivalent published catalog for any other major film archive. I have been able, however, to glean much information from a variety of guides, filmographies, and historical studies. Among lists of films in archival collections, the most useful were those in the U.S. of UNESCO for ethnographic films, McClintock for films on North Africa, and South's guide to African materials in the U.S. federal archives.


Nature ◽  
1959 ◽  
Vol 183 (4662) ◽  
pp. 650-650
Keyword(s):  

Visualidades ◽  
2018 ◽  
Vol 16 (2) ◽  
Author(s):  
José Da Silva Ribeiro

ResumoVárias associações científicas nacionais e internacionais e antropólogos cineastas abordaram questões relacionadascom a análise de filmes etnográficos, sua avaliação eintegração no trabalho acadêmico. Destes, destacamos aSociedade Francesa de Antropologia Visual, a AmericanAnthropological Association e os antropólogos Bob White,Colette Piault e David MacDougall, todos cineastas eprofessores de antropologia visual / filme etnográfico. Tendo feito durante algumas décadas pesquisa em antropologiavisual e tendo sido convidado a falar sobre a integração defilmes etnográficos em trabalhos acadêmicos e sobre a revisãoe avaliação de filmes em festivais de cinema e de filmesetnográficos, é meu dever contribuir para a sistematização deinformações e para o pensamento dessas questões. É este oobjetivo deste trabalho. AbstractSeveral international scientific associations and filmmakersanthropologists have addressed issues related tothe analysis of ethnographic films, their evaluation andintegration in academic work. Of these we highlight theFVAS-French Visual Anthropology Society, the AmericanAnthropological Association and anthropologistsBob White, Colette Piault and David MacDougall, allfilm-makers and professors of visual anthropologyand ethnographic film. Having done for a few decadesresearch in visual anthropology and having been askedto speak about the integration of ethnographic films inacademic work and about the review of films in film andethnographic film festivals, it is my duty to contribute forthe systematization of information and in the thinking ofthese issues. ResumenDiversas asociaciones científicas nacionales einternacionales y antropólogos cineastas se ocuparon de cuestiones relacionadas con el análisis de películasetnográficas, su evaluación e integración en el trabajoacadémico. De estos, destacamos la Sociedad Francesade Antropología Visual, la American AnthropologicalAssociation y los antropólogos Bob White, Colette Piaulty David MacDougall, todos cineastas y profesores deantropología visual/ película etnográfica. Como me hededicado durante algunas décadas a la investigación enantropología visual y, además de eso, he sido invitado parahablar sobre la integración de películas etnográficas entrabajos académicos y sobre la revisión y evaluación depelículas en festivales de cine y de películas etnográficas,es mi deber contribuir para la sistematización deinformaciones y el pensamiento de esas cuestiones. Es esteel objetivo de este trabajo.


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