Handwritten in Lagos: Selfhood and Textuality in Colonial Petitions

This paper asks a methodological question: In what way can petitions written in the colonial period introduce us to the persona of the writers – that is, as against mainstream interpretation given to them as mere archival sources? Doesn’t the very nature of the petitions introduce us to the selfhood of those “caught up” in the often-mentioned “sophisticated” concepts of nationalism, politics, power, imperialism, urbanity, and colonialism? What, and how, do petitions tell us about the “interior version” of colonial society as seen in the individual? In an attempt at a deeper understanding of colonial Lagos, this paper examines an alternative feature of petitions as entry into the selfhood of colonial subjects rather than mainstream interpretations of the documents as qualitative exposition to “grand” historical phenomena. Selfhood as examined here is presented as it was constructed by petitions written in Lagos between 1940 and 1960 with a particular focus on three. Their deficiencies in “standards of grammar” notwithstanding, the words are also examined to allow for a demonstration of their qualities as texts: their meanings in singular and collaborative contexts, the gaps they exposed, the information they concealed, the disconnections in chronology they indicated, the “ethics” of grammar they “relegated” for more “substantial expose” of the self, the information they privileged the reader to hear, the identity they formed in the personas they constructed and the voice they generated. This paper suggests that these strands analyzed together affirm the textuality of petitions written by everyday people in colonial Lagos and that these point to the potentiality of such documents to further contribute to the substantial comprehension of the inner qualities of self-identity in Lagos and Nigeria’s colonial history.

Naming the Baga: Problems in the Identity of a Guinean Cultural Amalgamation

Along the coast of the Republic of Guinea, the term “Baga” has been used to cover a large amalgamation of cultural groups, always previously misinterpreted. There are five dialect groups called Baga within the Temne language group. The question raised here concerns the etymology of the name Baga, as it has evolved in juxtaposition to the name Temne in Sierra Leone. It is an attempt to parse the intricate use of language to describe the historical and hierarchical relationship between these two segments of the same group.

Minutes and the Man: J.E.W. Flood and British Imperial Economic Policy at the Colonial Office in the Interwar Years

Archival sources, especially correspondence between officials, have been critical to the reconstruction of the history of colonial territories. Minutes, confidential comments that informed the decisions transmitted in official correspondence (known as dispatches), though important, are often neglected. This paper highlights the value of minutes and demonstrates their optimal utilization through the lens of the career of J.E.W. Flood, a prolific middle level career officer at the Colonial Office. His minutes on various issues across the interwar period shed light on the undercurrents and debates among officials at Whitehall that shaped aspects of British imperial economic policy during the period.

Mapping Senufo: Reframing Questions, Reevaluating Sources, and Reimagining a Digital Monograph

Mapping Senufo: Art, Evidence, and the Production of Knowledge – an in-progress, collaborative, born-digital publication – will offer a model for joining theories about the construction of identities and the politics of knowledge production with research and publication practice. In this article, we examine how computational methods have led us to reframe research questions, reevaluate sources, and reimagine the form of a digital monograph. We also demonstrate how our use of digital technologies, attention to iteration, and collaborative mode of working have generated fresh insights into a corpus of arts identified as Senufo, the nature of evidence for art-historical research, and digital publication. We posit that the form of a digital publication itself can bring processes of knowledge construction to the fore and unsettle expectations of a tidy, authoritative narrative.

Defining Regions of Pre-Colonial Africa: A Controlled Vocabulary for Linking Open-Source Data in Digital History Projects

Regionalizing pre-colonial Africa aids in the collection and interpretation of primary sources as data for further analysis. This article includes a map with six broad regions and 34 sub-regions, which form a controlled vocabulary within which researchers may geographically organize and classify disparate pieces of information related to Africa’s past. In computational terms, the proposed African regions serve as data containers in order to consolidate, link, and disseminate research among a growing trend in digital humanities projects related to the history of the African diasporas before c. 1900. Our naming of regions aims to avoid terminologies derived from European slave traders, colonialism, and modern-day countries.

What’s In the Manuscripts of Timbuktu? A Survey of the Contents of 31 Private Libraries

The Arabic manuscripts of Timbuktu have received considerable publicity during the past 25 years, yet their contents remain largely unknown. Since 2012, an inventory of nearly 350,000 Timbuktu manuscripts in private libraries has been underway, and the contents of those libraries are now accessible in the West African Arabic Manuscript Database (WAAMD). This analysis examines 31 of the 35 libraries and in addition to reporting on their contents, notes challenges in accessing incompletely identified works, and compares the manuscripts with other West African collections.

Rebalancing the Historical Narrative or Perpetuating Bias? Digitizing the Archives of the Mineworkers’ Union of Zambia

This article examines the project to digitize and preserve the archives of the Mineworkers’ Union of Zambia and has two aims. The first aim is to discuss the process of cataloguing and digitizing an archive that has undergone significant deterioration, and the theoretical and practical challenges to achieving this. The second aim is to relate making this archive more accessible to questions of knowledge production. Despite its limitations, the value of this archive is that it is primarily composed of documents produced by Africans about the world as they saw it. These are not the records of external powers, colonial officials, or those studying African peoples.

The “Ketu Nation” of Brazilian Candomblé in Historical Context

The Afro-Brazilian religion of Candomblé arose during the Atlantic slave trade and has unmistakable Yorùbá influences. In the city of Salvador, the term nação ketu [Ketu nation] is used among the oldest temples in describing Yorùbá heritage. This has led some scholars to assume that the founders came from the Yorùbá kingdom by that name. This paper critically examines the idea of Kétu origins, taking as a case study the temple Ilê Axé Iyá Nassô Oká, a national historic heritage site in Brazil that is recognized by UNESCO as a site of diasporic memory. The paper shows that the first generations of leadership were dominated by people from Ọ̀yọ́ and that the term ketu emerged not as an allusion to ethnic origins but perhaps as a metaphor for a heterogeneous cultural context in which Yorùbá speakers from disparate regions lived in close coexistence.