Author(s):  
Emma Griffiths

Heracles’ role as the father of Telephus involves significant elements for our understanding of the wider myth. The conception of Telephus is variously depicted as a “rape” or a “seduction” of Auge and starts a chain of events that portray Heracles as a caring father who rescues his abandoned child, providing a model for the Roman foundation myth. It also projects Heracles’ role in the First Trojan War into the Second. The story unfolds across several different locations in the Mediterranean, from Arcadia to king Teuthras’ kingdom in Mysia, and indicates Heracles’ role as a connecting figure for historical and cultural societies.


2010 ◽  
Vol 109 (726) ◽  
pp. 158-161
Author(s):  
Nira Wickramasinghe
Keyword(s):  

Rajapaksa's patriotism merges nation and state, and it promotes a love of country based on a particular reading of the Sinhalese people's foundation myth, a reading in which all other groups … are present only as shadows.


1988 ◽  
Vol 53 (2) ◽  
pp. 287-309 ◽  
Author(s):  
A. F. Aveni ◽  
E. E. Calnek ◽  
H. Hartung

In the light of the recent excavations of the Templo Mayor in downtown Mexico City, we explore the problem of the role of astronomy, calendar, and the landscape in the design and orientation of the building and of the city in general. We employ ethnohistoric data relating to the foundation myth of Tenochtitlan as a means of generating hypotheses concerning astronomical orientation that can be tested by reference to the archaeological record. We find that eastward-looking observations (implied in dismantling and reconstructing the myth) that took place around the time of the equinox may have been related to an attempt to transform a true east orientation from the natural environment into the architecture via a line that passed through the center of the Temple of Huitzilopochtli (the more southerly temple of the pair constituting the top of the Templo Mayor). It also is possible that the notch between the twin temples served a calendrical/orientational function. Evidence is presented to support the view that the mountain cult of Tlaloc, represented in the environment on the periphery of the Valley of Mexico by Mount Tlaloc, also may have directly influenced the orientation of the building and that it was part of a scheme for marking out days of the calendar by reference to the position of the rising sun at intervals of 20 days from the spring equinox. In this regard, we discuss the connection between the Templo Mayor and an enclosure containing offertory chambers atop Mount Tlaloc, which is located on a line extended to the visible horizon 44 km east of the ceremonial center. The ethnohistoric record implies that this place had been used for sacrifices to the rain god after whom the other of the twin temples of the Templo Mayor was named.


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