Exile as Anxiety and Involuntary Memory:

2021 ◽  
pp. 47-51
Keyword(s):  
Author(s):  
Mauro Carbone

In The Visible and the Invisible, Merleau-Ponty famously wrote: “No one has gone further than Proust in fixing the relations between the visible and the invisible.” To gain a fresh and original access to Merleau-Ponty’s interpretation of Proust, this chapter places his views alongside those of another of Proust’s great interpreters, Walter Benjamin. In spite of the absence of explicit references to Benjamin in the writings of Merleau-Ponty, certain intersections are clear. For one thing, we find the originating importance of Husserl for Merleau-Ponty and Benjamin. Though they make reference to very distant periods of Husserlian thought, they share at least a distrust with regard to experience understood as Erlebnis. Second, they each give attention to the theme of essence and ideas, which, concerning artistic and literary works, are considered by the two thinkers as immanent within the works themselves. This suggests one of the most important contributions of Proust to Merleau-Ponty’s thought, the concept of “sensible ideas.” Third, both Merleau-Ponty and Benjamin demonstrate their common interest in perception and memory, sometimes focusing on the very same pages of Recherche du temps perdu [In Search of Lost Time] to deepen, through the character of Marcel, the concept of “involuntary memory.”


2019 ◽  
Vol 93 (2) ◽  
pp. 56-57
Author(s):  
Hilary Dobel
Keyword(s):  

2011 ◽  
Vol 49 (1) ◽  
pp. 17-30
Author(s):  
P. I. Zinchenko ◽  
G. K. Sereda

2019 ◽  
Vol 24 (1) ◽  
pp. 201-219
Author(s):  
Shannon Hayes ◽  

I offer a re-evaluation of Freudian melancholy by reading it in-conjunction with Merleau-Ponty’s analysis of phantom limbs and Marcel Proust’s involuntary memories. As an affective response to loss, melancholy bears a strange, belated temporality (Nachträglichkeit). Through Merleau-Ponty’s analysis of the phantom limb, I emphasize that the melancholic subject remains affectively bound to a past world. While this can be read as problematic insofar as the subject is attuned to both the possibilities that belong to the present and the impossibilities that belong to the past world, I turn to Proust whose writings on involuntary memory indicate a way of taking up these futural (im)possibilities. I focus the discussion on the narrator’s involuntary memory of his grandmother after her death to highlight the creative transformation of his melancholy.


2015 ◽  
Vol 34 ◽  
pp. 1-3 ◽  
Author(s):  
Melanie K.T. Takarangi ◽  
D. Stephen Lindsay ◽  
Deryn Strange
Keyword(s):  

2015 ◽  
Vol 20 (4) ◽  
pp. 889-903 ◽  
Author(s):  
Emma Briddon ◽  
Claire Isaac ◽  
Pauline Slade

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