The Virginal Mother in German Culture

Cosmic Miniatures and the Future Sense: Alexander Kluge’s 21st-Century Literary Experiments in German Culture and Narrative Form.By Leslie A. Adelson. Berlin: de Gruyter, 2017. xii + 304 pages. €59,95 / $68.99.

Monatshefte ◽

10.3368/m.111.3.476 ◽

2019 ◽

Vol 111 (3) ◽

pp. 476-478

Author(s):

Martin Brady

Keyword(s):

21St Century ◽

German Culture ◽

The Future

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Woyzeck or Wozzeck? Karl-Emil Franzos and the Border Lines between Eastern Europe and German Culture

Jewish Social Studies ◽

10.2979/jewisocistud.25.1.05 ◽

2019 ◽

Vol 25 (1) ◽

pp. 128

Author(s):

Caplan

Keyword(s):

Eastern Europe ◽

German Culture

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Reenchanted Science: Holism in German Culture from Wilhelm II to Hitler, by Anne HarringtonReenchanted Science: Holism in German Culture from Wilhelm II to Hitler, by Anne Harrington. Princeton, New Jersey, Princeton University Press, 1996. xxiv, 309 pp. $39.50 U.S.

Canadian Journal of History ◽

10.3138/cjh.32.1.114 ◽

1997 ◽

Vol 32 (1) ◽

pp. 114-116

Author(s):

John R. Hinde

Keyword(s):

New Jersey ◽

German Culture ◽

Princeton University

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Janet Janzen. Media, Modernity and Dynamic Plants in Early 20th Century German CultureJanet Janzen. Media, Modernity and Dynamic Plants in Early 20th Century German Culture. Brill Rodopi, 2016. 208 pp. US$90.00 (Paperback). ISBN 978-9-00432-716-0.

Seminar A Journal of Germanic Studies ◽

10.3138/seminar.54.1.114 ◽

2018 ◽

Vol 54 (1) ◽

pp. 114-116

Author(s):

Alice Kuzniar

Keyword(s):

20Th Century ◽

Early 20Th Century ◽

German Culture

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Effects of Luther’s Reformation on German Culture

The Institute of Humanities at Soonchunhyang University ◽

10.35222/ihsu.2020.39.2.201 ◽

2020 ◽

Vol 39 (2) ◽

pp. 201-225

Author(s):

Kwangwoo Park

Keyword(s):

German Culture

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Epilogue

10.1093/oso/9780199651634.003.0012 ◽

2017 ◽

Author(s):

Erika Fischer-Lichte

Keyword(s):

Central Position ◽

Short Discussion ◽

German Culture ◽

Ancient Athens

The book concludes with an epilogue entitled ‘The Return of Dionysus. From Festive Performances to Global Spectacle’. It very briefly retraces the exchange of productions of Greek tragedies between Germany and other countries and ends with the role played by productions of Greek tragedies today, at German as well as international theatre festivals, thus linking them back to the most important festival in ancient Athens, the Great Dionysia. After explaining how such festivals in Germany reassert the central position held by theatre in German culture, the epilogue ends with a short discussion of Jan Fabre’s twenty-four-hour performance Mount Olympus—to Glorify the Cult of Tragedy (Berliner Festspiele, June 2015) as an allegory of and a reflection on Greek tragedy’s endurance on the German stage.

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