Proceso de apropiación de un nuevo hábitat. El caso de la ciudad rural sustentable Nuevo Juan del Grijalva en Chiapas, México / Process of appropriating a new habitat. The case of the sustainable rural city Nuevo Juan del Grijalva in Chiapas, Mexico

El modelo ecológico de Bronfenbrenner permite observar cómo diversos factores interactúan ante un cambio de hábitat y entender las adecuaciones al habitar de la población reubicada. Se explora el proceso de apropiación tras la reubicación en la ciudad rural sustentable (CRS) Nuevo Juan del Grijalva en Chiapas, México. A partir de una encuesta de hogares se caracteriza a la población reubicada y se analizan las transformaciones espaciales y la apropiación psicológica del espacio resultante de habitar un nuevo hábitat. Los resultados muestran la pérdida de las prácticas de producción rural y las alternativas para independizarse y obtener una vivienda en la CRS.AbstractBronfenbrenner’s ecological model makes it possible to observe how various factors interact in a change of habitat and to understand the living adjustments made by the resettled population. This article explores the appropriation process after relocation in a sustainable rural city (SRC), Nuevo Juan del Grijalva, in Chiapas, Mexico. The results of a household survey are used to characterize the resettled population, and the spatial transformations and psychological appropriation of the resulting space when a new habitat is inhabited are analyzed. The results show the loss of rural production practices and alternatives for achieving independence and obtaining housing in the SRC.

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The Ecological Model of Visual Artists in the Malaysian Contemporary Visual Arts Industry: A Framework Proposal

Idealogy Journal of Arts and Social Science ◽

10.24191/idealogy.v3i2.71 ◽

2018 ◽

Vol 3 (2) ◽

pp. 69-74

Author(s):

Syed Alwi Syed Abu Bakar ◽

◽

Azian Tahir ◽

Ishak Ramli ◽

◽

...

Keyword(s):

Visual Arts ◽

Ecological Model ◽

Point Of View ◽

Successful Implementation ◽

Visual Artists ◽

Production Environment ◽

Technical Practice ◽

Clear Guideline ◽

Production Practices ◽

Art Production

The increasingly challenging and competitive artwork production environment has prompted visual artists to have an arrangement of state-of-the-art art production practices. Currently, the system of production and marketing of works does not have a clear guideline in the industry that can help in the survival of professional visual artists in Malaysia. Therefore, this study is designed to get clear feedback from those who are already active in this industry related to the challenges faced and the marketability of the works of visual artists to continue to compete in the local and international art production stage. This paper aims to identify the non -technical practices required for the successful implementation and marketing of works of art in Malaysia. The results of this study will provide a detailed study of the practices of visual artists in the implementation and marketing that need to be considered by those who will venture into the arena of professional production. Through this paper, a framework has been developed through a comprehensive review from the point of view of literature as well as practical practice. Keywords: Non -technical practice, production of works, visual artists, visuals, art work.

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