scholarly journals Means of Expressing Dualism in Sermon “Slovo na Novyy God. V Chem Schastye Cheloveka, i Gde Ego Nayti?” [Word for New Year. What is Human Happiness, and Where to Find it?]

2021 ◽  
pp. 9-29
Author(s):  
O. Anchimiuk ◽  
R. Szymula
Keyword(s):  

The present study examines Archbishop Anastasy (Dobradin)’s famous sermon «Слово на Новый годъ. Въ чемъ счастіе человѣка и гдѣ его найти?», dealing with the question of the dual understanding of “happiness” (philosophical, i.e. secular, and religious). Attention is paid to the means of verbalising the concept of happiness in the text under study. The text under analysis is a unique example of the homily, distinguished by its atypical for this genre appeal to a secular element, associated with the preacher’s dual understanding of “happiness”. The article presents the results of the analysis of etymology and development of semantics of the noun счастье. Its lexical compatibility in the text of a sermon is investigated. Full and short forms of adjectives, which serve to express positive and negative connotations, are identified. It has been proved that in the studied homily the preacher attributes the concept of “happiness” not only to the high register but also to the low register, which is related to the two concepts of “happiness” considered by him, reflected also on the graphic level (счастіе, счастье). Particular attention is paid to the most frequent attribute in the sermon, истинный, which has in common with the noun счастье the seme God. The epigraph of the homily, which usually presents the main point of the sermon, does not include the lexeme счастье because the entire sermon is devoted to redefining this concept.

2009 ◽  
Vol 25 (4) ◽  
pp. 239-243
Author(s):  
Roberto Nuevo ◽  
Andrés Losada ◽  
María Márquez-González ◽  
Cecilia Peñacoba

The Worry Domains Questionnaire was proposed as a measure of both pathological and nonpathological worry, and assesses the frequency of worrying about five different domains: relationships, lack of confidence, aimless future, work, and financial. The present study analyzed the factor structure of the long and short forms of the WDQ (WDQ and WDQ-SF, respectively) through confirmatory factor analysis in a sample of 262 students (M age = 21.8; SD = 2.6; 86.3% females). While the goodness-of-fit indices did not provide support for the WDQ, good fit indices were found for the WDQ-SF. Furthermore, no source of misspecification was identified, thus, supporting the factorial validity of the WDQ-SF scale. Significant positive correlations between the WDQ-SF and its subscales with worry (PSWQ), anxiety (STAI-T), and depression (BDI) were found. The internal consistency was good for the total scale and for the subscales. This work provides support for the use of the WDQ-SF, and potential uses for research and clinical purposes are discussed.


1999 ◽  
Author(s):  
J. J. Ryan ◽  
L. C. Ward
Keyword(s):  

2011 ◽  
Author(s):  
David S. Kreiner ◽  
Joseph J. Ryan ◽  
Samuel T. Gontkovsky

2011 ◽  
Author(s):  
Joseph J. Ryan ◽  
Karrol A. Tait ◽  
David S. Kreiner
Keyword(s):  

2007 ◽  
Author(s):  
Christopher G. Beevers ◽  
David R. Strong ◽  
Björn Meyer ◽  
Paul A. Pilkonis ◽  
Ivan W. Miller

2020 ◽  
Vol 158 (3) ◽  
pp. S101-S102
Author(s):  
Julia Schuchard ◽  
Michael Kappelman ◽  
Andrew Grossman ◽  
Jennifer Clegg ◽  
Christopher Forrest

Author(s):  
Jennifer Fay

Postwar American film noir explores an artificial world that does not foster human happiness and growth, but leads to a kind of human incapacity to act and respond. Beyond merely depicting these negative environments, noir lays bare the attachments to bad living and unsustainable striving that underwrite the accumulating culture of the Anthropocene at midcentury. Positioning itself as the genre that critiques postwar peaceful prosperity, noir gives us the characters, places, and scripts for human expiration as the counter to both nuclear survivalism and consumer capitalism. The hospitality of film noir is rental property. Indeed, impermanent dwelling of the individual and humanity as a whole is one of noir’s lessons for the Anthropocene. American noir is an ecological genre that teaches us in the spirit of Roy Scranton’s book how “to die in the Anthropocene.”


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