SIGNS and MEANINGS: Pataphallics: Jarry’s Novels and Ityphallicism
Abstract This article discusses Alfred Jarry as a precursor of French modernism. With a particular focus on Messaline, Roman de l’ancienne Rome (1901) and Le Surmâle, Roman moderne (1902), I analyse the subtle ways in which the past and the future are intertwined and Jarry’s philosophy of sexual excess. In both novels, the main characters seek a paroxysmal erotic pleasure from which they die after reaching world records in sex-making. Read together, the novels work to create a lemniscate, the symbol of infinity symbolically represented, in modernism, by the speeding bicycle. In both novels, sexual excess leads to a superhuman transformation of women and men into a rigid phallus, underlying which is the fantasy of bisexualism.
1970 ◽
Vol 3
(1)
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pp. 18-24
2004 ◽
Vol 16
(06)
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pp. 251-253
2017 ◽
Vol 58
(1)
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pp. 20-29
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