The Canadian Jewish Connection to the Visual Narrative of Nationhood at the Jewish Palestine Pavilion in New York (1939) and the Israel Pavilion and Pavilion of Judaism in Montreal (1967)

Author(s):  
Loren Lerner
Keyword(s):  
New York ◽  
Author(s):  
Victor Svorinich

Using new commentary from the people behind the lens blended with revealing photographs, this chapter examines the visual narrative of Bitches Brew. Although the sessions were never shot, Miles Davis was photographed just about everywhere else at the time, whether it was on stage, at home, at the gym, or driving around New York in his Ferrari. Despite his shy and difficult demeanor, Davis had a warm and sincere relationship with the camera and the people behind it. These photographers were not only able to document this period in Davis’s life, but were also able to unveil a whole other side of him.


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