scholarly journals Extrapolating Terminology: The Carnivalesque Practice of Language Writing In the Grotesque Body of I Don’t Have Any Paper

Author(s):  
David Milman

There is a similarity between the rhetorical strategies of Language Writing and the rhetorical strategies attributed to carnivalesque texts by Mikhail Bakhtin. However, the aesthetic differences between standard uses of the carnivalesque and grotesque realism may, at first, obfuscate these similarities in rhetorical strategy. While the aesthetic of these two forms of writing is certainly not identical, there are enough allegorically and rhetorically parallel elements to state that a form of the carnivalesque and grotesque is at work in Language Writing. To prove as much I will summarize Mikhail Bakhtin’s articulation of carnival and grotesque realism and then draw lines of similarity between that articulation and the strategies of Language Writing expressed by Bruce Andrews and Steve McCaffery. In the process I will bolster my argument with reference to textual examples, taken from Bruce Andrews I Don’t Have Any Paper, which exemplify these parallels in operation.

Umní / Art ◽  
2007 ◽  
Vol LV (5) ◽  
pp. 400-408
Author(s):  
Tomáš Winter
Keyword(s):  

2008 ◽  
Vol 42 (3) ◽  
pp. 515-535
Author(s):  
DAVID WALL

This essay looks at a variety of antebellum cultural productions and, utilizing Mikhail Bakhtin's notion of the grotesque body, identifies the ubiquitous use of the tropes of carnival as a principal discourse in the construction of bourgeois subjectivity and the staging of its “low Others.” The essay examines the visual arts, popular literature, minstrelsy, and the freak show, demonstrating that as the grotesque body of the social and racial low Other is rejected and excluded socially, it returns constantly and repeatedly in narrative form. Appearing as it does across the broad spread of antebellum cultural domains, the grotesque body emerges as an object not only of disgust but also of deep and profound desire.


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