Popular music, community archives and public history online: cultural justice and the DIY approach to heritage

Author(s):  
Paul Long ◽  
Sarah Baker ◽  
Zelmarie Cantillon ◽  
Jez Collins ◽  
Raphaël Nowak
2016 ◽  
Vol 20 (5) ◽  
pp. 476-491 ◽  
Author(s):  
Sarah Baker ◽  
Jez Collins

This article identifies the challenges community archives of popular music face in achieving medium- to long-term sustainability. The artefacts and vernacular knowledge to be found in community archives, both physical and online, are at risk of being lost ‘to the tip’ and, consequently, to ‘cultural memory’, due to a lack of resources and technological change. The authors offer case studies of the British Archive of Country Music, a physical archive, and an online Facebook group Upstairs at the Mermaid, to exemplify how and why such groups must strategize their practices in order to remain sustainable. By including both online and physical community archiving in the scope of this research, the authors find that despite key differences in practice, both archival communities face similar threats of closure. The article concludes with an overview of the general outlook for community archives, and possible solutions to this ongoing issue of sustainable practices and processes for this sector.


2021 ◽  
Vol 2021 (140) ◽  
pp. 197-206
Author(s):  
Tamar W. Carroll

Abstract This article discusses the role of public history events and community archives in transmitting memories of the HIV/AIDS epidemics and the lessons of social activism to younger generations. By intentionally centering the stories of members of marginalized communities, organizers work toward institutionalizing a more inclusive memory.


2018 ◽  
Author(s):  
Trevor Owens ◽  
Jesse A. Johnston

In the last 25 years we have seen the web enable new digital means for historians to reach broader publics and audiences. Over that same period of time, archives and archivists have been exploring and engaging with related strands of digital transformation. In one strand, similar focus on community work through digital means has emerged in both areas. While historians have been developing a community of practice around public history, archivists and archives have similarly been reframing their work as more user-centered and more closely engaged with communities and their records. A body of archival work and scholarship has emerged around the function of community archives that presents significant possibilities for further connections with the practices of history and historians. In a second strand, strategies for understanding and preserving digital cultural heritage have also taken shape. While historians have begun exploring using tools to produce new forms of digital scholarship, archivists and archives have been working to both develop methods to care for and make available digital material. Archivists have established tools, workflows, vocabulary and infrastructure for digital archives, and they have also managed the digitization of collections to expand access. At the intersection of these two developments, we see a significant convergence between the needs and practices of public historians and archivists. Historians’ new forms of scholarship increasingly function as forms of knowledge infrastructure. Archivists work on systems for enabling access to collections are themselves anchored in longstanding commitments to infrastructure for enabling the use of records. At this convergence, there is a significant opportunity for historians to begin to connect more with archivists as peers, as experts in questions of the structure and order of sources and records. In this essay we explore the ways that archives, archivists, and archival practice are evolving around both analog and digital activities that are highly relevant for those interested in working in digital public history.


2020 ◽  
Vol 27 (1) ◽  
pp. 73-89 ◽  
Author(s):  
Zelmarie Cantillon ◽  
Sarah Baker ◽  
Raphaël Nowak

2006 ◽  
Author(s):  
April K. Dye ◽  
Clifford D. Evans ◽  
Amanda B. Diekman
Keyword(s):  

2020 ◽  
Vol 1 (2) ◽  
pp. 157-172
Author(s):  
Thomas Leitch

Building on Tzvetan Todorov's observation that the detective novel ‘contains not one but two stories: the story of the crime and the story of the investigation’, this essay argues that detective novels display a remarkably wide range of attitudes toward the several pasts they represent: the pasts of the crime, the community, the criminal, the detective, and public history. It traces a series of defining shifts in these attitudes through the evolution of five distinct subgenres of detective fiction: exploits of a Great Detective like Sherlock Holmes, Golden Age whodunits that pose as intellectual puzzles to be solved, hardboiled stories that invoke a distant past that the present both breaks with and echoes, police procedurals that unfold in an indefinitely extended present, and historical mysteries that nostalgically fetishize the past. It concludes with a brief consideration of genre readers’ own ambivalent phenomenological investment in the past, present, and future each detective story projects.


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