Code Pink, Raging Grannies, and the Missile Dick Chicks: Feminist Performance Activism in the Contemporary Anti-War Movement

NWSA Journal ◽  
2007 ◽  
Vol 19 (1) ◽  
pp. 89-105 ◽  
Author(s):  
Rachel V. Kutz-Flamenbaum
2018 ◽  
pp. 99-128
Author(s):  
Tavia Nyong'o

By engaging interventionist art by women of color at two different scales—ephemeral body/earth art and monumental public art—this chapter supplements post-humanist theories of “deep time”—in particular, the temporality of the Anthropocene—with a concept of “dark time.” The intensive, alchemical, and obscure temporality of “dark time” is crucial to understanding black and brown feminist performance interventions against the violence of expropriative capitalism in the Americas. The chapter reads the art work of Kara Walker and Regina José Galindo through the poetry of Harryette Mullen and philosophy of Gilles Deleuze.


2008 ◽  
Vol 52 (3) ◽  
pp. 98-117
Author(s):  
Jill Dolan

Playwright and performer Deb Margolin's contributions to contemporary American theatre over the course of her now 25-plus year career have been eclectic. In the 1980s and early '90s she performed with Peggy Shaw and Lois Weaver as the feminist performance troupe Split Britches, for which Margolin did much of the writing, based on the trio's improvisations and experiments. In the interstices of her work with Split Britches, Margolin built her own career as a solo performer and playwright. In her autobiographical Index to Idioms, premiered in 2005, and in conversation with Jill Dolan, Margolin addresses her process, politics, and pleasures in performance and playwrighting.


2021 ◽  
pp. 85-103
Author(s):  
Andreea S. Micu
Keyword(s):  

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