2 The 1867 Union of the British North American Colonies: A View from the United States

2017 ◽  
pp. 47-60
Author(s):  
Jacqueline D. Krikorian ◽  
David R. Cameron
2020 ◽  
Vol 2 (2) ◽  
pp. 42-59
Author(s):  
Ann Marguerite Ostendorf

This article situates the historical “Egyptian,” more commonly referred to as “Gypsy,” into the increasingly racist legal structures formed in the British North American colonies and the early United States, between the 1690s and 1860s. It simultaneously considers how those who considered themselves, or were considered by others, as “Egyptians” or “Gypsies” navigated life in the new realities created by such laws. Despite the limitations of state-produced sources from each era under study, inferences about these people’s experiences remain significant to building a more accurate and inclusive history of the United States. The following history narrates the lives of Joan Scott, her descendants, and other nineteenth-century Americans influenced by legalracial categories related to “Egyptians” and “Gypsies.” This is interwoven with the relevant historical contexts from American legal discourses that confirm the racialization of such categories over the centuries.


Author(s):  
Justin du Rivage

This introductory chapter briefly considers why the British American colonists had broken away from an empire that they had long revered. Americans like to think of themselves as fundamentally different from Europeans—both more democratic and more libertarian. But during the eighteenth century, Britain and its North American colonies were actually becoming more alike. However, the United States followed a different path from the dramatic transformation that painted the globe French blue and British red. That path reflected the fact that the American Revolution was a revolution not for or against monarchy, but against the authoritarian transformation of the British Empire.


2021 ◽  
Vol 2 (2) ◽  
pp. 5-12
Author(s):  
Vladislav L. Gorfin ◽  
Alexander M. Rybakov

In the article the authors show the place of Russia in the struggle for the independence of the United States. They reveal the concept of «military neutrality», its essence and content. They define the basic principles of the world colonial system in the XVIII century, the foundations of interrelation between world powers and their colonies. They identify the priorities and interests for the development of foreign policy relations. They establish causal links between the war of the North American colonies of Great Britain for their independence and the policies of a number of European powers (Russia, Great Britain, France), as well as the consequences to which it led. The article considers the history of the struggle for independence and the formation of a new state of the United States of America, the development of foreign policy relations. The authors focus on the history of Russian-American relations in the second half of the XVIII century in the political aspect, and emphasize the increasing penetration of Russia’s influence in the scientific and cultural spheres which directly influenced and enriched the two countries. The relations between Russia and the United States and their history are studied. The history of relations between Russia and Great Britain is shown. The authors analyze the history of attempts to involve the Russian Empire in the war on the side of Great Britain, the position of the Russian government and Catherine II, as well as their attitude to these attempts. The authors give prominence to a number of world political figures and note their personal contribution to the process of struggle for independence and the further development of the United States of America. Unknown moments of their biographies are revealed. Conclusions are drawn about the role and the place of the leading countries of the period under study in the struggle for freedom and independence of the future superpower.


1977 ◽  
Vol 18 (1) ◽  
pp. 84-98
Author(s):  
Yashdip Singh Bains

To write about theatrical entertainment in Canada before the Confederation is to enter a relatively unfilled field. In the absence of a fully documented account of stage presentations, historians like Jean Beraud and Murray D. Edwards have tended to underrate the frequency and quality of performances in assembly rooms and makeshift theaters in the eighteenth and early nineteenth centuries and slighted the crucial role of strolling players in the growth of the theater in British North American provinces. One of the topics still to be investigated is the pioneering work of a trio of actor-managers—Edward Allen, John Bentley and William Moore—who arrived in Montreal from the United States early in 1786 and deserve recognition for founding Canada's first professional company, which gave evenings of entertainment along the lines of London companies. In his history of Montreal theater, Franklin Graham recorded a performance by Allen and Company in 1786, and E. Z. Massicotte uncovered a lease signed by Edward Allen in 1787, but neither explored further. Pierre Georges Roy who compiled data about theatrical performances in Quebec City from the Quebec Gazette and Quebec Mercury began his investigations in 1790 and missed the earlier events.


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