Critical Romani Studies
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Published By Critical Romani Studies

2630-855x, 2560-3019

2021 ◽  
Vol 3 (2) ◽  
pp. 72-93
Author(s):  
Éva Kovács

The problem of the observer has long been a key concern of social theories. However, in mainstream sociology, it was not until three decades ago that the relationship between image and text, seeing and gaze, appeared on the horizon of the discipline. Studying the visual representation of Roma in Modernity, one sees how CentralEuropean societies create their own sexualised and feminised Blackness through ‘savage’ groups and individuals. The central thesis of the article is that, across Europe, the panoptic regime of Modernity operates with the optical unconscious in two ways. On the one hand, by re-visualising social differences that becameinvisible after the collapse of feudal society; on the other, by bringing the oppressed into sight and rendering the oppressors invisible. However, there is a significant difference between the Western and Eastern European representations of ‘savages’: in the process of nation-building, the ‘Gypsy’ became an ambiguous part of the national imaginary in Eastern European countries. The paper argues that ideas and visual representations of Roma commuted between Central and Western Europe resulted in tensions between the colonial and emancipatory gazes. 


2021 ◽  
Vol 3 (2) ◽  
pp. 142-144
Author(s):  
Katelan V. Foisy

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2021 ◽  
Vol 3 (2) ◽  
pp. 146-151
Author(s):  
Galina Trefil

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2021 ◽  
Vol 3 (2) ◽  
pp. 132-141
Author(s):  
Frances Roberts Reilly

Begun in 1888, the Gypsy Lore Society (GLS) set out to describe and preserve Welsh Kale Romani customs, culture and language. Leaders in this effort were John Sampson, Francis Hindes Groome and Dora Yates, among others who took on the role of ethnographers, anthropologists and linguists. This paper raises the question, “Who Was John Sampson Really Protecting?” It is answered through an extensive examination of documented sources: birth records, census records, newspaper articles, Gypsy Lore Society Journals, academics on racism, and modern-day ethnography and anthropological practices. As well as family history; the archived memory of a Wood family member. It is premised on these facts – that John Sampson’s ethics, methods and emotional investment ignores the context and inhumane impact of his study, namely the everyday lives and voices of his subject matter. His goal was heavily influenced by the works of Charles Darwin and intellectualbaggage of the history of the world seen through British eyes; simply as a straight line from cultures to possess the deep roots of civilization itself. The purer and more hidden the better. The method used by John Sampson was to capture as much of the Welsh Kale culture and language by embedding himself in one family – the Wood family who he proclaimed spoke the “pure” Romanus language of the Abram Wood tribe of North Wales. His published work on this is The Dialect of the Gypsies of Wales: Being the Older Form of British Romani Preserved in the Speech of the Clan of Abram Wood” (1926). Against this intellectual stronghold fortressed inside a racially superior monolith, the story of Edward Wood, John Roberts and their extended family is told. Ethically however, his project also raises serious questions about the dichotomy of singling out the Wood family from others who also spoke Welsh Kale Romanus but were excluded from John Sampson’s studies. He and the GLS recast the Wood family in romantic Victorian terms to use as props with which to stage their inventions in widely published articles to a gullible audience. In this paper, the moral position taken is one of noncompliance with the Romanized recasting and politicizing of the “Pure” Gypsy that local authorities used as policy to rationalize the separation of families and force them into housing right up to the 1970s. What is called today, “Scientific Racism”. Concluding with the ways we are dealing with the intergenerational trauma and the collateral damage done to these Welsh Kale families. Asserting, our own voices and legacy have earned us a rightful place in the wider collective as we commit to standing together in our ethnicity, diversity, and authenticity with all Roma.


2021 ◽  
Vol 3 (2) ◽  
pp. 152-155
Author(s):  
Diana Norma Szokolyai

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2021 ◽  
Vol 3 (2) ◽  
pp. 122-127
Author(s):  
Jorge Emilio Nedich

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2021 ◽  
Vol 3 (2) ◽  
pp. 128-131
Author(s):  
Jessica Reidy

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2021 ◽  
Vol 3 (2) ◽  
pp. 116-121
Author(s):  
Oksana Marafioti
Keyword(s):  

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2021 ◽  
Vol 3 (2) ◽  
pp. 104-111
Author(s):  
Mariana Sabino Salazar

The purpose of this review is to outline the history of the Romani Archives and Documentation Center (RADOC), its origin, mission, function, and what sets it apart from other archives in the world. Ian Hancock, emeritus professor at the University of Texas at Austin (UT) and author of The Pariah Syndrome (1987) and We Are the Romani People (2002), initiated the collection and was responsible for its organization and preservation for thelast 50 years. Due to Hancock’s recent retirement, RADOC will soon move from Texas to Turkey. It seems appropriate to reflect on this unique collection through Rodrigo Lazo’s concept of the migratory archive. RADOC differs from hegemonic national archives because it represents a heterogeneous group of peopledispersed throughout the world who speak different languages. Romani history has been largely written by outsiders, but the experience of Roma has also been recorded through other means, including literature and music. Regardless of the format, RADOC is committed to preserving the diversity of Romani voices. It is crucial that new generations of Romani and nonRomani scholars fight for the conservation of this archive and thepreservation of Romani history.


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