Shakespeare’s Clarence

2021 ◽  
Vol 33 (3-4) ◽  
pp. 62-78
Author(s):  
Linhan Gan

This article argues that Shakespeare’s George of Clarence is a war veteran traumatised by his wartime experience, and that he can be regarded as a prototype of the modern shell-shocked soldier. Seizing on Jonathan Shay’s study on war trauma, it explores how Clarence becomes traumatised through a trajectory of degradation of personality due to his commander’s breach of themis in 3Henry VI. Edward’s breach of honour triggers the destabilisation of Clarence’s character, which, the article argues, suffers a traumatic breakdown in consequence of the murdering of Prince Edward. Turning to Richard III, the article explores how Clarence is haunted by his war trauma by examining Clarence’s insulation in the Tower of London, which powerfully symbolises the medieval veteran’s postwar dilemma. The repetition of war trauma is further borne out by Clarence’s nightmare, which, the article suggests, is not unlike the compulsive dream that occurs to the Freudian veteran after the Great War.

Author(s):  
Jed Rasula

Concentrating on two case histories—that of art historian Aby Warburg in a psychiatric institution, and poet H.D. in psychoanalysis with Freud—the war trauma of noncombatants provides insight into the curative properties of antiquity. These cases reveal an intermediate zone between pathos and pathology, or feeling and distress, as they are profiled against the backdrop of what Stefan Zweig identified as the “new pathos”—a phrase adopted as the title of an Expressionist journal in Germany. Urban modernity’s new rhythms provoked explorations of a new or transformed body, a visionary corporeal reanimation theorized by filmmaker Jean Epstein as the advent of a new health emerging from the collective pathogenesis of the Great War.


2020 ◽  
Author(s):  
Jay Winter ◽  
Antoine Prost
Keyword(s):  

1917 ◽  
Vol 14 (11) ◽  
pp. 397-397
Author(s):  
Charles A. Ellwood
Keyword(s):  

1919 ◽  
Vol 10 (3) ◽  
pp. 176-176
Author(s):  
No authorship indicated

2010 ◽  
Author(s):  
Allison Scardino Belzer
Keyword(s):  

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