scholarly journals Nickolas Muray, Environmental Portraiture, Vanity Fair

2021 ◽  
Author(s):  
Corser Du Pont
Keyword(s):  
New York ◽  
Vanity Fair ◽  
Technical Control ◽  
Creative Vision ◽  
Made In

This thesis is a case study of five environmental portraits made in Europe by New York studio photographer Nickolas Muray (1892-1965) for a 1926 commission by Vanity Fair magazine (1913-1936). The thesis, in the form of a sixty-three page illustrated essay, describes the circumstance of his photographic production, and the magazine's subsequent use of his photographs. Muray produced environmental portraits by photographing his assigned subjects in their workplaces, homes and gardens. He retouched, and then contact-printed the negatives; the prints he surrendered to Vanity Fair. The magazine cropped and otherwise manipulated the images in order to effectively place them in page layouts. From negatives, to prints, to offset-printed reprodutions, the photographic materials bear aesthetically significant images of environmental portraiture that testify to Muray's versatility, technical control, and creative vision.

scholarly journals Nickolas Muray, Environmental Portraiture, Vanity Fair

2021 ◽  
Author(s):  
Corser Du Pont
Keyword(s):  
New York ◽  
Vanity Fair ◽  
Technical Control ◽  
Creative Vision ◽  
Made In

This thesis is a case study of five environmental portraits made in Europe by New York studio photographer Nickolas Muray (1892-1965) for a 1926 commission by Vanity Fair magazine (1913-1936). The thesis, in the form of a sixty-three page illustrated essay, describes the circumstance of his photographic production, and the magazine's subsequent use of his photographs. Muray produced environmental portraits by photographing his assigned subjects in their workplaces, homes and gardens. He retouched, and then contact-printed the negatives; the prints he surrendered to Vanity Fair. The magazine cropped and otherwise manipulated the images in order to effectively place them in page layouts. From negatives, to prints, to offset-printed reprodutions, the photographic materials bear aesthetically significant images of environmental portraiture that testify to Muray's versatility, technical control, and creative vision.

Producers' Response to Changes in Prices and Marketing Policies: A Case Study of Sugarcane and Paddy in Eastern U.P. by S. C. Gupta and A. Majid. New York: Asia Publishing House, 1965.

1968 ◽  
Vol 8 (2) ◽  
pp. 308-309
Author(s):  
Mohammad Irshad Khan
Keyword(s):  
New York ◽  
Time Series ◽  
Time Series Data ◽  
Publishing House ◽  
Economic Incentives ◽  
The Other ◽  
Series Data ◽  
Poor Countries ◽  
Northern India

It is alleged that the agricultural output in poor countries responds very little to movements in prices and costs because of subsistence-oriented produc¬tion and self-produced inputs. The work of Gupta and Majid is concerned with the empirical verification of the responsiveness of farmers to prices and marketing policies in a backward region. The authors' analysis of the respon¬siveness of farmers to economic incentives is based on two sets of data (concern¬ing sugarcane, cash crop, and paddy, subsistence crop) collected from the district of Deoria in Eastern U.P. (Utter Pradesh) a chronically foodgrain deficit region in northern India. In one set, they have aggregate time-series data at district level and, in the other, they have obtained data from a survey of five villages selected from 170 villages around Padrauna town in Deoria.

IMPACT OF LAND USE ON URBAN WATER-LOGGING DISASTER: A CASE STUDY OF BEIJING AND NEW YORK CITIES

2017 ◽  
Vol 16 (5) ◽  
pp. 1211-1216 ◽  
Author(s):  
Wenfeng Zheng ◽  
Xiaolu Li ◽  
Nina Lam ◽  
Dan Wang ◽  
Lirong Yin ◽  
...  
Keyword(s):  
New York ◽  
Land Use ◽  
Urban Water ◽  
Water Logging

On white marble half-lotus meditation statues carved in Wuding Era of the Eastern Wei Dynasty

2019 ◽  
Vol 19 (1) ◽  
pp. 182-194
Author(s):  
Hyun-Sook So
Keyword(s):  
New York ◽  
Comparative Study ◽  
Metropolitan Museum ◽  
White Marble ◽  
City Area ◽  
Metropolitan Museum Of Art ◽  
Right Hand ◽  
Second Year ◽  
Made In ◽  
Wei Dynasty

Abstract In 2012, large amounts of white marble Buddhist statues of the Eastern Wei and Northern Qi Dynasties were unearthed from the Buddhist sculpture hoard at Bei Wuzhuang in Ye City Site. This paper makes a comparative study on a bodhisattva statue in meditation seated in half-lotus posture (resting right ankle on the knee of pendent left leg and holding right hand upward) among them and another sculpture of the same type and made in the same period unearthed at the Xiude Monastery site in Dingzhou; from the double-tree, stupa and coiling dragon designs shown by them, this paper explores the commonalities and differences of the Buddhist arts in these two areas. Moreover, this paper reveals that this motif emerged earlier in the Ye City area than in the Dingzhou area, and diffused to the latter after it became popular in the Ye City area. By these conclusions, this paper infers that the white marble meditating statue seated in half-lotus position with the date of the second year of Wuding Era (544 CE) in the collection of the Metropolitan Museum of Art in New York, USA was produced in Ye City area.

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