Anthea Kraut, Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance; Caroline Joan S. Picart, Critical Race Theory and Copyright in American Dance: Whiteness as Status Property

2019 ◽  
Vol 37 (2) ◽  
pp. 257-263
Author(s):  
Hanna Järvinen
Keyword(s):  
Intellectual Property ◽  
Critical Race Theory ◽  
Property Rights ◽  
Intellectual Property Rights ◽  
Critical Race ◽  
Race Theory

scholarly journals Old Law, New Tech, and Citizen-Created Hashtags: #BlackLivesMatter and the Case for Provisional Hashtag Marks

2020 ◽  
pp. 107769902092816
Author(s):  
Stephanie L. Mahin ◽  
Victoria Smith Ekstrand
Keyword(s):  
Social Movements ◽  
Intellectual Property ◽  
Critical Race Theory ◽  
Social Movement ◽  
Critical Race ◽  
Race Theory ◽  
Secondary Meaning ◽  
The U.S

Using #BlackLivesMatter as a case study, this research documents the tensions and harms associated with trademarking online social movement hashtags. Grounded in the work of critical race theory and intellectual property scholars, this study analyzes the inconsistencies in the U.S. Patent and Trademark Office application practice. The contradictions signal a limited or “mis”understanding of the utility of citizen-created hashtags and online social movement slogans. We propose a provisional networked trademark that would grant limited protection to social movements to show that their marks demonstrate the kind of secondary meaning required for a traditional trademark.

scholarly journals Critical Race Theory as Intellectual Property Methodology

2021 ◽  
pp. 777-790
Author(s):  
Anjali Vats ◽  
Deidré A. Keller
Keyword(s):  
Intellectual Property ◽  
Critical Race Theory ◽  
Property Law ◽  
Critical Race ◽  
Race And Racism ◽  
Race Theory ◽  
Intellectual Property Law ◽  
Guiding Principles ◽  
Ip Law

This chapter considers how the guiding principles of Critical Race Theory (CRT) can inform the study of race in the context of intellectual property (IP) law. The first part of the chapter traces the origins and tenets of CRT. It then explores the interdisciplinary movement’s core methods, which are aimed at centring race and racism as objects of study. The second part of the chapter turns to the origins, tenets, and methods of Critical Race Intellectual Property, which we define as an interdisciplinary movement of scholars connected by their focus on the racial and colonial non-neutrality of intellectual property law using principles informed by CRT. The chapter concludes with an examination of two books about India and intellectual property law through which researchers can understand how existing scholarship can more deeply engage with questions of race.

PERLINDUNGAN HUKUM TERHADAP KARYA SENI BATIK YANG BELUM TERDAFTAR MENURUT UNDANG-UNDANG NOMOR 28 TAHUN 2014 TENTANG HAK CIPTA

2018 ◽  
Vol 1 (1) ◽  
Author(s):  
Inggrit Fernandes
Keyword(s):  
Intellectual Property ◽  
Property Rights ◽  
Cultural Heritage ◽  
Intellectual Property Rights ◽  
Rapid Growth ◽  
Economic Value ◽  
Legal Protection ◽  
Property Law ◽  
Market Demand ◽  
Work Of Art

Batik artwork is one of the treasures of the nation's cultural heritage. Batik artwork is currently experiencing rapid growth. The amount of interest and market demand for this art resulted batik artwork became one of the commodities in the country and abroad. Thus, if the batik artwork is not protected then the future can be assured of a new conflict arises in the realm of intellectual property law. Act No. 28 of 2014 on Copyright has accommodated artwork batik as one of the creations that are protected by law. So that this work of art than as a cultural heritage also have economic value for its creator. Then how the legal protection of the batik artwork yaang not registered? Does this also can be protected? While in the registration of intellectual property rights is a necessity so that it has the force of law to the work produced

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