Hypochondriacal Reading: Phantom Illness and Literature

2021 ◽  
Vol 43 (2) ◽  
pp. 290-315
Author(s):  
Will Rees

An essay about hypochondria, past and present. Beginning with the observation that for centuries hypochondria has been blamed upon various forms of reading, I attempt to take seriously this venerable relationship between hypochondria and literature. By bracketing the medical and moral concerns that encumber most treatments of hypochondria, I instead seek to understand the condition as a method of reading, a close textual engagement that is at once anxious and oddly clear-sighted about its own limits, and which bears some similarities to other, more familiar hermeneutic methods such as paranoid reading and ‘too-close reading’. In the second half of the essay, I draw upon the lives and writings of Maurice Blanchot and Franz Kafka, two writers who were themselves plagued by mysterious and unexplained symptoms, and attempt to show how the imperatives of literature as understood by each writer could meaningfully be described as hypochondriacal. Above all, then, this essay looks more closely at a figure whom it is difficult to take seriously, and asks whether, viewed from a certain angle, the hypochondriac might in fact be said to be endowed with a perspicuous if discomfiting form of insight.

Author(s):  
Marta Dantas ◽  
André Gheti
Keyword(s):  

Maurice Blanchot descobriu na literatura, por meio da experiência insólita de autores como Franz Kafka, como o processo de criação literária pode colocar em crise a soberania daquele que escreve, destitui-lo de si e do mundo. Essa experiência-limite é atravessada pela loucura, não como fato social, mas como experiência trágica, em que o movimento da escritura se torna vizinho da morte, do vazio e do colapso do autor. O conto “A ponte”, ou a imagem que ele porta, remete a outros textos de Kafka e permite apontar para uma mesma situação: a experiência -limite vivida por ele. Este conto é aqui interpretado como uma grande metáfora com, pelo menos, duplo sentido: como metaficção e como transfiguração da experiência-limite de Kafka.


2017 ◽  
Vol 2 (4) ◽  
pp. 454-474
Author(s):  
Arina Rotaru

Despite the vast body of scholarship on Yoko Tawada, an author who writes in both German and Japanese, her work has not been examined in light of the question of modernity. Through a close reading of her play Kafka Kaikoku and an examination of recent world literary theories, this paper situates Tawada’s work in relation to a complicated nexus that features as protagonists two contemporaneous authors, Franz Kafka and Izumi Kyōka, engaging with their migrations between pre-modern and modern pasts. How does this complicated temporal dimension re-imagine putative divisions between East and West in relation to modernity and modernities, and how does that affect our understanding of world literature? My paper proposes the notion of “interlaced modernities” to address these questions and reflects on its implications for world literature.


2019 ◽  
Vol 92 (1) ◽  
pp. 19-34
Author(s):  
Arthur Cools ◽  
Nele Van de Mosselaer
Keyword(s):  

2008 ◽  
Vol 33 ◽  
Author(s):  
Timothy C. Baker

The Scottish Renaissance novelist Ian Macpherson is rarely considered within either Scottish or British contexts. This discussion of his novels demonstrates that they simultaneously serve both as reworkings of the pastoral tradition and as documents of what Maurice Blanchot calls the disaster. Offering a close reading of the novels themselves, focusing on Macpherson’s final novel, Wild Harbour, as well as a comparison with the more celebrated work of D.H. Lawrence, this article argues that Macpherson deserves significant reappraisal as both exemplars of the Scottish Renaissance tradition and as philosophically-engaged approaches to modernity.


Gragoatá ◽  
2011 ◽  
Vol 16 (31) ◽  
Author(s):  
Davi Andrade Pimentel
Keyword(s):  

Este trabalho analisa a presença de traços kafkianos na formação subjetiva de escrita do autor francês Maurice Blanchot, no que se refere à elaboração de uma de suas narrativas, Pena de morte. Nessa narrativa, o modo cáustico e problemático do movimento textual do narrador é muito semelhante ao movimento kafkiano que se manifesta no Diário Íntimo e nos romances do escritor tcheco, dando-nos material necessário para investigarmos a influência de Franz Kafka no escrito de Maurice Blanchot em análise.


2018 ◽  
Vol 20 (3) ◽  
pp. 55-73
Author(s):  
Davi Andrade Pimentel
Keyword(s):  

Resumo A partir do tema da morte, base de toda a narrativa de L’instant de ma mort, do escritor francês Maurice Blanchot, este artigo busca refletir sobre algumas questões derivadas desse tema, como, por exemplo: a relação entre o eu e o outro em um relato, a estreita relação que o texto blanchotiano mantém com os textos de Franz Kafka, os modalizadores que tornam o relato do narrador hesitante, a especificidade da palavra literária e, por fim, a ideia da impossibilidade da morte proposta pelo escritor ao longo de seu texto ficcional.


Gragoatá ◽  
2020 ◽  
Vol 25 (51) ◽  
pp. 167-188
Author(s):  
Susana Kampff Lages
Keyword(s):  

O presente trabalho experimenta realizar a tradução de excertos selecionados de ensaios sobre os escritos ficcionais e diarísticos do escritor Franz Kafka, escritos ao longo de mais de vinte anos por Maurice Blanchot. Busca-se, com esse expediente experimental, expor a afinidade entre a visão aporética dos dois autores do processo de criação literária, sobretudo no que diz respeito à sua relação com a escrita e à importância do morrer como elemento de ressignificação infinita. 


Author(s):  
Jean-Luc Nancy

Over thirty years after Maurice Blanchot writes The Unavowable Community (1983)—a book that offered a critical response to an early essay by Jean-Luc Nancy on “the inoperative community”—Nancy responds in turn with The Disavowed Community (2014). Unfolding as a close reading of Blanchot’s text, Nancy’s essay addresses a range of themes and motifs that mark both his proximity to and distance from Blanchot’s thinking. These themes and motifs include: their respective readings of Georges Bataille, notably his political writings as well as his appeal to the “community of lovers”; pre- and post-war responses in France to fascism and communism; the relation between community, communitarianism, and being-in-common; the relation between the disenchantment with democracy and “aristocratic anarchism”; readings of Marguerite Duras’s récit, The Malady of Death; references to the Eucharist and Christianity; and a rethinking of politics and the political. In short, the exchange between Blanchot and Nancy opens up a rethinking of community that raises at once questions of affirmation and critique, of avowal and disavowal.


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