scholarly journals REALISME EKONOMI MASYARAKAT MALAYSIA DALAM KARYA INDIE

2021 ◽  
Vol 4 (1) ◽  
pp. 11-25
Author(s):  
Asyraff Jamin ◽  
Mary Fatimah Subet
Keyword(s):  
Structural Analysis ◽  
Community Development ◽  
Effective Medium ◽  
Economic Stability ◽  
Georg Lukacs ◽  
Intellectual Function ◽  
Community Economy ◽  
Research Findings ◽  
Aesthetic Values ◽  
Georg Lukács

Indie masterpieces are still not well received by the community now as it is still viewed as masterpieces that bring negative elements, taboos, aggressive attributes and unlike usual masterpieces such as prime literary masterpieces or serious masterpieces that have intellectual and aesthetic functions. This research will look into intellectual function of Indie masterpieces, whereby examining economy development thinking that is brought up in four Indie masterpieces, Aku Rindu 90’s, Surat-Surat Untuk Kaherah, Kunang Pesisir Morten and Budak Kelas Belakang. This research is carried out qualitatively by using Georg Lukacs’ realism criticism perspective to identify aesthetic values that are brought up based on the principles outlined by Georg Lukacs, such as art socialisation process as one of the effective medium to support economy, literature masterpieces as tools to fight economy domination, free literature criticism principles as well as literature masterpieces as transformational forces. Focused structural analysis was used to identify Indie writers’ thinking towards developing community economy. Three objectives were set, which were to identify economy development thinking in Indie masterpieces, analyse Indie writers’ masterpieces that are of same level with serious masterpieces, and lastly rectify community’s perception towards Indie masterpieces which are developing fast in Malaysia. The research findings show that Indie masterpieces also bring intellectual function and serious thinking that could bring impact towards community development especially towards community economic stability. The findings of this research also clarify problems that often shadowing Indie masterpieces. It is clear that Indie masterpieces do not bring negative elements, taboos and aggressive attributes, instead they show intellectual functions and have aesthetic values. Keywords: Indie masterpieces, Indie writers’ thinking, economy development, Georg Lukacs’ realism criticism   Abstrak: Karya Indie pada masa ini masih belum dapat diterima sepenuhnya oleh masyarakat dan masih dianggap sebagai karya yang membawa unsur negatif, tabu, bersifat agresif serta di luar daripada kebiasaan seperti karya sastera perdana atau karya serius yang mempunyai fungsi intelektual dan estetika. Maka kajian ini akan meneliti fungsi intelektual karya Indie, iaitu meneliti pemikiran pembangunan ekonomi yang dikemukakan dalam empat buah karya Indie, Aku Rindu 90’s, Surat-Surat Untuk Kaherah, Kunang Pesisir Morten dan Budak Kelas Belakang. Kajian ini dijalankan secara kualitatif menggunakan perspektif kritikan realisme Georg Lukacs bagi mengenal pasti nilai estetika yang ditampilkan berdasarkan prinsip yang digaris Georg Lukacs seperti, proses sosialisasi seni sebagai satu daripada media yang efektif bagi mendukung ekonomi, karya sastera sebagai alat menentang dominasi ekonomi, prinsip sastera kritis yang membebaskan dan karya sastera sebagai daya transformasi. Analisis struktural berfokus digunakan untuk mengenal pasti pemikiran penulis Indie ke arah membangunkan ekonomi masyarakat. Tiga objektif ditentukan, iaitu untuk mengenal pasti pemikiran pembangunan ekonomi yang terdapat dalam karya Indie menganalisis karya penulis Indie yang setanding dengan karya serius, dan akhir sekali bagi membetulkan persepsi masyarakat terhadap karya Indie yang kian pesat berkembang di Malaysia. Dapatan kajian ini menunjukkan karya Indie turut membawakan fungsi intelektual atau pemikiran serius yang mampu memberi impak ke arah pembangunan masyarakat terutamanya ke arah menstabilkan ekonomi masyarakat. Dapatan kajian ini juga telah dapat merungkaikan permasalahan yang sering membayangi karya Indie. Ternyata karya Indie tidaklah membawa unsur negatif, tabu dan bersifat agresif, tetapi turut menampilkan fungsi intelektual dan mempunyai nilai estetika. Kata kunci: Karya Indie, pemikiran penulis Indie, pembangunan ekonomi, kritikan realisme Georg Lukacs

L'évolution de la pensée de Georg Lukács

1971 ◽  
Vol 20 (1) ◽  
pp. 13-36 ◽  
Author(s):  
Nicolas Tertulian
Keyword(s):  
Georg Lukacs ◽  
Georg Lukács

Saints and Miracles: The End of the Affair

2018 ◽  
Author(s):  
Allan Hepburn
Keyword(s):  
The Novel ◽  
Graham Greene ◽  
Georg Lukacs ◽  
Dorothy Sayers ◽  
Theory Of The Novel ◽  
The Mind ◽  
Georg Lukács

Miracles rarely appear in novels, yet Graham Greene includes several of them in The End of the Affair. Sarah Miles heals a boy suffering from appendicitis and a man with a disfigured cheek. Like a saint, she seems to heal or revive through her compassionate touch, as when she raises her lover, who may or may not have died in a bomb blast, by touching his hand. This chapter locates Sarah’s interventions amidst debates about miracles, beginning with David Hume’s sceptical rejection of inexplicable phenomena, through such mid-century books as C. S. Lewis’s Miracles and Dorothy Sayers’ The Mind of the Maker. The inherent godlessness of novels, as Georg Lukacs puts the matter in Theory of the Novel, would seem to ban mystical content altogether from novelistic discourse. Yet this chapter argues for the revaluation of mystical content—the ordeals of the whisky priest in The Power and the Glory, for example—within the generic precincts of the novel.

scholarly journals Racionalismo e reificação em ​História e consciência de classe

Tempo Social ◽  
2018 ◽  
Vol 30 (3) ◽  
pp. 5-24
Author(s):  
Ricardo Musse
Keyword(s):  
Karl Marx ◽  
Georg Lukacs ◽  
Georg Lukács

História e consciência de classe é considerado, consensualmente, como um dos marcos de fundação do marxismo ocidental. Sua contribuição para a gênese da teoria crítica tampouco pode ser desprezada. O presente artigo procura mostrar como alguns conceitos decisivos do arcabouço teórico da Escola de Frankfurt foram desenvolvidos em 1923 por Georg Lukács. Destaca, sobretudo, os conceitos de reificação e racionalismo. História e consciência de classe considera a reificação, seguindo uma trilha aberta por Karl Marx, o fenômeno central da sociedade capitalista. O racionalismo é exposto em duas dimensões articuladas, na esfera do pensamento – em especial na ciência e na filosofia –, e no âmbito da vida material, como racionalidade econômica.

scholarly journals Hegel and Lukács on the Novel

2010 ◽  
Vol 31 (02) ◽  
pp. 23-34 ◽  
Author(s):  
Allen Speight
Keyword(s):  
Significant Influence ◽  
The Novel ◽  
Georg Lukacs ◽  
Philosophy Of Literature ◽  
The World ◽  
Theory Of The Novel ◽  
Prose Literature ◽  
Georg Lukács

That Hegel was a significant influence on the young Georg Lukács'Theory of the Novelis a point few would dispute. Lukács himself insisted that the first part of TN represented his own transition from Kantian to Hegelian theory, and most critics have subsequently affirmed the importance of Hegel to Lukács' pre- (or, depending on one's view, proto-) Marxist argument inTN. Yet the two are in some ways strange to take together in the context of novelistic theory. Despite the profusion of novelistic literature in his own time and his own significant appropriation of it for the limning of essential moments of the development of the world-historical spirit, Hegel's officialAestheticshardly presents what one could claim to be an especially worked-outtheoryof the novel. TheAestheticstakes up literature in general primarily under the rubric of providing a theory of the genres ofpoetry— epic, lyric and dramatic — and what relatively few words Hegel actually devotes to the novel and prose literature in the lectures are tucked in corners: at the end of the discussion of the development of the epic, in the discussion of the historical form of the romantic, and in scattered comments elsewhere. As forTN, despite the strong connections some have drawn between Hegel and Lukács — Peter Demetz said that Lukács was ‘in a certain sense … the last Hegelian in the grand style’ (Demetz 1967: 215) — others have questioned whether Lukács' work should be regarded primarily as making a contribution to the philosophy of literature in the tradition from which Hegel writes.

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