Clients of Street Prostitutes in Portland, Oregon, San Francisco and Santa Clara, California, and Las Vegas, Nevada, 1996-1999

2000 ◽  
Author(s):  
Martin A. Monto
Keyword(s):  
San Francisco ◽  
Las Vegas ◽  
Street Prostitutes

Aguas Calientes

2016 ◽  
Vol 60 (1) ◽  
pp. 2-3
Author(s):  
Xandra Ibarra
Keyword(s):  
San Francisco ◽  
Buenos Aires ◽  
Las Vegas ◽  
El Paso ◽  
Bay Area ◽  
Furnace Performance ◽  
The Arts ◽  
Hall Of Fame ◽  
Arte Contemporáneo

Xandra Ibarra is an Oakland-based performance artist from the El Paso/Juarez border who performs under the alias of La Chica Boom. She uses hyperbolized modes of racialization and sexualization to test the boundaries between her own body and coloniality, compulsory whiteness, and Mexicanidad. Her practice integrates performance, sex acts, and burlesque with video, photography, and objects. Her work has been featured at El Museo de Arte Contemporañeo (Bogotá, Colombia), Popa Gallery (Buenos Aires, Argentina), Joe’s Pub (NYC), PPOW Gallery (NYC), Yerba Buena Center for the Arts (San Francisco), and The Burlesque Hall of Fame (Las Vegas), to name a few. She was awarded the Yerba Buena Center for the Arts Award, ReGen Artist Fund, Theater Bay Area Grant, and the Franklin Furnace Performance and Variable Media Award.

A psychocultural comparison of male street prostitutes in Dublin and San Francisco

2014 ◽  
Vol 35 (2-3) ◽  
pp. 91-105 ◽  
Author(s):  
Ian Mc Cabe ◽  
Rónán Mills ◽  
Donnchadh Murphy ◽  
Sarah-Jane Winders ◽  
Judy Hayden ◽  
...  
Keyword(s):  
San Francisco ◽  
Street Prostitutes

The Renewed Focus On Comics As Art After 1970

2020 ◽  
pp. 113-119
Keyword(s):  
New York ◽  
San Francisco ◽  
Las Vegas ◽  
Art Museum ◽  
Pop Art ◽  
Cultural Center ◽  
Art Form ◽  
The Us ◽  
Comic Art ◽  
Large Survey

This is a brief interstitial introduction by art historian Kim A. Munson describing the rediscovery of original comic art following the Pop Art movement and influential publications of the late 1960’s. A wave of large survey shows were organized that took on a more formal appearance and established a loose canon of comic artists. The National Cartoonist Society’s Cavalcade of Comics toured the US. Well reviewed shows of the early 70s included The Art of the Comic Strip (U of Maryland, 1971), The Comics as an Art Form (U of Nevada Las Vegas), and 75 Years of the Comics (New York Cultural Center). Many shows included underground comix. Comics speciality museums opened and flourished, such as the Museum of Comic Art (Rye Brook, NY, 1975), The Cartoon Art Museum (San Francisco, 1987), and the ToonSeum (Pittsburgh, 2007). Images: The Muller Comics Collection, 1976, Cartoon Art Museum, 2016.

Sign in / Sign up

Export Citation Format

Share Document