Réécriture parodique dans un road novel de Peter Handke

2017 ◽  
pp. 113-131
Author(s):  
Jenny Brasebin
Keyword(s):  
1986 ◽  
Vol 60 (4) ◽  
pp. 626
Author(s):  
Francis Michael Sharp ◽  
Gerhard Melzer ◽  
Jale Türkel
Keyword(s):  

1985 ◽  
Vol 8 (1) ◽  
pp. 187
Author(s):  
Judith Ricker-Abderhalden ◽  
Jerome Klinkowitz ◽  
James Knowlton
Keyword(s):  

2020 ◽  
Author(s):  
Wolfram Hogrebe

In this book, Wolfram Hogrebe deals with the realm of the intermediate – an ancient philosophical tradition according to which philosophical thinking is concerned with a kind of intermediate space that holds the orders of concepts and ideas in a remarkable limbo. The in-between is, as it were, a medium sustaining both thoughts and languages and is thus likely to disclose uncharted areas where thinking itself changes. Hogrebe shows how frequently this in-between, which has also been known to surface in experiences of nature, is the subject theme of a host of different philosophers and poets such as Gottfried Wilhelm Leibniz, Gotthold Ephraim Lessing, Martin Heidegger, Henry David Thoreau and Peter Handke.


Genre ◽  
2021 ◽  
Vol 54 (1) ◽  
pp. 43-66
Author(s):  
Patricia Stuelke

This essay analyzes Valeria Luiselli's 2019 novel Lost Children Archive's attempt to imagine anti-imperialist solidarity aesthetics in a moment of the increasing imbrication of the US literary sphere and settler colonial capitalist surveillance of the US-Mexico border, as well as the nonprofit care regime that has arisen to oppose and ameliorate its effects. Because these structures converge around overt and subterranean investments in settler colonial frontier fantasy, the essay focuses particularly on Lost Children Archive's engagement with the tradition of the white male road novel Western in the Americas—Luiselli's attempts to write both through and against this form—as part of the novel's larger attempt to grapple with the formal problems that adhere in representing the temporality and scale of ongoing Central American Indigenous dispossession and refugee displacement in settler colonial capitalism. In exploring the degree to which the Western genre's tradition of, per Philip Deloria, “playing Indian” might oppose the brutal bureaucratic violence of the xenophobic carceral settler US state, the novel builds a critique of the frontier road novel fantasy that it cannot quite sustain.


2017 ◽  
Vol 7 (2) ◽  
pp. 407-433
Author(s):  
Pablo Gonçalo Pires de Campos Martins
Keyword(s):  

Resumo: O artigo realiza uma análise do conjunto da primeira fase da obra do escritor Peter Handke. Parte-se de um ensaio teórico elaborado pelo próprio Handke para dele destacar sua concepção de frase fílmica. Ao longo das análises de diversas obras constata-se como essa percepção estética perpassou seu teatro, seus romances, seu filme de estreia como diretor e os roteiros de sua colaboração com Wim Wenders. Numa síntese conceitual e interpretativa da sua obra, o artigo propõe uma articulação entre a prática da ekphrasis e o surgimento de uma dramaturgia intermedial, na qual o gesto da escrita precisa se reinventar entre fronteiras de linguagens, mídias, novas materialidades e tecnologias.


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