Stephanie Cain Van D’Elden’s prodigious volume on illustrations of the Tristan materials fills a gap in research on the Tristan illustrations by providing a single, authoritative resource for them. As the author explains, its purpose is quite simply “to list all the
extant manuscripts, artefacts, and objets d’art, and to describe all the scenes depicted on them” (3). Building upon previous studies of illustrations by literary critics and art historians over the past century, including works by Hella Frühmorgen-Voss, Norbert H. Ott, and
Robert Sherman and Laura Hibbard Loomis, as well as the exhibition of Arthurian art and literature in Leuven at the XVth Congress of the International Arthurian Society in 1987, Van D’Elden collected over 500 images from the broad span of Tristan sources, identifying them according
to the manuscripts or objects which they adorn, as well as categorizing them by the specific scenes in the Tristan materials they depict. Van D’Elden’s efforts to organize and catalogue over 500 items, reproduced clearly and cleanly in fine detail, will serve as a valuable contribution
for decades to come to our cross-disciplinary understanding of Tristan, one of the most important tales of the European Middle Ages.
Stephanie Cain Van D’Elden, Tristan and Isolde: Medieval Illustrations of the Verse Romances