Cold War, hot war and civil war: King Hussein and Jordan’s regional role, 1967–73

2007 ◽  
pp. 198-219
Keyword(s):  
Cold War ◽  
Civil War ◽  
Regional Role

Ideology Was A Uniform to Be Taken On and Off: An Anti-Communist Prisoner’s Survival from Manchuria to Korea to India

2020 ◽  
Vol 27 (3) ◽  
pp. 282-306
Author(s):  
Sunwoo Lee
Keyword(s):  
Cold War ◽  
Civil War ◽  
South Korea ◽  
United Nations ◽  
North Korea ◽  
Republic Of Korea ◽  
Prisoner Of War ◽  
Japanese Occupation ◽  
Chinese Civil War ◽  
The Cold War

Abstract Chi Ki-ch’ŏl’s story reveals a man not driven by ideology, but buffeted by it. He began adulthood as a Korean exile in Manchuria, where the Japanese occupation army conscripted him. After Japan’s defeat in August 1945, he joined a Korean contingent of the Chinese Communist Army and fought in the Chinese Civil War. His unit later repatriated to North Korea, where it joined the invasion of South Korea on 25 June 1950. When U.S.-led forces of the United Nations shattered that invasion in September, he quickly arranged to surrender to U.S. troops. While in custody, Chi worked with Republic of Korea (rok) intelligence to organize prisoner of war (pow) resistance to their being returned to North Korea after the impending armistice. He enjoyed privileges as an anti-Communist in the pow camps, and hoped it would continue. Although an active anti-Communist, Chi judged that he would not be able to live in South Korea as an ex-pow. After refusing repatriation to North Korea, he also rejected staying in South Korea. But Chi would survive elsewhere. He relocated to India, where he thrived as a businessman. He chose the space of neutrality to succeed as an anti-Communist, where life nevertheless reflected the contentious energy of the Cold War. Chi’s decision demonstrated how ideology, despite its importance to him, was not sufficient to translate his rejection of Communist North Korea into a commitment to South Korea.

scholarly journals Cultural Trauma of the Civil War of 1918 Staged and Commemorated in Finland

2020 ◽  
Vol 31 (2) ◽  
pp. 102-131
Author(s):  
Pentti Paavolainen
Keyword(s):  
Cold War ◽  
Civil War ◽  
Civil Wars ◽  
Identity Politics ◽  
Public Discourse ◽  
Cultural Trauma ◽  
The 1960S ◽  
The Cold War

The Centennial of one of the cruelest of European civil wars fought in Finland between the Reds and the Whites from January to May 1918 has evoked a spectrum of theatre productions illustrating variations of styles and approaches on the events. The turn in the treatment of this cultural trauma occurred with the interpretations and narrative perspectives that were fixed in the 1960s, when an understanding for the defeated Red side was expressed in historiography, literature and theatre. Since that, the last six decades the Finnish theatre and public discourse on the Civil War have been dominated by the Red narrative as the memory of the 1918 Civil War provided an important part in the new identity politics for the 1969 generation. Since the 1980’s the topic was mostly put aside so that before the 2018 revivals of the Civil War topic, the productions seem to have been reactions by the artists confronting the developments at the end of the Cold War. Some theatrical events can even be tied to the cultural trauma of the 1969 left evoked by the collapse of the socialist block. The Centennial productions repeated the Red narrative but they also provided more balanced interpretationson the tragic events.

scholarly journals Acordos de Sokovia e os Limites do Poder: Capitão América e Reflexões Sobre o Papel da Superpotência no Sistema Internacional

2020 ◽  
Vol 9 (2) ◽  
pp. 434-456
Author(s):  
Liliane Klein Garcia
Keyword(s):  
Cold War ◽  
Civil War ◽  
International Relations ◽  
International System ◽  
International Relations Theory ◽  
American People ◽  
Sovereign State ◽  
Captain America ◽  
The Cold War

Ao observar o sistema unipolar que emergiu do final da Guerra Fria, é marcante o sentimento de insegurança geopolítica gerada pela existência de apenas uma superpotência global e as dúvidas da atuação do Estado soberano nessa conjuntura. Nesse paradigma, Capitão América: Guerra Civil é lançado com uma simbologia contestadora do papel do hegemon no sistema internacional. Com isso, inicialmente é exposto o enredo do filme, seguido das teorias liberal e realista das Relações Internacionais e da semiótica greimasiana. Com isso em vista, é feita a análise dos símbolos do longa-metragem e, por fim, se conclui que os autores do texto tinham como objetivo disseminar uma mensagem de união política entre os americanos.     Abstract: Observing the unipolar system emerging from the closure of the Cold War, is remarkable the sentiment of geopolitical insecurity generated by the existence of only one global superpower and the doubts about the role of the sovereign State in such system. In this paradigm, Captain America: Civil War is released with a contesting symbology about the role of the hegemon in the international system. Therefore, first it is exposed the movie plot, followed by the liberal and realist theories of international relations and the French semiotics. With this in mind, the symbols in the feature are analised and, in conclusion, it is stated that the authors wish to convey a message in bipartisan union amongst the American people. Keywords: International Relations Theory, Semiotics, Captain America.     Recebido em: setembro/2019. Aprovado em: maio/2020.

Writing

2019 ◽  
pp. 174-223
Author(s):  
Artemis Leontis
Keyword(s):  
World War Ii ◽  
Cold War ◽  
Civil War ◽  
Political Action ◽  
World War ◽  
Art Of Living ◽  
Critical Moment ◽  
Set Up ◽  
The Cold War ◽  
Primary Medium

This chapter follows Eva Palmer Sikelianos's life to its end. From writing Upward Panic to exchanging weaving tips, to translating Angelos Sikelianos's work, to becoming a polylingual correspondent with hundreds of people as World War II gave way to the Cold War, Eva made writing the primary medium of her art of living. She found urgency in writing—a clarity of purpose that propelled her into the present in a new way—especially after she received a contraband package of Angelos's wartime resistance poems on the eve of the Greek civil war in 1944. The urgency of that critical moment thrust her into political action, turning her pen into a tool for anti-imperialist activism in a way that set up her brilliant last act.

Conclusion: the Partisan-Chetnik Conflict in Retrospect

2006 ◽  
Author(s):  
Marko Attila Hoare
Keyword(s):  
Cold War ◽  
Civil War ◽  
Half Century

The war of 1992–1995, which pitted supporters of a unified and multinational Bosnia-Hercegovina against supporters of a Great Serbia, was in a sense a rematch of the Partisan–Chetnik war of a half-century before. Its outcome was equally paradoxical: the establishment of a Bosnian state formally independent but in fact under foreign rule; formally unified but in fact partitioned three ways; formally at peace but in fact locked in a permanent conflict, a conflict that is at once a cold war and a civil war. The very ambiguousness of this outcome is, perhaps, the best testimony to the enduring nature of the Partisan–Chetnik divide in Bosnia-Hercegovina.

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