The Cat and Shakespeare, the problem of the ego-self, and the vagaries of literary reputation

Author(s):  
John C. Hawley
Keyword(s):  
2016 ◽  
Vol 33 (2) ◽  
pp. 25-49
Author(s):  
Md. Mahmudul Hasan

The 2007 Nobel literature laureate Doris Lessing (1919-2013) is one of the twentieth century’s most prolific and versatile British writers. Her literary career is marked by the robustness and diversity of her ideas. The plurality of voices in her work makes room for discovering a very different Lessing from how she is usually construed and for discussing some of her views in a new and somewhat unusual light. In this study, I intend to look at her thoughts on education, literature, racism, and women’s rights and locate possible commonalities between them and certain facets of Islamic thought. As she is considered a humanist, a secular writer of great stature, the “grande dame” of British writing of her time, and handlesexplicit sexual relationships, a sense of remoteness and incomprehension is perhaps palpable in any attempt to discover an “Islamic Doris Lessing.” However, given that she is known for her courage and outspokenness, as well as for making unconventional moves and iconoclastic statements sometimes at the expense of her literary reputation, it will be interesting to see her ideas from an Islamic perspective.


1997 ◽  
Vol 14 (1) ◽  
pp. 99
Author(s):  
Ruth Schwertfeger ◽  
Calvin N. Jones
Keyword(s):  

PMLA ◽  
1941 ◽  
Vol 56 (3) ◽  
pp. 710-735
Author(s):  
John Robert Moore

In 1817 one of Scott's closest friends and most penetrating critics wrote of his latest romance: “I must mention a remark Mrs Weddell has repeatedly made: ‘This has the nature of Daniel Defoe's novels, tho with a higher style of writing. I can hardly forbear fancying every word of it true.‘” This underlying resemblance is due in part to Scott's course of reading, in part to his literary methods or his traits of mind. But, paradoxically, the influence of Defoe on Scott is hardly more remarkable than the influence of Scott on Defoe's literary reputation.


1951 ◽  
Vol 10 (1) ◽  
pp. 46
Author(s):  
Rene Fueloep-Miller
Keyword(s):  

2021 ◽  
Vol 8 ◽  
Author(s):  
Alexandra Pakhomova

The article analyzes War Stories (Voennye rasskazy, 1915) by Mikhail Kuzmin and offers a new interpretation of the book’s pragmatics. Most students of War Stories have not treated this collection in much detail, mainly seeing it as Kuzmin’s unsuccessful attempt to become a part of the mainstream patriotic movement during WWI. Contrary to her predecessors, Alexandra Pakhomova argues this particular book has a definite and consciously motivated authorial strategy. What Kuzmin did in War Stories was an attempt to establish his new literary reputation, and also to create an entirely new genre of short fiction in Russian literature. KEYWORDS: 20th-Century Russian Literature, Mikhail Kuzmin (1972—1936), Voennye rasskazy (1915), Literary Reputation, History of Literature.


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