scholarly journals «Военные рассказы» М. Кузмина: Попытка реинтерпретации [Toward the Reinterpretation of Mikhail Kuzmin’s _War Stories_]

2021 ◽  
Vol 8 ◽  
Author(s):  
Alexandra Pakhomova
Keyword(s):  
20Th Century ◽  
Short Fiction ◽  
Russian Literature ◽  
Unsuccessful Attempt ◽  
Literary Reputation ◽  
Mikhail Kuzmin ◽  
History Of ◽  
New Interpretation ◽  
History Of Literature ◽  
War Stories

The article analyzes War Stories (Voennye rasskazy, 1915) by Mikhail Kuzmin and offers a new interpretation of the book’s pragmatics. Most students of War Stories have not treated this collection in much detail, mainly seeing it as Kuzmin’s unsuccessful attempt to become a part of the mainstream patriotic movement during WWI. Contrary to her predecessors, Alexandra Pakhomova argues this particular book has a definite and consciously motivated authorial strategy. What Kuzmin did in War Stories was an attempt to establish his new literary reputation, and also to create an entirely new genre of short fiction in Russian literature. KEYWORDS: 20th-Century Russian Literature, Mikhail Kuzmin (1972—1936), Voennye rasskazy (1915), Literary Reputation, History of Literature.

scholarly journals Эпистолярия как литературные беседы: Письма Г. В. Адамовича А. В. Бахраху [_Epistolaria_ as Literary Conversations: Letters of Georgy Adamovich to Alexander Bacherac]

2021 ◽  
Vol 8 ◽  
pp. 238-283
Author(s):  
Olga Demidova
Keyword(s):  
Literary Criticism ◽  
20Th Century ◽  
Russian Literature ◽  
Close Reading ◽  
The West ◽  
Philosophical Discourse ◽  
History Of ◽  
History Of Literature ◽  
Emigre Writers

This article is an attempt at close reading an extensive ego text (Georgy Adamovich’s letters to Alexander Bacherac of the 1940s – 1972) as a thirty-year-long literary conversation of two Russian émigré writers. Regarding the letters as a single cultural text, and relying on the hermeneutic and semiotic approaches, the article singles out three major layers of the text in question, and analyzes the textual body “inwardly,” i.e. starting from the purely existential-informational upper layer, proceeding to the layer of literary criticism, and finally reaching the layer of literary quotations and cultural allusions used as one of the basic devices forming Adamovich’s epistolary style. Comparing the letters with Adamovich’s famous Literary Conversations (Literaturnye besedy) of the 1920s, the author argues that in his correspondence with Bacherach Adamovich followed the tradition of the Russian friendly literary-philosophical discourse borrowed from the West in the 1800s and developed in the 1820s – 1830s by Alexander Pushkin and his circle. KEYWORDS: 20th-Century Russian Literature, Georgy Adamovich (1892—1972), Alexander Bacherac (1902—1985), Correspondence, History of Literature.

scholarly journals Еще раз об андерсеновском следе в романе В. Набокова «Король, дама, валет» [Once Again on Hans Christian Andersen’s Presence in Vladimir Nabokov’s Novel _Korol’, dama, valet_ (_King, Queen, Knave_)]

2021 ◽  
Vol 8 ◽  
pp. 80-93
Author(s):  
Olga Proskurova-Timofeeva
Keyword(s):  
20Th Century ◽  
Fairy Tale ◽  
Vladimir Nabokov ◽  
Russian Literature ◽  
Russian Novel ◽  
Hans Christian Andersen ◽  
History Of ◽  
Press History ◽  
History Of Literature

This article is an inquiry into the possible origin of the title of Vladimir Nabokov’s second Russian novel King, Queen, Knave (Korol’, dama, valet, 1928). It proves a long-forgotten hypothesis that the title’s likely source is a lesser-known fairy-tale by Hans Christian Andersen, published in several translations into Russian in Berlin and Riga émigré newspapers at the very end of the 1920s. KEYWORDS: 20th-Century Russian Literature, Vladimir Nabokov (1899—1977), Korol’, dama, valet (1928), Hans Christian Andersen (1805—1875), Russian émigré Press, History of Literature.

scholarly journals О летописи поэтовой: Например, Ахматова [How to Tell a Poet’s Life Story: Akhmatova’s Case]

2021 ◽  
Vol 8 ◽  
pp. 178-237
Author(s):  
Roman Timenchik
Keyword(s):  
20Th Century ◽  
Life Story ◽  
Russian Literature ◽  
History Of ◽  
History Of Literature ◽  
Anna Akhmatova

This article is an attempt to expand the chronology of a poet’s life and works as a genre. It offers not to limit a poet’s biography to poem publication dates, lists of reviews, friendships, or crucial historic events, but to include such marginal texts as rumors, and even dreams—all contributing to the existence of a poet’s name in the semiosphere. KEYWORDS: 20th-Century Russian Literature, Anna Akhmatova (1889—1966), Chronology, History of Literature.

scholarly journals The “Big Twenties” in the History of Russian Literature of the 20th Century: to the Сentenary of the Magazine Krasnaya Nov

2021 ◽  
Vol 26 (2) ◽  
pp. 311-316
Author(s):  
Alexey Yu. Ovcharenko
Keyword(s):  
20Th Century ◽  
Significant Contribution ◽  
Russian Literature ◽  
Review Article ◽  
Literary Process ◽  
History Of

The review article presents various views on the periodization of Russian literature in the 1920s and 1930s and provides arguments in favor of new, refined approaches to the boundaries of the period. Particularly noteworthy are the works of those authors who point to the need for an expanded understanding of the twenties. The concept of the Big Twenties is of particular value in connection with the centenary of the magazine Krasnaya Nov , which made a significant contribution to the literary process of that time.

scholarly journals The Ural Text of the Russian Literature

2021 ◽  
Vol 6 (2) ◽  
pp. 130-136
Author(s):  
Marina Ch. Larionova
Keyword(s):  
Large Scale ◽  
Book Publishing ◽  
Russian Literature ◽  
Ural Region ◽  
Regional Literature ◽  
Library Management ◽  
Region Data ◽  
History Of ◽  
History Of Literature ◽  
The 19Th Century

The article reviews contents, theoretical grounds, and significance for the contemporary philology of a large-scale work of Ural scholars – The History of Literature of the Ural Region (The 19th Century). In the 1920s, the idea of cultural nests – regional cultural centres, which have their own history and traditions, – was formulated in the works by N. K. Piksanov. The idea was followed and further developed by N. P. Antsiferov, who wrote about an attractive and magnetic power of locus, which organizes the cultural space around itself. That was the beginning of regional literature studies. V.N. Toporov and N. E. Mednis introduced the notions of the urban text, local text, and super-text of the Russian literature, which were accepted by the humanities geography (D.N. Zamyatin). Regional philological studies fitted into the frontier discourse smoothly: space and territory began to be perceived and considered as historical and socio-cultural factors. The reviewed book is the Ural text of the Russian literature incorporating literary and journalistic works about this poly-ethnic macro-region, written by authors biographically and territorially connected with the Large Ural Region; data on bibliography, book publishing and book trade, library management, the history of theatre, etc. The scale of research and the widest coverage of topics and data deserve the highest appraisal and make the work by the Ural colleagues exemplary.

scholarly journals INTERCULTURAL COMMUNICATION IN THE PROCESS OF TEACHING THE RUSSIAN LANGUAGE

2021 ◽  
pp. 119-123
Author(s):  
I. B. Ignatova ◽  
E. N. Legochkina ◽  
A. V. Goncharova
Keyword(s):  
Intercultural Communication ◽  
Russian Literature ◽  
Russian Language ◽  
Education Development ◽  
Culture Teaching ◽  
Russian Literary ◽  
History Of ◽  
Strategic Policy ◽  
History Of Literature ◽  
The Russian Language

The article deals with intercultural communication in the process of teaching the Russian language. It is currently the strategic policy of modern education. The use of intercultural communication between modern youth and the culture of the past in classrooms of the Russian language and Russian literature is an urgent problem of the modern stage of education development. The implementation of intergenerational intercultural communication in the process of teaching the Russian language and literature in modern Russia presupposes a purposeful appeal to the history of our state, to the history of the Russian literary language, the history of literature and culture. Teaching the Russian language and Russian literature based on the principle of national specificity offers infinite opportunities for educating students.

scholarly journals Whither drifted “The Sailors of Marseilles” in 1917?

Literary Fact ◽  
2021 ◽  
pp. 181-199
Author(s):  
Aleksandra S. Pakhomova
Keyword(s):  
The Other ◽  
Equal Footing ◽  
Central Figure ◽  
Literary Reputation ◽  
Final Count ◽  
Mikhail Kuzmin ◽  
History Of ◽  
Shared Writing ◽  
Creative Life ◽  
Made In

The article analyzes the history of lesser-known literary union “The Sailors of Marseilles” that existed in Petrograd in 1917. Mikhail Kuzmin was the central figure and the most popular writer in this union. Other “sailors” were young poets who wanted to reach out the audience and to get the opportunity for publication. Until now, this union has not been studied in the context of Kuzmin’s oeuvre, literary reputation and author’s strategies. Some conclusions have been made in the process of our research. First of all, Kuzmin’s attitude to literary unions has been specified. As we can see, he considered literary groups as a commonwealth of independent authors exploiting shared writing technics. On the other hand, he did not approve ideological unification within such unions. Denying hierarchy in literary groups, Kuzmin strove to create a literary union on an equal footing. He emphasized the individuality of each “sailor” to create to make it real, but in fact, this union was just adopting Kuzmin’s techniques, i.e., it followed the authoritative model. It should be mentioned, that the organization of the group was also the Kuzmin’s endeavour to assert his literary reputation that was in decline during 1917. Moreover, the whole concept of “The Sailors of Marseilles” was carried in accordance with the nautical symbolics developed by Kuzmin in 1917. The sea was the sign of power and war, and the sailors were the image of fraternity capable to contradict this power. “The Sailors of Marseilles” in the final count can be considered as creative-life Kuzmin’s project.

“Every Life Is Interesting…”. On Russian Literature of the First Third of the 20th Century: Selected Articles and Materials

2021 ◽  
Author(s):  
Alexander Yu. Galushkin
Keyword(s):  
20Th Century ◽  
Russian Literature ◽  
Russian Formalism ◽  
Literary Heritage ◽  
Scientific Papers ◽  
History Of ◽  
Viktor Shklovsky ◽  
Phd Thesis ◽  
First Time

The collection of the most significant scientific papers by Alexander Yu. Galushkin (1960–2014), the last of Viktor Shklovsky’s literary secretaries, the creator of one of the first independent philological journals in Russia “De Visu”, the long-term employee of the IWL RAS, and the head of the Literary Heritage Department, reflects the main areas of his research interests. In addition to articles and publications, the section “From the History of Russian Formalism” includes the extensive work “From Conversations with Viktor Shklovsky”. The section “From the History of Literary Life” contains articles and notes from periodicals that have become inaccessible (the old “Literaturnoe Obozrenie”, the Parisian newspaper “Russkaia Mysl”). The section “From the Documentary Biography of E.I. Zamyatin” presents materials for the book of the same name prepared by A.Yu. Galushkin on the basis of his works on Zamyatin; as an appendix, his PhD thesis “Discussion on B. Pilnyak and E. Zamyatin in the Context of Literary Policy of the Late 1920s — Early 1930s” with author’s corrections and additions is published for the first time. The collection is concluded with the bibliography of A.Yu. Galushkin’s works.

scholarly journals To India and Lithuania through Soviet Picture Books

2019 ◽  
Vol 1 (2) ◽  
pp. 242-250
Author(s):  
Hanna Paulouskaya
Keyword(s):  
Soviet Union ◽  
Picture Books ◽  
Picture Book ◽  
Russian Literature ◽  
Review Article ◽  
Book Art ◽  
History Of Childhood ◽  
The Soviet Union ◽  
History Of ◽  
History Of Literature

The review article discusses a book by Giedrė Jankevičiūtė and V. Geetha, Another History of the Children’s Picture Book: From Soviet Lithuania to India (2017). It describes the content of the monograph in the context of studies on picture books, especially those of Russia, Lithuania, and the Soviet Union, on the history of childhood and Russian literature. The main merit of the volume, in the opinion of the reviewer, is the choice of Indian and Lithuanian book art for comparison, which is made from the perspectives of the history of literature, art, societies, and understanding of childhood.

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